Thursday, May 11, 2017

Peanut Island, Trevor, and Politics



Tuesday’s weather was one of those travelogue-featured Florida days, relatively low humidity, light winds out of the east, temperature reaching the mid-80’s, just a perfect day for boating, especially as the weekdays features light “boat traffic.”  It’s gotten to the point where I will not even go out on a weekend when the “crazies” seize the waterways, their uneducated or inconsiderate boat handling making for dangerous, uncomfortable going at times.  Being responsible for one’s wake is unheeded by many.

But I’ve digressed.  So Tuesday dawned a beautiful day, a day to be on the water, to escape the constant political drumbeat, and to enjoy what led us to Florida in the first place.  Ann was busy, so that meant going out on my own.  In this area, there are a few choices for a solitary journey.  First, go up or down the Intracoastal or go out into the ocean and do the same.  In other words, take a ride, but that doesn’t appeal to me anymore unless I’m taking someone who would like to see the sights.  Another option is to drop a hook at an anchorage, probably in northern Lake Worth, sit in the shade of the tee top, and read.  I can go swimming off the boat, but prefer someone with me to do that although I normally have no difficulty getting off or on the boat.  The third, more preferable option is to go to a beach, only reachable by boat, in that case either Munyon Island or Peanut Island.  The latter is further and the boat needed a run anyhow, so off to Peanut I went.


It was the right decision as the island was mostly deserted……just what I sought, some peace and quiet.  Brought a sandwich and some Perrier, tied the boat up at the floating docks in the Peanut Island Boat basin, and then walked the quarter mile or so to “my” beach, with a beach chair and reading material. This consisted first of the Wall Street Journal which to me nowadays is “light” reading except for a few articles and the second collection of short stories by William Trevor who I haven’t returned to ever since the election and getting sucked into the abyss of political news.  Time to turn to an old friend to accompany me on my island and forget about everything else.

His second short story anthology Selected Stories consists of ones he wrote later in life, many when he was my age, so I particularly relate to them. As an “Anglo-Irish” writer his shift seems to be more towards where he grew up, Ireland, and not where he lived most of his adult life, England.   He is indeed an Irish story teller.

After a swim (or more like floating) in the clear Bahamian-like waters of Peanut Island, passing by the “Waterway Grille” at a mooring (want pizza at the beach? - just tie your boat up to this houseboat), I had my lunch and dispensed with the WSJ and then settled down with my companion, William Trevor.  

I read and pretty much reread his story Widows, classic Trevor, a story about a slice of life of persons of no particular interest, attribute, or fame, everyman in his naked self.  The story starts off with such a memorable line, immediately bringing you into the story: Waking on a warm, bright morning in early October, Catherine found herself a widow.” Her husband, Mathew, died in his sleep right next to her.  Then in one sentence you get a good idea of both of them:  Quiet, gently spoken, given to thought before offering an opinion, her husband had been regarded by Catherine as cleverer and wiser than she was herself, and more charitable in his view of other people. 

He was well thought of, organized and professional as a seller of agricultural equipment.  He even anticipated the inevitable day when they would be separated by death: Matthew had said more than once, attempting to anticipate the melancholy of their separation: they had known that it was soon to be.  He would have held the memories to him if he’d been the one remaining. ‘Whichever is left,’ he reminded Catherine as they grew old, ‘it’s only for the time being.’…Matthew had never minded talking about their separation, and had taught her not to mind either.

It is not until the funeral that we are introduced to another key character, the other widow (after all the title of the short story is Widows) and that person is Catherine’s sister, Alicia.  She had been living in the house with Catherine and Matthew since her own philandering husband had died nine years earlier.  So there is now the contrast of a happy marriage and Alicia’s unhappy on.  The sisters are now alone in the house.  Alicia is the older, and their relationship seems to be reverting into one before their marriages, the older helping, guiding the younger.

Until the other major character emerges, a painter, Mr. Leary, who brought no special skill to his work and was often accused of poor workmanship, which in turn led to disputes about payment.  Weeks after the funeral he comes by the house to discuss an outstanding bill, an embarrassment because of the death.  He explains that work he had done for Matthew on the house, for cash, £226 to be exact, had not been paid.  Catherine clearly remembers withdrawing the money in that exact amount for Matthew to give to him, and even has the bank records to that effect, but Mr. Leary asks whether she had a receipt.  Mrs. Leary always issued a receipt and there was none in her receipt book.  Are you sure the money was delivered to Mrs. Leary?  The reader is left with the insinuation that perhaps Matthew used the money for something tawdry or at least careless.  Catherine and her sister think that this is just a clever scheme by the Leary’s to be double paid.  She ignores it for awhile but still ponders the possible reasons and then a statement is delivered by mail that the amount is past due.  And that’s part of the genius and wonderment of the story: we never really know whether it was paid or not and if not why (although one is left with the feeling it was).

Catherine is tortured by this knowing a statement will come month after month and finally declares to her sister her intention to pay the bill (probably again).  Catherine was paying money in case, somehow, the memory of her husband should be accidentally tarnished.  And knowing her sister well, Alicia knew that this resolve would become more stubborn as more time passed.  It would mark and influence her sister; it would breed new eccentricities in her.  If Leary had not come that day there would have been something else.

So, in a sharp turn in the story, the spotlight now shines on the relationship between the sisters. This is another Trevor technique of shifting the story suddenly to the real one: an old power struggle to a degree, Alicia being the older and when they were younger considered the more beautiful.  Why shouldn’t things return to the way they were? The disagreement between the sisters, to pay or not, reaches a climax one night.  They did not speak again, not even to say goodnight.  Alicia closed her bedroom door, telling herself crossly that her expectation had not been a greedy one.  She had been unhappy in her foolish marriage, and after it she had been beholden in this house.  Although it ran against her nature to do so, she had borne her lot without complaint; why should she not fairly have hoped that in widowhood they would again be sisters first of all?....By chance, dishonesty had made death a potency for her sister, as it had not been when she was widowed herself.  Alicia had cheated it of its due; it took from her now, as it had not then.” Talk about great writing.  That last sentence is a gem.  And that is what Trevor’s writing is all about, the commonplace, but those profound moments in each “everyman’s” life.


So, my day at Peanut passed with natural beauty and my renewed “friendship” with William Trevor, to be revisited as time permits.  I packed up, walked back to the boat, the late afternoon sun now beating heavily, boarded the boat and went north on Lake Worth back to my dock to clean up the boat and get ready for dinner with friends.  It was a day away from Twitter and current news so it was not until I got into the car with our friends that I learned that FBI Director James Comey was abruptly fired by Trump, the details of which as we get deeper and deeper into it are as bizarre as any fiction I’ve read.

It seems to me that the next few days are decisive as to whether we will (as we have up to now) accept this as the "new normal" or some courageous Republican Senators draw the line at this and insist on a special prosecutor.    If you switch back and forth between Fox and MSNBC you would think we are living on two different planets.  The assistant White House press secretary was waxing eloquently that the decision was oh so, so, swift and decisive.  Just her kind of man!

The disingenuous letter from Trump cited the “recommendations” of Attorney General Jeff Sessions and Deputy Attorney General Rod J. Rosenstein.  The latter said Comey should be fired because of the way he handled Hillary Clinton emails!  But the most bewildering part of Trump’s firing letter is the following sentence:  “While I greatly appreciate you informing me, on three separate occasions, that I am not under investigation, I nevertheless concur with the judgement of the Department of Justice that you are not able to effectively lead the Bureau.”  In other words, I’m firing you because of how you helped me get elected, not because you are leading the investigation into my ties to Russia, and I need to get a partisan FBI director who will do my bidding.

Here's hoping our Republic survives instead of stealthily slipping into an obedient dictatorship.

Friday, May 5, 2017

Martin McDonagh’s The Cripple of Inishmaan Opens at Palm Beach Dramaworks May 19th



Dramaworks will conclude its season with Martin McDonagh’s The Cripple of Inishmaan.  Six years ago, Dramaworks’ last performance at its former intimate stage on Banyan Street was McDonagh’s The Beauty Queen of Leenane, a play that rips your heart out.  I reviewed it as “grimy and gritty…[with] dark humor that shrouds the entire play.”

But have no such fear seeing The Cripple of Inishmaan as it is essentially a touching comedy, beautifully crafted by a master playwright.  Like Beauty Queen, this play unfolds in a remote setting in Ireland, where people cobble a life out of unforgiving isolation and hardship -- after all, this is Irish Theatre. 

Dreams are in short supply on the desolate island of Inishmaan, particularly for the sensitive, physically challenged Billy Claven.  So when word arrives that an American filmmaker is coming to the neighboring island of Inishmore to make a motion picture (this part is based on fact when the director Robert J. Flaherty went to the Aran Islands in 1931 to make a documentary about the harsh conditions there), Billy yearns for a part in the movie, hoping for a trip to Hollywood and to escape the cruelty and bleakness that engulf him.  

Dramaworks’ usual brilliant casting has called on a mix of newcomers to play alongside several of the incredibly talented South Florida veterans who have graced the Dramaworks stage many times before.  I caught up with some of them and the Director during Dramaworks’ Press Day.

PBD’s production is directed by J. Barry Lewis who has stunningly brought to life scores of South Florida productions.   He commented “This play is truly built around character identity, unique characters caught in a harsh world, some wanting to leave. Each character has very specific human needs and the action flows from that.” He characterizes it as a “dramatic comedy” and thinks one of the minor but particularly oddball characters, Bartley, has a key line which goes to the heart of the play’s theme: “It never hurts to be too kind.”  He added that in PBD’s casting “you create a kind of family with each production.”

Adam Petherbridge
And what a cast!  Among the newcomers is the lead Adam Petherbridge as Billy Claven.  Besides the obvious challenges of playing a young man with such severe physical disabilities, he noted the difficulties of dealing with his changing relationship to the other characters.  “J. Barry has been great in pointing out a path,” he said.  Not so coincidentally, this is his favorite play.  “I read it in college and have always wanted to do the role ever since.  When I saw it listed for casting in NYC about a year ago I said to my agent, let’s go after it!” Petherbridge sees this as “true Irish theatre, particularly in its use of rhythmic language. “

Another NYC based actor making her PBD debut is Adelind Horan who plays the feisty lass, Helen.  She shares a remarkable happenstance with Petherbridge as she has always wanted to play this role since she saw the play when she was 10 years old!  Her parents are both actors and her father once played the role of Babbybobby in the play.  So both actors are fulfilling a dream. 

Adelind Horan
Horan is also the author of a one person play focused on the hardships in the Appalachian region, Cry of the Mountain.  She has been to the Aran Islands and sees “many similarities between the hardships of the people of Appalachia and the people of remote West Ireland.”  Although her character has a hard exterior, “I think Helen likes Billy all along and all the characters essentially have a soft core.”

Billy’s “pretend aunties” are played by Laura Turnbull (Kate) and Elizabeth Dimon (Eileen), two of the finest actors in South Florida, double threats as they are both dramatic and musical performers as well.  And they are also best friends and although they have played opposite one another as friends and even as lovers in past plays, this is the first time they are playing sisters, which describes how they actually feel about one another.  One can only imagine how this deep respect for each other will surface in this production.

Laura Turnbull

Turnbull mentioned “there are dialogue challenges in playing Kate but I love doing an authentic west coast Irish accent (although liberties are taken to make everything clear to the SF audience).”  “I see Kate as a kind woman with a lot to worry about and especially needing to be kind to Billy.” 

Elizabeth Dimon

Elizabeth Dimon said she feels “that while her character, Eileen, is very tender toward Billy, she will correct him when she feels he is wrong.  All the characters have a good heart, but don’t cross them up or make them feel like a fool.  Although bleakness is a given, I love the well written characters and the dialect.”  And she echoed Turnbull’s sentiments about returning again to do a play at Dramaworks, to work with J. Barry and especially the cast.  “It’s like family, a sense of comfort; you know the actors and you know the process.”

Others in the cast or crew of this PBD production are Colin McPhillamy as the “town crier” Johnnypateenmike O’Dougal, Wesley Slade (PBD debut) as Bartley, Helen’s younger brother, Jim Ballard as Babbybobby, Dennis Creaghan as Doctor McSharry, and Harriet Oser as Mammy O’Dougal. Scenic design is by Victor Becker, costume design is by Franne Lee (PBD debut), lighting design is by Paul Black, and sound design is by Steve Shapiro.

The Cripple of Inishmaan opens at Palm Beach Dramaworks on May 19 and continues through June 4, with specially priced previews on May 17 and 18.  The performance schedule includes evening performances Wednesday through Saturday at 8PM, and Sundays at 7PM. Matinee performances are on Wednesday, Saturday, and Sunday at 2PM.  Post-performance discussions follow Wednesday matinee and Sunday evening performances.  Individual tickets are $66, with specially priced preview tickets at $46 and Opening Night tickets at $81.  Student tickets are available for $10; tickets for educators are half price with proper ID (other restrictions apply).  Group rates for 20 or more and discounted season subscriptions are also available.

The Don & Ann Brown Theatre is located in the heart of downtown West Palm Beach, at 201 Clematis Street.  For ticket information contact the box office at (561) 514-4042, or visit www.palmbeachdramaworks.org.  




Wednesday, April 26, 2017

Wedding Anniversary Redux


47 years ago and it seems like yesterday.   I’ve told our wedding story before in this space, but here’s an edited and expanded version:  I spent the night before our wedding in my apartment at 66 West 85th Street and Ann at hers at 33 West 63rd Street (although we were already living together on and off).  Her apartment would become our first home.

Our one-week trip to Puerto Rico a few months before we were married became, unknown to us at the time, our honeymoon in advance.  I was between my first job in publishing where we had met a few years before and returned from our holiday to start a new one in Westport, CT, which I would occupy for the rest of my working life.

That trip was memorable for several reasons besides being our first vacation together.  We got to see the new 747 when we landed.  Little did I know how often I would fly that plane across the Atlantic and Pacific in my future, frequently with Ann.  Our hotel was on the beach and Tony Conigliaro was staying there, the Red Sox outfielder who was hit by a pitch a couple of years before, but made a comeback and, in fact, that season which he was about to begin would be his best.  Also, I finally got to rent and drive a VW Bug, something I had coveted when I was younger but could not afford to buy and maintain in Brooklyn.  Driving through the rain forest was particularly memorable.  But what I most remember is the high anxiety I felt about starting a new job upon our return.  Consequently in the evenings I would read industry journals and technical books about running a business, something that did not make Ann particularly happy.   

Nonetheless, during that trip we decided that marriage sometime in the future would be preferable to just living together, so upon our return, Ann placed a call to The Ethical Culture Society which she regularly attended.  There was one Leader who she knew personally and admired, Jerome Nathanson, the man she wanted to marry us.  Naturally, we were thinking of sometime that summer but he had only one date open in the next seven or eight months – the following Sunday in exactly one week. We looked at one another and said let’s take it. 

Consequently, Ann began hasty wedding arrangements, including ones to fly her mother and Aunt in from California, picking out a dress for herself and mother to wear, hiring a caterer and picking out flowers.  We chose the list of attendees, mostly our immediate families and closest friends, including a few colleagues from work and of course, my young son Chris from my previous marriage.  Ann’s brother and sister-in-law graciously offered their home in Queens for an informal reception.  Everything had to be done on a shoestring and obviously with a sense of urgency.

The ceremony itself was what one would expect from a brilliant and humorous Humanist Minister.  A substantial part of the service captured our enthusiasm for the then victorious New York Knicks, with names such as Bill Bradley, Dave DeBusschere, Walt Frazier, and Willis Reed sprinkled throughout our wedding vows.  Later that night we returned to my 85th Street apartment.  I had to go to work the next morning, my driving to Westport, while Ann took a one day holiday to spend with her Mother and Aunt Lilly.  So our married life together began.

I posted a brief photographic essay of our years together marking our 42nd anniversary which can be seen here.

Fast forward to now.  Romantic love deepens into a friendship like no other.  So how did we celebrate? 

First Oysters and Clams on the half shell at Spoto’s and then later, off to the Sunday jazz jam at the Double Roads Tavern in Jupiter with our friends, John and Lois.

There we again saw the upcoming jazz prodigy, Ava Faith, only 13 years old. 


It will be interesting to watch how she matures but it is good to know that the Great American Songbook is being passed on to a younger generation.  Much credit in this geographic area goes to Legends Radio and its founder Dick Robinson and to the Jupiter Jazz Society and their founders, the incredibly talented keyboardist Rick Moore and his wife Cherie who helps to organize and publicize the traditional Sunday evening jam.
 
As we are on the topic of music, a special shout out to David Einhorn, a professional bass player who had been out of the country for years, and is now back and playing in the area and occasionally comes by our house to jam with me on the piano -- above which his sister Nina’s painting hangs.  

I hear him beating timing into my head, something less important when one plays solo as I have done all of my life.   His recordings with the late, great pianist Dick Morgan are a shining light to me.  Thank you, David.

And thanks Ann for putting up with me these oh so many years!

A card from our friends, Art and Sydelle, hand illustrated by Sydelle




Monday, April 24, 2017

Barbarians IN the Gate



It didn’t take long to deface The Office of the Presidency, celebrity triviality “trumping” expertise and dignity.  To the victor belong the spoils and it is no more in evidence than the recent White House fĂȘte personally hosted by Donald Trump, his guests being Sarah Palin, Ted Nugent and Kid Rock, whoever the latter two are.  Supposedly, Sarah invited Ted and Kid because Jesus was busy.  During their four hour run of the White House including a white china dinner they apparently discussed “health, fitness, food, rock ’n’ roll, Chuck Berry and Bo Diddley, secure borders, the history of the United States, guns, bullets, bows and arrows, North Korea, [ and ]Russia.”  It is reassuring to know our President is getting such good advice.

According to NPR, Mr. Nugent described the visit as follows: "Well well well looky looky here boogie chillin', I got your Shot Heard Round The World right here in big ol greazya— Washington DC where your 1 & only MotorCity Madman Whackmaster StrapAssasin1 dined with President Donald J Trump at the WhiteHouse to Make America Great Again! Got that?"

For a fuller account of the symbolic desecration of the White House with some official White House photographs go to Sarah Palin’s website.  This includes a photograph of the three mocking the portrait of former first lady Hillary Clinton.  According to the New York Times, an unnamed person “asked the three to extend their middle fingers beneath the portrait.  ‘I [Mr. Nugent] politely declined,’ he said. ‘Let the juxtaposition speak for itself.’” 

Meanwhile, apropos to this topic, a recent Palm Beach Post cover story revealed the contributions to Donald Trump‘s inaugural committee and not surprisingly, some of the larger contributors are right here in the Palm Beach area, the home of the so-called Southern White House (might as well be the White House given the extent of his time here).  The leading donor in this immediate area was billionaire Chris Cline whose private company has more than three billion tons of coal reserves.  No wonder he was happy to throw in $1million to the inaugural festivities. Presumably such contributions assures a place in the new swamp. It is truly a plutocracy of self-serving popular culture or corporate elitists.  

Jim Wright, the author of the Stonekettle Station blog has written a related essay on this topic,The Hubris of Ignorance.  Wright used to write obsessively in his blog but over time has turned more to Twitter for his incisive jabs.  Thankfully, he’ll still post a lengthy, thoughtful essay.  This is must reading from an ex-military man who sees the world, and the administration, for what it is.  A brief quote from his most recent entry summarizes this issue of expertise (or the lack of it) and “the cultivation of intelligence”: 

The Founding Fathers weren’t amateurs

 The men who freed this country from King George and then went on to forge a new nation were intellectual elites, the educated inheritors of The Renaissance and products of the Early Modern Age. They were able to create a new government because they were experts in government, educated in war and politics and science and religion and economics and social structures and all the hundreds of other things it takes to build a nation instead of tear one down.

Unlike their foolish descendants, the Founders knew that liberty and democracy and good government take far more than shallow patriotism.

Good government takes intellect, education, experience, curiosity, and a willingness to surround leadership with expert advice and support.

More than anything, it takes the cultivation of intelligence instead of pandering to the lowest common denominator.