Remember that name, Copeland Davis.
Earlier in the year I was inspired to write about the Florida Sunshine Pops orchestra. And, I’ve written before about jazz performers who are in a class by themselves, both those who are well known and those who work mostly in local venues, performing mainly for the love of the Great American Songbook.
The other night we attended the first of the Florida Sunshine Pops concerts for the season, which was a tribute to Richard Hayman and the Boston Pops. Hayman was the principal arranger for the Boston Pops for some 30 years, and today at the age of 89 is still active as the conductor of the Florida Sunshine Pops. Also, as one of the original members of the Harmonica Rascals he can still play a mean harmonica! His arrangements of Metro-Goldwyn-Mayer film scores are legendary.
This first concert of the season had a special guest performer, someone we’ve seen before, Copeland Davis, whose prodigious talents as a pianist inspired a standing ovation at the end of his first piece with the orchestra, Didn’t We? He brings a rare mix of gifts to the keyboard – first abounding warmth that shines through his presence on the stage, but, foremost, his ability to fuse blues, jazz, pop, and classical in one piece. I have seen some great jazz pianists and the only ones I remember having this ability are the late Oscar Peterson and Claude Bolling. At one point in his performance, in the middle of an arpeggio, Davis turned to the audience, slyly smiling, as if to say, “look, Ma, no hands!” I will go out on a limb and predict that Copeland Davis is destined to go way beyond the Florida market. Although his You Tube performances were not recorded under the best conditions, depriving him of the showcase he deserves, here is one I loved:
