tag:blogger.com,1999:blog-30175239974506905332024-03-15T12:40:30.174-07:00Lacunae MusingBy Robert Hagelstein Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comBlogger764125tag:blogger.com,1999:blog-3017523997450690533.post-72249097982474145632024-03-15T12:39:00.000-07:002024-03-15T12:39:55.979-07:00Family Time – A Precious Gift<p> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisxT4ttqKCPzrXlhg2TvW0OwaNUX9hq1ZNUU7RegvXLeWzBpVAwipiNz6f730apMBfKuj6u2umgLRoEBhpRBEGRe5pp7qjgoR88cgdukt5e7x5JLc3BGMlvUByI7f9lJU8ZDPnIkA5uS-g9GQWHXBBPy4p32JoHknOVtrOV4k2RbjsJqfclH561UnNjLJt/s1920/Dawn%20at%20Sea.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1440" data-original-width="1920" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisxT4ttqKCPzrXlhg2TvW0OwaNUX9hq1ZNUU7RegvXLeWzBpVAwipiNz6f730apMBfKuj6u2umgLRoEBhpRBEGRe5pp7qjgoR88cgdukt5e7x5JLc3BGMlvUByI7f9lJU8ZDPnIkA5uS-g9GQWHXBBPy4p32JoHknOVtrOV4k2RbjsJqfclH561UnNjLJt/w400-h300/Dawn%20at%20Sea.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Dawn at Sea<br /></td></tr></tbody></table><br /><!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing">We recently returned from a Caribbean cruise, one of many
we’ve taken over the years, this one on the Celebrity Apex. <span style="mso-spacerun: yes;"> </span>For seven months we anticipated this and poof,
in seven days it was over.<span style="mso-spacerun: yes;"> </span>The ship went
to ports we’ve been to before, and it is a newer ship, larger than most we’ve
been on, with all the glitz we try to avoid.<span style="mso-spacerun: yes;">
</span>As a one week Caribbean cruise at this time of the year, it was filled
with people who were there simply to have fun and eat and drink a lot.<span style="mso-spacerun: yes;"> </span>The cruise catered to that crowd in their
choice of entertainment, massive buffets, booming music in the pool area, and
the constant encroachment of announcements. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">My description cannot even approach the definitive work on
such a cruise which was deliciously captured by David Foster Wallace’s
experiences on a 7 day Celebrity Caribbean cruise in 1996’s <a href="https://harpers.org/wp-content/uploads/2008/09/HarpersMagazine-1996-01-0007859.pdf"><i style="mso-bidi-font-style: normal;">Harpers Magazine</i>, “Shipping Out; On the
(nearly lethal) comforts of a luxury cruise.” </a></p>
<p class="MsoNoSpacing"></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Although written almost thirty years earlier, its satirical
truths and hilarious observations have stood up to the test of time and ought to
be required reading, all 24 pages. Here are just a few of the breakouts from
the article as teasers:</p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">I have seen naked a
lot of people I’d prefer not to have seen nearly naked.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">On a cruise your capacities
for choice, error, regret, and despair will be removed.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">You don’t ever hear
the ship’s big engines, but you can feel an oddly soothing spinal throb.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">The atmosphere
onboard the ship is sybaritic and nearly insanity-producing.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Not until Lobster
Night did I understand the Roman phenomenon of vomitorium.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">The vacuum toilet
seems to hurl your waste into some kind of septic exile.</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">So why go?<span style="mso-spacerun: yes;"> </span>It was
the one week our “kids” could accompany us for a family vacation, Jonathan and
his wife Tracie, and Chris and his partner, Megan.<span style="mso-spacerun: yes;"> </span>We booked a table in one of the ship’s
restaurants where leisurely dinners were permitted if not encouraged.<span style="mso-spacerun: yes;"> </span>We also sometimes met up in the morning or
for lunch.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVdHchR3wCyJuNQZ9jbxBXYTV5bbRELEgB9XeZHwk7x80rTYrZkjLAsohaXq0nU4UKWLWzSO01L7_3jygwjN8KHD5OFtLoY0N3WZJOgDizW8dr29j_1bDUrqbRxiCyjiZOYjiLZAz_KjO7YjUigFqA8Jvdo6AakcCJWsARrHUwdT_aP44FElmWvJbrxs-/s1920/At%20Tuscan%20Dinner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCVdHchR3wCyJuNQZ9jbxBXYTV5bbRELEgB9XeZHwk7x80rTYrZkjLAsohaXq0nU4UKWLWzSO01L7_3jygwjN8KHD5OFtLoY0N3WZJOgDizW8dr29j_1bDUrqbRxiCyjiZOYjiLZAz_KjO7YjUigFqA8Jvdo6AakcCJWsARrHUwdT_aP44FElmWvJbrxs-/s320/At%20Tuscan%20Dinner.jpg" width="320" /></a></div><br /><p></p>
<p class="MsoNoSpacing">My usual routine was to get on the track at sunrise, get
in a few laps of power walking (I still call it that although I’ve slowed as I’ve
aged), frequently meeting Chris there, and then quietly having some coffee,
bringing some to Ann as she got dressed for breakfast.</p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjylf3l2BSZPh83vtrnqnRFwvgd2X-VrLMgJ_wWsYS9aio_t_Y7Kxpf4TPTIXJzkXhPWjyWL6T-xgS4RsKAfCxKwRMszy9AXpM5TnJ25_U_lTIlBIR2HQ0TD-mg3t1yWs8sriN0bu2rf3GsgObuABdMCAsSOf_6S4R_CNoaj73giykmhLpTp4qD8yeAdxVn/s1491/Early%20Morning%20Coffe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1114" data-original-width="1491" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjylf3l2BSZPh83vtrnqnRFwvgd2X-VrLMgJ_wWsYS9aio_t_Y7Kxpf4TPTIXJzkXhPWjyWL6T-xgS4RsKAfCxKwRMszy9AXpM5TnJ25_U_lTIlBIR2HQ0TD-mg3t1yWs8sriN0bu2rf3GsgObuABdMCAsSOf_6S4R_CNoaj73giykmhLpTp4qD8yeAdxVn/s320/Early%20Morning%20Coffe.jpg" width="320" /></a></div><br /><p></p>
<p class="MsoNoSpacing">They did some port sightseeing, while we usually stayed
on the ship, appreciating the quiet time, especially in the spa solarium.<span style="mso-spacerun: yes;"> </span>There we enjoyed soft spa music, a dip in the
Jacuzzi for 15-20 minutes and then spent the rest of the morning lounging in
comfy deck chairs reading our books.<span style="mso-spacerun: yes;"> </span>I
finished one novel, more on that in a later entry. <span style="mso-spacerun: yes;"> </span>No direct sun in the solarium, so no need to
lather up with sun screen. <span style="mso-spacerun: yes;"> </span>We either had
the no calorie spa lunch that is served in small bite sized portions or
splurged one day on a hamburger and fries. <span style="mso-spacerun: yes;"> </span>Those days were brief respites of blissful
peacefulness.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">None of us went to the so called entertainment in the
evenings, opting instead to extend our dinners for as long as we wanted.<span style="mso-spacerun: yes;"> </span>The point was to be together and not to sit
in a theatre watching their brand of shows.<span style="mso-spacerun: yes;">
</span>The piped in music onboard was excruciating, catering to a much younger
crowd. <span style="mso-spacerun: yes;"> </span>But it was a week where we could
really relax, be lazy and enjoy being with both sons and their spouses.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">All those years raising our “boys,” Chris and Jonathan,
now a distant memory but watching them interact with each other as if they were
still kids.<span style="mso-spacerun: yes;"> </span>I tried to get a candid shot
of them as they fooled around, and here I post one as well as one of when they
were really kids watching TV on our bed.<span style="mso-spacerun: yes;">
</span>Can it be, all those years?<span style="mso-spacerun: yes;"> </span>But we’re
happy they have a relationship as there is an eleven year age difference and
different mothers as well, although Ann is “Mom” to Chris.<span style="mso-spacerun: yes;"> </span>We raised him during the angst of his teenage
years.</p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr26O5M5fOBGW0sL11EszrWPvAYBpPpJxEI2WkxyP5ssdpXNxnejLAT2dvJPxeXXL8F4jbYnS-xcQaDotcZWvHtgNpqzcxZa0Ijtg2nOELiCDtoaYSQ-V_Z03zmaJXmgrFMCupgmLPYQv60hS-DMTg4P7Xq3zO63Ts0wnJfhMCKKT0nTqV0DgkbqYeeX1L/s1390/Brothers.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1171" data-original-width="1390" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr26O5M5fOBGW0sL11EszrWPvAYBpPpJxEI2WkxyP5ssdpXNxnejLAT2dvJPxeXXL8F4jbYnS-xcQaDotcZWvHtgNpqzcxZa0Ijtg2nOELiCDtoaYSQ-V_Z03zmaJXmgrFMCupgmLPYQv60hS-DMTg4P7Xq3zO63Ts0wnJfhMCKKT0nTqV0DgkbqYeeX1L/w200-h169/Brothers.jpg" width="200" /></a></div> <br /><br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7yd5_Mnz9B93iIJKwaCOJxe0Ipn6a0XqigjoC2cjm5MGACabMt63r74Dz78cZP-klJVYPiIr81Elk-MzDqV3ewiC2qtp2ha2UT5PwwuwSyRZGJBe92qJwDrG9OwxZ4xDtmAL4iatPSoKuanYNZNztBS3hDSds4OqLbdAhoCHlGxM9kKJEJ4bbl1UufOEZ/s797/jon%20chris%201977%20on%20bed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="607" data-original-width="797" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7yd5_Mnz9B93iIJKwaCOJxe0Ipn6a0XqigjoC2cjm5MGACabMt63r74Dz78cZP-klJVYPiIr81Elk-MzDqV3ewiC2qtp2ha2UT5PwwuwSyRZGJBe92qJwDrG9OwxZ4xDtmAL4iatPSoKuanYNZNztBS3hDSds4OqLbdAhoCHlGxM9kKJEJ4bbl1UufOEZ/w320-h245/jon%20chris%201977%20on%20bed.jpg" width="320" /></a></div><br />
<p class="MsoNoSpacing">A bit of serendipity led us to get off the ship in the
Cayman Islands.<span style="mso-spacerun: yes;"> </span>Over the years this blog
with its (now) massive amount of information and family history, has attracted
many people who have been touched by connections closer to us than six degrees
of separation.<span style="mso-spacerun: yes;"> </span>I get emails from them
and follow up.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Two months ago I received one from Melanie, a woman who
had been researching some family history online <a href="https://lacunaemusing.blogspot.com/2013/03/a-surprise-discovery-about-1913-avant.html">and found an entry in my blog </a>and believed we shared some common ancestry.<span style="mso-spacerun: yes;">
</span>We do indeed.<span style="mso-spacerun: yes;"> </span>Her grandmother was
the daughter of my grandfather’s sister.<span style="mso-spacerun: yes;">
</span>And I was at her grandmother’s wedding when I was ten years old, hardly
remembering any of it, but I had photographs of the wedding which my father
left in his files; I eventually scanned those and I was able to email some to
her.<span style="mso-spacerun: yes;"> </span>You can imagine her shock and
delight.</p>
<p class="MsoNoSpacing"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ9X8Gc8A8kQI32OB4nerGX_3pjNJm5uVDX0ZYhTgnCQeoDVjKsLd06vHEC3AQ_wnjbjXpEggkxgzdc8yVeoblSzN7yf8uswh_MeEQ0IUrxNKhup3kCoL2lkwi0UcvFkUNmJqro7YdkQ1oE4DbH6285G2m5CPSNQlcCnf815Hu7TA0s34oIHzhwdlD64Rq/s1920/On%20the%20tender%20to%20Caymans.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1920" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ9X8Gc8A8kQI32OB4nerGX_3pjNJm5uVDX0ZYhTgnCQeoDVjKsLd06vHEC3AQ_wnjbjXpEggkxgzdc8yVeoblSzN7yf8uswh_MeEQ0IUrxNKhup3kCoL2lkwi0UcvFkUNmJqro7YdkQ1oE4DbH6285G2m5CPSNQlcCnf815Hu7TA0s34oIHzhwdlD64Rq/s320/On%20the%20tender%20to%20Caymans.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Tendering to the Caymans<br /></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">But the story doesn’t end there.<span style="mso-spacerun: yes;"> </span>I soon learned that she lived in, of all
places, the Cayman Islands, with her husband and son.<span style="mso-spacerun: yes;"> </span>The light bulb went off; that was one of the
ports the ship was going to so I suggested we get together and she was
delighted.<span style="mso-spacerun: yes;"> </span>We had to tender to the port
and it’s a busy place but we finally were able to connect and have lunch
overlooking the Georgetown harbor.<span style="mso-spacerun: yes;">
</span>Thanks to AI I was able to pin down our exact relationship: Melanie is
my 2<sup>nd</sup> Cousin, once removed.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ZnW9F3ZCICMz34L2sPQY6ayJWPYVN_eUNUghab9x2avjdjoo4cK4BDzHGWXk6nLHZQn1_FZ-lj-IFh6uzTppqNrgkQbIqPSTiP_xFNyiAxe5thcE5mSFTV4KJh77fQKlg0lH4gC9bNvebqkxluekyGHR4iSLDRU2zutkVjHQUzSyKZf2QOxrgocAaHoJ/s1713/Bob%20Melanie%20Ann.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1298" data-original-width="1713" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ZnW9F3ZCICMz34L2sPQY6ayJWPYVN_eUNUghab9x2avjdjoo4cK4BDzHGWXk6nLHZQn1_FZ-lj-IFh6uzTppqNrgkQbIqPSTiP_xFNyiAxe5thcE5mSFTV4KJh77fQKlg0lH4gC9bNvebqkxluekyGHR4iSLDRU2zutkVjHQUzSyKZf2QOxrgocAaHoJ/w400-h303/Bob%20Melanie%20Ann.jpg" width="400" /></a></div><br /><p></p>
<p class="MsoNoSpacing">There is more serendipity.<span style="mso-spacerun: yes;"> </span>Our ship arrived there on March 7 which was
her 49<sup>th</sup> birthday.<span style="mso-spacerun: yes;"> </span>As Melanie
said, “how cool is that?”<span style="mso-spacerun: yes;"> </span>Now about our
meeting, I’ll turn this over to Ann who had emailed a friend the following (Ann
is a very spontaneous, emotive and sometimes funny writer): “You know when
you’re going to meet someone brand new, you know nothing about, you never know
what to expect.<span style="mso-spacerun: yes;"> </span>They could be dull as
dishwater and you’re rolling your eyes in 10 minutes praying for an early
escape.<span style="mso-spacerun: yes;"> </span>Or as in today, you are met by
someone totally precious and in fact, so utterly delightful that I wish we had
known her years ago.<span style="mso-spacerun: yes;"> </span>It was her birthday
and I brought her a gift Bob made for her especially, a photo of her
grandmother’s wedding.<span style="mso-spacerun: yes;"> </span>Framed, wrapped
and with a card delivered to her in a beautiful bag, useful for a million
things.”<span style="mso-spacerun: yes;"> </span>I could not have said it better
and more entertainingly than that.</p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHrP9RlzXSsz1ia0_JgxkrPGRls04pk4iGMUNb38mf2ujy7BZhUeDGGiU8vYWRTWQcqjJYlxnz5YGFByJJEl8inoZCZJN4K1lwAJ4euq5TFaALsMTxmYrdW6A1Ul9FL5oQp6HUvugniCd1Oz3x6Y4rE0eOGoLUK5EwLvTv9yUK1pknRDt-aZI5d0xJHPrJ/s1743/Melanie%20and%20Ann.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1262" data-original-width="1743" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHrP9RlzXSsz1ia0_JgxkrPGRls04pk4iGMUNb38mf2ujy7BZhUeDGGiU8vYWRTWQcqjJYlxnz5YGFByJJEl8inoZCZJN4K1lwAJ4euq5TFaALsMTxmYrdW6A1Ul9FL5oQp6HUvugniCd1Oz3x6Y4rE0eOGoLUK5EwLvTv9yUK1pknRDt-aZI5d0xJHPrJ/s320/Melanie%20and%20Ann.jpg" width="320" /></a></div><br /><p></p>
<p class="MsoNoSpacing">I had an ulterior motive visiting the Caymans though.<span style="mso-spacerun: yes;"> </span>I had heard it is a decent place to live and
here was a full time resident (her husband’s job led them there and coincidentally
she works now in publishing which was my working moniker as well) and the
opportunity to hear her story and who knows if the unthinkable happens this
coming November, perhaps a place for us to consider.<span style="mso-spacerun: yes;"> </span>As I suspected, this is easier to ask than to
do; it works for them as they are young (with an 11 year old son), employed,
and don’t have the health challenges that we octogenarians have.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The Cayman Islands is a self-governing British Overseas
Territory and as such enjoys some of the benefits.<span style="mso-spacerun: yes;"> </span>I was especially impressed by the low crime
rate, the relative safety of living there, and the fact that firearms are
forbidden. People there don’t have to worry about mass shootings in the
shopping centers, the schools, in the houses of worship.<span style="mso-spacerun: yes;"> </span>Imagine that? <span style="mso-spacerun: yes;"> </span>Must the last bastions of civilization be on
remote islands?</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">In any case, our fantasy of moving to escape the insanity
of our self-destructive polarized politics had to be put to rest, but it is
reassuring we know someone as lovely as Melanie is and who is part of our
extended family.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">After seeing her, we only had two nights left on the cruise
and Ann and I had booked our only tour and that was of the ship itself the next
day.<span style="mso-spacerun: yes;"> </span>Since 9/11 the bridge and the
engineering parts of ship tours were mostly off limits but with a small group,
a security check and an armed guard, the tour included the heartbeat and the
brains of the ship.<span style="mso-spacerun: yes;"> </span>That is what I
wanted to see.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">First we toured other parts of the ship, the galley,
provision lockers, laundry, waste management, and what they amusingly refer to
as I95 which is a corridor, strictly for the crew, with their staterooms, restaurant,
<br />rest areas which runs the complete length of the ship on deck 2.<span style="mso-spacerun: yes;"> </span>Unfortunately, photographs were strictly
prohibited (particularly in the engineering room and bridge), but I managed to
sneak one of the liquor storage room, nearly depleted towards the end of the
cruise, as were the food provisions.<span style="mso-spacerun: yes;"> </span>The
quartermaster logistics for these functions must be mind boggling.<span style="mso-spacerun: yes;"> </span></p><p class="MsoNoSpacing"><span style="mso-spacerun: yes;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRadgVgywt3tcgYbWZd609yCxlStZCbSfrBaV1ZBltqFNQQdYEmuBMOBbpGgpX9dWCS-4URGIjT11XF8wad6HJ3wkjF6HrAZb6oks2-uz9PadXeiV9nHlqXzcyoJ1eGWe3ihG4IZobtXY0tf1s8PNxM8Bxdk6tBFrPouUW8s9RThkuCNBobpGXdFJr6CJm/s1466/Apex%20Liquor%20Storage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1466" data-original-width="1323" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRadgVgywt3tcgYbWZd609yCxlStZCbSfrBaV1ZBltqFNQQdYEmuBMOBbpGgpX9dWCS-4URGIjT11XF8wad6HJ3wkjF6HrAZb6oks2-uz9PadXeiV9nHlqXzcyoJ1eGWe3ihG4IZobtXY0tf1s8PNxM8Bxdk6tBFrPouUW8s9RThkuCNBobpGXdFJr6CJm/w290-h320/Apex%20Liquor%20Storage.jpg" width="290" /></a></div><p></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">By the time we arrived at the engineering control room we
had walked miles, including stairs, and then standing around, but that
destination and the bridge were worth the fatigue.<span style="mso-spacerun: yes;"> </span>The engineering officer gave a presentation
including flow charts of how the five engines are coordinated (usually the ship
cruises with only two), and how redundancies are built into the propulsion
system, including two additional engines on deck 15 in case the engine room is
flooded.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Crew are in the engineering room watching television monitors
of all the engines and gauges for the equipment, the seawater reverse osmosis water
maker systems (which makes delicious water in my opinion), the bow and stern
thrusters, and the highly effective stabilizers.<span style="mso-spacerun: yes;"> </span>In fact, for my taste, they were too
effective as most of the time one hardly knew of any movement underway.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">This is in stark contrast to the first ocean crossing we
made in 1977 on the QE2.<span style="mso-spacerun: yes;"> </span>Ships in those
days were built for speed with 29 knots a typical cruising speed, with a top
cruising speed of 32.5 knots.<span style="mso-spacerun: yes;"> </span>The trade
off was a less beamy ship without stabilizers and the ship rocked and rolled,
sometimes quite violently in a storm.<span style="mso-spacerun: yes;">
</span>These new ships can hardly do two thirds the speed but you wouldn’t know
you are moving.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The high point for me was a visit to the bridge which
runs the full beam of the Apex with two helm chairs one might imagine Capt.
Kirk and Spock sitting in, facing controls at the centerline.<span style="mso-spacerun: yes;"> </span>Operationally, there are three different navigation
stations, everything completely redundant so the ship can be controlled from
the main station or stations on the port and starboard sides.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">What impressed me was the clean minimalism with features
such as its integrated radar/GPS so powerful it can detect anything in a wide
swath and its computer system able to indicate bearing, speed of any other ship
and if documented its name, port, tonnage, etc., by simply putting the
trackball pointer on it.<span style="mso-spacerun: yes;"> </span>Collision
avoidance features are built in.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Everything one needs to run the ship are at these three
compact stations.<span style="mso-spacerun: yes;"> </span>Parts of the floor deck
at the port and starboard sides are windows so one can visually watch docking
while cameras show stern and the full length of port and starboard sides for
tender activities, boarding pilot boat captains, etc.<span style="mso-spacerun: yes;"> </span>But given the full expanse of the beam of the
ship, there is the sense of being able to easily control the essential ship
functions.<span style="mso-spacerun: yes;"> </span>Joysticks now prevail over a
ship’s wheel.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Although one would hardly know it, the seven day cruise
covered 2,000 nautical miles.<span style="mso-spacerun: yes;"> </span>Rarely did
the ship’s speed exceed 18 knots.<span style="mso-spacerun: yes;"> </span>Its
top speed is only about 22 knots with all engines engaged.<span style="mso-spacerun: yes;"> </span>These ships are indeed floating hotels and
are not built for fast ocean crossings.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">So we shared one last night with our kids and we
disembarked for our separate destinations.<span style="mso-spacerun: yes;">
</span>Bittersweet. <span style="mso-spacerun: yes;"> </span>It is rare we can
all be together like that for an extended time and it is a reminder that living
in the moment and sharing family stories and laughter are life’s most precious
gifts.</p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6pm33Sy7OWQUrAOiBg4QB9oKwl213OhT0wqQx6ubBX_2WApQZkUtQAML0yILQpciVZsR71pYqjDJzh7pcvda9QFo7J8i5kw7PiUewzynnDF6Ac8zdCWra-OW1YjbNOPPMBgHfPajW8hnfmYq1DZFx6B9s6kt2cUNYbpjwJHPv5auUkWZYak6rHpuHPB0z/s3095/fAMILY%20AFTER%20DINNER.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2525" data-original-width="3095" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6pm33Sy7OWQUrAOiBg4QB9oKwl213OhT0wqQx6ubBX_2WApQZkUtQAML0yILQpciVZsR71pYqjDJzh7pcvda9QFo7J8i5kw7PiUewzynnDF6Ac8zdCWra-OW1YjbNOPPMBgHfPajW8hnfmYq1DZFx6B9s6kt2cUNYbpjwJHPv5auUkWZYak6rHpuHPB0z/s320/fAMILY%20AFTER%20DINNER.jpg" width="320" /></a></div> <p></p><p class="MsoNoSpacing"> </p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-48746784466924291222024-02-03T14:39:00.000-08:002024-02-03T14:39:26.139-08:00The World Premiere of ‘The Cancellation of Lauren Fein’ Portrays the New American Tragedy<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpXnfyZV7au7kLSZFO7O_J-7PuI19h6D11wKC0m41cV1mbdR0GRIeviEZy2txygnSv5AOgrcaj0v8auRJu1wau7Ifk4naEdFSV8rHQZbO8TMxO0BsrIoYypa6w76ar2xFHYKfLcFdURe1-EoprA5ybNxu0Lps1VIYa7TMefc2io_T3qpxXwAURNE9ZeLEr/s1639/Program.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1639" data-original-width="943" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpXnfyZV7au7kLSZFO7O_J-7PuI19h6D11wKC0m41cV1mbdR0GRIeviEZy2txygnSv5AOgrcaj0v8auRJu1wau7Ifk4naEdFSV8rHQZbO8TMxO0BsrIoYypa6w76ar2xFHYKfLcFdURe1-EoprA5ybNxu0Lps1VIYa7TMefc2io_T3qpxXwAURNE9ZeLEr/s320/Program.jpg" width="184" /></a></div><br /><!--[if gte mso 9]><xml>
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<p></p><p class="MsoNoSpacing">Must meritocracy be sacrificed at the altar of Diversity-Equity-Inclusion
initiatives (DEI) and what is the cost to society when it becomes cancel
culture?<span style="mso-spacerun: yes;"> </span>That is at the heart of this
gripping and disturbing World Premiere of Christopher Demos-Brown’s The <i style="mso-bidi-font-style: normal;">Cancellation of Lauren Fein</i> at Palm
Beach Dramaworks. <span style="mso-spacerun: yes;"> </span>His play pays homage
to Arthur Miller’s <i style="mso-bidi-font-style: normal;">The Crucible</i>
which, although about the Salem Witch trials, is an allegory steeped in
McCarthyism and the hysteria over communism.<span style="mso-spacerun: yes;">
</span>As Mark Twain remarked, “history doesn’t repeat itself, but it often rhymes.”<span style="mso-spacerun: yes;"> </span>Higher education’s commitment to DEI is
giving rise to a kind of vigilante justice with unintended consequences.<span style="mso-spacerun: yes;"> </span>It is the next rhyming verse in history, and
the playwright and PBD’s production powerfully capture the repercussions.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">A liberal university’s “Anonymous Reporting System” (and
therefore no accountability, a kind of Orwellian big brother watching you) along
with vociferous DEI proponents, aided and abetted by the ubiquity of social
media, take aim at a lesbian couple, both college professors, Lauren Fein and
her wife, Paola Moreno, impacting not only their lives, but that of Dylan,
their 16-year-old African American foster son.<span style="mso-spacerun: yes;">
</span>Like a stone thrown in a pond, the ripple effects wash far beyond this
one story. <span style="mso-spacerun: yes;"> </span>Much of Demos-Brown’s play is
a moving suspense-filled court-room style drama in Academia, with Kafkaesque
twists and turns, building to a startling conclusion and a highly effective
double ending with a truly tragic twist of the knife, the imagined alternative
reality in a world of truth and scientific reasoning.<span style="mso-spacerun: yes;"> </span>It is unforgettable.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The play is an invective of modern academic woke life.<span style="mso-spacerun: yes;"> </span>Nothing escapes the playwright’s scathing
eye, as his drama examines a liberal university’s killing of the goose and,
along with it, the golden egg of truth and academic freedom.<span style="mso-spacerun: yes;"> </span>Universities’ core values of intellectual inquiry
and research seem to be taking a back seat to values that work against their very
mission.<span style="mso-spacerun: yes;"> </span>The play is exciting,
suspenseful, painful, making you want to shake your fist at good intentions
gone unhinged. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Demos-Brown pushes the play to the borders of
metadrama.<span style="mso-spacerun: yes;"> </span>Paola’s academic specialty is
the playwright’s spiritual mentor, Arthur Miller, and her colleague, Evan’s, is
David Mamet. <span style="mso-spacerun: yes;"> </span>The latter playwright wrote
<i style="mso-bidi-font-style: normal;">Oleanna</i> to which this play finds some
commonality, although Mamet’s play was for an earlier time focusing “merely” on
sexual harassment. <span style="mso-spacerun: yes;"> </span>DEI moves well beyond
yesterday’s critical-race-theory outrage and its roots in Title IX.<span style="mso-spacerun: yes;"> </span>One only has to consider the recent crisis at
Harvard University which morphed into questions concerning the prevalence of anti-Semitism.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Yet, the playwright lands his punches with great pathos
and humor, the cost to the Fein- Moreno household being just the microcosm to
that of society and academic life.<span style="mso-spacerun: yes;"> </span>His
play is so contemporary, it actually anticipated developments as it was being
written even the innuendo of there being positive values to being a slave,
shades of Florida’s Governor’s pronouncement. <span style="mso-spacerun: yes;"> </span>It is an example of life imitating art, and
it is written meticulously to capture the way people really speak and react to
one another in love and under unimaginable stress.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Niki Fridh plays Professor Lauren Fein the brilliant, indefatigable
genetic biologist, on a fast track for the Nobel Prize.<span style="mso-spacerun: yes;"> </span>Yet, she is the good academic soldier,
agreeing to teach a basic biology course (laughingly nicknamed “Holes and Poles”).<span style="mso-spacerun: yes;"> </span>Fridh nails her character’s breezy open
manner and her brilliance, neither of which count for much as the cancel-culture
hammer comes down on her.<span style="mso-spacerun: yes;"> </span>She captures
both the tragic side of her fallen character, a victim of her own hubris, and
yet delivers lots of the humor in the play, but with a contemptuousness so
fitting the nightmare that evolves. <span style="mso-spacerun: yes;"> </span>As
the play is a tragedy, the seeds are sown in her personality, with off ramps
from the crisis readily available, but knowing that she is not guilty she
refuses to avail herself of those reputation-saving alternatives. <span style="mso-spacerun: yes;"> </span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Diana Garle and Niki Fridh Photo by Alicia Donelan</span></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">Diana Garle is Paola Moreno, Lauren’s wife, a professor
of theatre and film studies who freely admits that her status as Fein’s wife
and being queer and Latina didn’t hurt her future for advancement in
their liberal university.<span style="mso-spacerun: yes;"> </span>It is a
co-leading role, a key one as she breaks the fourth wall, keeping the audience
apprised of the back-story. Garle slips in and out of being a truth teller to
the audience and a character in the play with ease.<span style="mso-spacerun: yes;"> </span>She has the most impactful role in the play,
a bravura performance by an actor who is new to Palm Beach Dramaworks. <span style="mso-spacerun: yes;"> </span>Paola lives with the consequences of Lauren’s
tragedy and Garle’s collapsing resignation at the end is heartbreaking.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Malcolm Callender (PBD debut) is very effective as Dylan
Fein-Moreno, the troubled 16 year old foster child confused by the world, his
place in it, and such is easily manipulated by the nightmarish circumstances.</p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Odera Adimorah and Malcolm Callender Photo by Alicia
Donelan</span></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">Odera Adimorah (PBD debut) is the kindly Professor
Chikezie Nweze “Chi”, Lauren’s Nigerian research partner with a comforting basso
profundo voice. <span style="mso-spacerun: yes;"> </span>In a way he’s also a
soul father to Dylan, trying to help him make sense of the world.<span style="mso-spacerun: yes;"> </span>His unease about homosexuality is overshadowed
by his dedication to Lauren as he is convinced that her research on sickle-cell
anemia will save untold lives in Africa. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Lindsey Corey plays the prosecuting attorney, Melanie
Jones, with a fervency befitting her nickname “’Melanin’ Jones” who Paola
describes as “the DEI movement’s Che Guevara.” <span style="mso-spacerun: yes;"> </span>Being a “loser” is not in her character’s DNA
and Corey goes on a fresh attack with every push back. <span style="mso-spacerun: yes;"> </span>She is also Lauren’s academic adversary as
Jones’ field is Gender Studies for which Lauren has contempt as being a phony
made-up major, one which siphons off needed funds for her research, a field
which can actually publish papers “about how penises cause climate change.”<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Karen Stephens, a veteran of many PBD plays Dean of the
Colleges of Arts and Sciences, Marilyn Whitney, heretofore a friend of Lauren’s.<span style="mso-spacerun: yes;"> </span>Stephens projects her character’s pain at having
to move from friendship to becoming almost a “tag team” with Jones.<span style="mso-spacerun: yes;"> </span>She knows that her new and rarified position
of being appointed Dean depends on her appearing to disapprove of Fein’s
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here”). <span style="mso-spacerun: yes;"> </span>Lauren feels betrayed by her
once-upon-a-time friend. </p>
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<p class="MsoNoSpacing">Barbara Sloan makes a mighty effort to stay impartial as Judge
Lorraine Miller, and keep order at one point saying “we are academics with PhD’s”
(amusingly implying that should ensure decorum in the proceedings).<span style="mso-spacerun: yes;"> </span>She marks her territory to Lauren’s
defender’s question about her law experience with the acerbic reply “I’d prefer
‘Judge Miller’ in these proceedings.<span style="mso-spacerun: yes;">
</span>And, yes – I have a law degree from Duke.” <span style="mso-spacerun: yes;"> </span>She also delivers one of the more profound
truths attached to the proceedings, the “rules of civil law do not apply
here.”<span style="mso-spacerun: yes;"> </span>Precisely the problem!</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Stephen Trovillion plays the voice of reason in the role
of Professor “Buddy” McGovern, which I suspect is a stand in for the views of the
playwright, who also is a practicing attorney. <span style="mso-spacerun: yes;"> </span>He is the only straight white male in the
play, and amusingly is a progressive from the old south, complete with a
southern drawl which adds to the abundant humor of the play.<span style="mso-spacerun: yes;"> </span>Trovillion projects his character’s
bewilderment of the proceeding’s disregard for the rules of law to the point
that Judge Miller nearly removes him from the kangaroo court.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">PBD veteran actor Bruce Linser is perfect as Evan
Reynolds, a white, gay film / theatre scholar who has probably been passed over
for tenure because of those facts.<span style="mso-spacerun: yes;"> </span>He is
best friends with Paola and knows the dangers to Lauren saying to Paola “I
stopped teaching a long time ago. I just lecture now directly from my
pre-vetted notes. But I know Lauren has standards.<b style="mso-bidi-font-weight: normal;">” <span style="mso-spacerun: yes;"> </span></b>His feelings of betrayal
by Paola are palpable. <span style="mso-spacerun: yes;"> </span>He is also the
ominous voice of Judge Howard in a real court at the play’s sad, disturbing
conclusion</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Kaelyn Ambert-Gonzalez (PBD debut), plays Zoe, a PhD
graduate student who once studied under Lauren, had an affair with her, and
enacts an incident as a drunk at a party, the final nail in the case against
Lauren Fein.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Margaret M. Ledford directs this world premiere
production with pace and crispness.<span style="mso-spacerun: yes;"> </span>She
elevates the verbal sparring of the proceedings, even when they are overlapping.<span style="mso-spacerun: yes;"> </span>The director and the Palm Beach Dramaworks
team have transported the play to a level of hyperrealism with the video design
seamlessly integrated into the performance. <span style="mso-spacerun: yes;"> </span>Clearly, she commands the respect of the
actors and flawlessly choreographs the action as intended by the playwright,
with the help of Nicole Perry (PBD debut), the intimacy choreographer for a
number of such scenes.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Scenic design is by Anne Mundell who has created an area supporting
the other technical designers.<span style="mso-spacerun: yes;"> </span>The worn
pragmatic benches and tables serve a multiplicity of purposes and could be the
setting for Salem in 1692 or appropriately a stage for a modern day Greek
chorus.</p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8I_6Uu9fLFqe6tzDFBQKT1zgh3nPNI4f4YCkYMKinhqQ8FxTMruO0XsL1Bg7C8Kp79VIvJvS6QLgy-DdEcxR63FHz1w8O4E9jlczQnwsVFQpguDRDk1eCgM7k2MJ7HuMndKBcvI-DGhBMwODPn4xOm8RAE433rhHD5DXWtO1oel7-9euOZTbLNXgK0L0t/s1833/set.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1237" data-original-width="1833" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8I_6Uu9fLFqe6tzDFBQKT1zgh3nPNI4f4YCkYMKinhqQ8FxTMruO0XsL1Bg7C8Kp79VIvJvS6QLgy-DdEcxR63FHz1w8O4E9jlczQnwsVFQpguDRDk1eCgM7k2MJ7HuMndKBcvI-DGhBMwODPn4xOm8RAE433rhHD5DXWtO1oel7-9euOZTbLNXgK0L0t/s320/set.jpg" width="320" /></a></div><br /><p></p>
<p class="MsoNoSpacing">Video design is by Adam J. Thompson.<span style="mso-spacerun: yes;"> </span>The visual projection enhances the
architecture of the set, identifying different locations and creates a canvas
for the brilliant montage of social media at work.<span style="mso-spacerun: yes;"> </span>There we can sense the voyeurism of people
stepping into private space.<span style="mso-spacerun: yes;"> </span>The play is
cinematic and so are the visuals.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Costume design is by Brian O’Keefe, for real time,
extended time, flash backs of each character with his/her own color pallets.<span style="mso-spacerun: yes;"> </span>They range from pant suits worn by the
professionals, with Dean Whitney’s costume design having military connotations
and Buddy McGovern amusingly dressed in attire resembling something Tom Wolfe would
wear as the style of a Southern gentlemen. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Lighting design is by Kirk Bookman who in Act I has multiple
lighting challenges for many different locations whereas Act II is mostly the
courtroom with full lights up.<span style="mso-spacerun: yes;"> </span>At the denouement
there is a ghostly white spot on Lauren and a life like spot on Paola. <span style="mso-spacerun: yes;"> </span>It is highly effective and moving</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Sound design is by Roger Arnold with an emphasis on transitions
between spaces.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">What Paulo says about “Uncivil Rights,” a student’s play
she advocated can be said about this play: “In my writing classes, I teach my
students: ‘Dazzle, delight, and derange. Find the sacred cow and kill it.’ This
kid...located the most tender spot in American political culture and probed it
with merciless beauty. The play was everything art should be: Poetic. Painful.
Hilarious.” </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">But the future is encapsulated by Buddy McGovern’s impassioned
concluding argument: “Is this truly the goal of your so-called revolution? A
post-modern world with ad hoc rules at every turn? A world where innuendo kills
reputations and rumor ends careers? A world devoid of any semblance of due
process? Where subjective slight trumps objective truth? Is that what you
really want?” </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">The Cancellation of
Lauren Fein</i> is sure to enter the canon of important contemporary drama and it can be seen here, first, at Palm Beach Dramaworks.<span style="mso-spacerun: yes;">
</span></p>
<p class="MsoNoSpacing"> </p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-62602835496429437852024-01-22T09:14:00.000-08:002024-01-22T09:14:28.925-08:00Covid Blues<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing">I was hoping my next entry would be about the joys and
details of the 2024 Jazz Cruise.<span style="mso-spacerun: yes;"> </span>Until….</p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8XFvH0vH8wvikUpaXvs7F8Otg06hjcAvWQezUuhu_ZybVeNFKGXzACccdu6T7rnTEg_2q_oLUseK7gNf33K0RdruNZ0Ja1kXvMivsmnU2M5FixCj-VRA64wjgqi_2OSEi0iJ5Vs-G-B5q4EeZBOPzlxQFdDwn33az46wMgIjRlnDTKH79WNg0q7d5zp0g/s1263/Jazz%20Cruise%202024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="593" data-original-width="1263" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8XFvH0vH8wvikUpaXvs7F8Otg06hjcAvWQezUuhu_ZybVeNFKGXzACccdu6T7rnTEg_2q_oLUseK7gNf33K0RdruNZ0Ja1kXvMivsmnU2M5FixCj-VRA64wjgqi_2OSEi0iJ5Vs-G-B5q4EeZBOPzlxQFdDwn33az46wMgIjRlnDTKH79WNg0q7d5zp0g/w400-h188/Jazz%20Cruise%202024.jpg" width="400" /></a></div><br /><p></p>
<p class="MsoNoSpacing">Up until this point, Ann and I had avoided coming down
with Covid.<span style="mso-spacerun: yes;"> </span>Mostly everyone we know has had
the virus in spite of, like us, having the full arsenal of seven shots.<span style="mso-spacerun: yes;"> </span>Feeling invincible, we boldly resumed our
normal social lives, wearing no masks, although we were about to go on the one
cruise we treasure above all, The Jazz Cruise. We went to the theater several
times before departure and Ann participated in not one but two Mah Jongg
tournaments.<span style="mso-spacerun: yes;"> </span>It was inevitable I suppose
but the timing couldn’t have been worse, Ann coming down with Covid exactly one
week before our departure.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">We had a devil of a time getting Paxlovid which was unavailable
at the nearest two drug stores and then getting a voucher (for Medicare recipients)
from Pfizer to cover the new $1,300 price tag on the prescription.<span style="mso-spacerun: yes;"> </span>So within two days she was on medication but
still it was a bad bout, the worst being three days of an extremely painful
sore throat.<span style="mso-spacerun: yes;"> </span>Yet, naively we still
waited to pull the trigger on canceling the cruise, hoping, hoping, but two
days before departure we had to throw in the towel.<span style="mso-spacerun: yes;"> </span>Another experience lost to this pandemic,
although luckily, never feeling her life was in danger.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><a href="https://lacunaemusing.blogspot.com/2020/02/20th-anniversary-jazz-cruise.html">Our first Jazz Cruise was right before Covid hit in 2020</a>. One wasn’t even planned for 2021 as we were all in the nadir
of the pandemic. We booked the 2022 cruise as it looked feasible with certain
precautions, but then the CDC suddenly advised against cruises because of a new
Covid surge at the time. We patiently, no anxiously, <a href="https://lacunaemusing.blogspot.com/2023/01/2023-jazz-cruise-music-unites-us-again.html">awaited 2023 and by then it was considered safe and we had the time of our lives</a>. </p>
<p class="MsoNoSpacing"><br /></p>
<p class="MsoNoSpacing">So we were looking forward to this year’s festivities until
Covid came to visit. <span style="mso-spacerun: yes;"> </span>Not living in NYC
any longer, and now being only an infrequent visitor, the Jazz Cruise is our
only opportunity to see some of our favorite jazz performers live.<span style="mso-spacerun: yes;"> </span>My other entries in the links above mention
the names of some of the jazz artists we closely follow.<span style="mso-spacerun: yes;"> </span>Most are on the present cruise, with the
exception of Bill Charlap (he will be on the 2025 Cruise which we have already
booked).</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Still another experience missed, three years out of five,
not a very good grade, 40%.<span style="mso-spacerun: yes;"> </span>At our age, how
many more opportunities?<span style="mso-spacerun: yes;"> </span>Besides not
seeing family, Covid also canceled <a href="https://lacunaemusing.blogspot.com/2020/04/virus-vexation-and-our-50th-wedding.html">our 50<sup>th</sup> wedding anniversary</a>, one
we expected to celebrate, possibly, in the presence of the great man himself,
Stephen Sondheim.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Being marooned at home again, gave me more time for my
own piano.<span style="mso-spacerun: yes;"> </span><a href="https://lacunaemusing.blogspot.com/2022/04/bill-mays-stories-of-road-this-book.html">Bill Mays, a great jazz pianist </a>who I met a few months ago when I
was playing for a Christmas party (talk about being outside one’s comfort zone,
playing with one of the greats listening), was nice enough to send me some lead
sheets of his music and one by Johnny Mandel who he worked with and we mutually
admire although he recently passed.<span style="mso-spacerun: yes;"> </span>I
thought I had most of Mandel’s music but I did not have the one he sent, “The
Shining Sea,” such a plaintive, Mandel signature song.<span style="mso-spacerun: yes;"> </span>I love it and will eventually try to record
it.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Mays’ own “Gemma’s Eyes” is challenging for me, both
rhythmically and harmonically and I’ve been practicing it.<span style="mso-spacerun: yes;"> </span>I like challenges such as that as it helps
one keep moving forward.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">He also sent me Quincy Jones’ “Pawnbroker,” again a song I
had never heard before, the theme from the film of the same title, which more
easily fits into in my playing style and is a haunting melody.<span style="mso-spacerun: yes;"> </span>From our brief encounter, Mays certainly put
his finger on what I would respond to and I’m grateful to him, especially this
week as I feel cut loose in a space we had reserved for non-stop jazz.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">This leads me another musical observation, a very
unlikely one for me.<span style="mso-spacerun: yes;"> </span>I just “discovered”
Taylor Swift.<span style="mso-spacerun: yes;"> </span>I’m not sure what led me
to her other than having this void of a week of great music lost.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Whenever I’ve seen her it’s been in the
context of her world tour concert, with music blasting, back up bands, strobe
lights pulsating, hoards of screaming fans, and, well, essentially the way popular
music is presented now, everything geared to overwhelm the senses (“deadening”
might be a better word).<span style="mso-spacerun: yes;"> </span>Maybe that’s
what we need in this chaotic world but I’ve always avoided that scene.<span style="mso-spacerun: yes;"> </span>But I’ve also seen her briefly televised at
Kansas City football games, cheering on her man, the outstanding tight end, Travis
Kelce.<span style="mso-spacerun: yes;"> </span>Except for her exclusive seats in
the owner’s suite, she seems like just another football fan.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">As I never really heard her sing, I tried to find her in
a more intimate setting without all the over the top fireworks of her concerts
and I came across <i style="mso-bidi-font-style: normal;">Taylor Swift’s NPR
Music Tiny Desk Concert</i>.<span style="mso-spacerun: yes;"> </span>It is 28
minutes of her performing four of her well-known (well, not to me) songs "The
Man", "Lover", "Death by a Thousand Cuts" and
"All Too Well" at the Tiny Desk, indeed an intimate setting where
it’s just her and the guitar or piano and a handful, maybe a hundred, standing,
adoring fans. <span style="mso-spacerun: yes;"> </span>It was so enjoyable to
hear her singing solo.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> <br /></p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/FvVnP8G6ITs?si=p5btNbrMXfCdT7iX" title="YouTube video player" width="560"></iframe>
<p class="MsoNoSpacing"> </p><p class="MsoNoSpacing">It's as if Paul Simon was reincarnated more than 50 plus
years after I first heard him.<span style="mso-spacerun: yes;"> </span>There are
eerie comparisons.<span style="mso-spacerun: yes;"> </span>I can see the
attraction of today's youth to what she has to say.<span style="mso-spacerun: yes;"> </span>(I first heard Paul Simon -- who lived in my
neighborhood --in 1957 when he performed “Hey Schoolgirl” with his partner Art
Garfunkel. They were then known as “Tom and Jerry,” that recording making it to
the national charts at the time.)</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Swift is a cross over country and folk, a little rock and
a lot of pop.<span style="mso-spacerun: yes;"> </span>Yet every generation has
its troubadour (or in this case a “trobairitz” -- in my generation there were
Carole King and Joan Baez).<span style="mso-spacerun: yes;"> </span>My
generation also had Bob Dylan as our troubadour, singing his songs of despair
and political activism.<span style="mso-spacerun: yes;"> </span>But most of all,
Paul Simon is more relevant to Swift’s music, with his songs of lost love,
sadness, nostalgia and of course, loss in general (“hello darkness my old
friend”<span style="mso-spacerun: yes;"> </span>“and we walked off to look for
America”).<span style="mso-spacerun: yes;"> </span>When I was going through my
divorce in the 1960s, his songs spoke directly to me the way Taylor Swift’s
speak to her generation now magnified by social media.</p>
<p class="MsoNoSpacing"><span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing">Just listen to her sing “All Too Well.” I was touched
by her ability to evoke a certain kind of emotion like Paul Simon did with a
guitar (or in this NPR concert, her playing the chords on the piano as she sang).<span style="mso-spacerun: yes;"> </span>It’s a song about autumn and lost love, a
sense of the same emotion in Simon’s “Leaves That Are Green” (albeit, different
rhythm, styles, one contemporary and the other vintage 1960’s).</p>
<p class="MsoNoSpacing"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing">In “All Too Well” she writes about a boy who was her
love. <span style="mso-spacerun: yes;"> </span>She sings:</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Autumn leaves
falling down like pieces into place</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And I can picture
it after all these days</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And I know it's
long gone and that magic's not here no more</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And I might be okay
but I'm not fine at all</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Some of the lyrics from Simon’s “Leaves That Are Green”
could be that boy answering:</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Once my heart was
filled with the love of a girl</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">I held her close,
but she faded in the night</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Like a poem I meant
to write</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And the leaves that
are green turn to brown</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And they wither
with the wind</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And they crumble in
your hand</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">She's the real deal and this intimate NPR setting helped
me to fully understand her popularity. <span style="mso-spacerun: yes;"> </span>Maybe in these Covid infested times I’ll
become a Swifty! <span style="mso-spacerun: yes;"> </span>I certainly respect her
values, encouraging her generation to vote.<span style="mso-spacerun: yes;">
</span>So many of those in their 20s and even 30s haven’t the slightest interest
in voting, not caring (or even being conscious of) that my generation is
handing off a world where the existential threats are far greater than when I was
of that generation.<span style="mso-spacerun: yes;"> </span>Shame on my
generation, but shame on them to eschew the only possible route to change. <span style="mso-spacerun: yes;"> </span>Maybe she will continue to be a force to set
that right.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">So we beat on.</p>
<p class="MsoNoSpacing"> </p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-38421228876030851752024-01-09T14:51:00.000-08:002024-01-09T14:51:00.394-08:00An Ovation for the 2024 Perlberg Festival of New Plays at Palm Beach Dramaworks<!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ3JphO7BefjW8r28t_YSjPijgQnfd_tj5TTKTugfbTbXrcaWdbz6kxNACAAqEKFcPKDjOj-Qw6fqw6NUWH9tx7DjOE_7__Dw4YW7WBWBTWYBsSVP585ScUtAuCoTjZPKOpJfjH4mydRqN7f2-xvvt_aAsEdPyxzto5PV6oM4DvNiHAw1WJ50RowaIKzow/s1802/2024%20Perlberg%20New%20Play%20Festival%20Program.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1802" data-original-width="1160" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ3JphO7BefjW8r28t_YSjPijgQnfd_tj5TTKTugfbTbXrcaWdbz6kxNACAAqEKFcPKDjOj-Qw6fqw6NUWH9tx7DjOE_7__Dw4YW7WBWBTWYBsSVP585ScUtAuCoTjZPKOpJfjH4mydRqN7f2-xvvt_aAsEdPyxzto5PV6oM4DvNiHAw1WJ50RowaIKzow/w258-h400/2024%20Perlberg%20New%20Play%20Festival%20Program.jpg" width="258" /></a></div><br /> <p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">It
was nearly ten years ago that <a href="https://en.wikipedia.org/wiki/Palm_Beach_Dramaworks">Palm Beach Dramaworks’</a> Producing
Artistic Director, Bill Hayes, implemented their visionary Dramaworkshop, dedicated
to providing resources and support for playwrights to develop scripts.<span style="mso-spacerun: yes;"> </span>The logic was if not-for-profit theatres don’t
do it, who will?<span style="mso-spacerun: yes;"> </span>Broadway no longer takes
such chances. <span style="mso-spacerun: yes;"> </span>It was a bold move as regional
theatres typically suffer under some economic adversity and Dramaworks had just
settled into their new theatre on Clematis Street in West Palm Beach. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Then
came Covid, yet another strong headwind.<span style="mso-spacerun: yes;">
</span>Fortunately, PBD had the financial reserves to wait out the storm, and
has come back stronger than ever and, with an endowment gift from Diane and
Mark Perlberg, their commitment to new plays has been secured for years to
come.<span style="mso-spacerun: yes;"> </span>The Dramaworkshop is under
direction of PBD’s Bruce Linser, a gifted actor and director, and his
enthusiasm for the program is infectious.<span style="mso-spacerun: yes;">
</span>He and his committee sift through hundreds of submissions each year,
winnow them down to five, workshop them, and those become dramatic readings as
part of the renamed Perlberg Festival of New Plays.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">It is
hoped that one or two of the plays presented in the festival will make it to
the main stage to join the classic plays presented each season.<span style="mso-spacerun: yes;"> </span>Last month’s production of the highly
acclaimed <i style="mso-bidi-font-style: normal;"><a href="https://lacunaemusing.blogspot.com/2023/12/world-premiere-of-messenger-boldly.html">The Messenger</a> </i>by Jenny
Connell Davis emerged from last year’s festival. <span style="mso-spacerun: yes;"> </span>2024’s festival just successfully concluded
and because of the Perlbergs’ gift the five new plays were also prefaced by
interviews with two theatre luminaries, actor <a href="https://en.wikipedia.org/wiki/Estelle_Parsons">Estelle Parsons</a> and
playwright <a href="https://en.wikipedia.org/wiki/Mark_St._Germain">Mark St. Germain</a>. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><br /></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Parsons
appeared at PBD in <a href="https://lacunaemusing.blogspot.com/2014/12/family-scars-emerge-in-my-old-lady-at.html"><i style="mso-bidi-font-style: normal;">My Old Lady</i></a> (2014) and
has originated numerous roles in new plays over her decades-long career. <span style="mso-spacerun: yes;"> </span>PBD helped develop St. Germain’s script for <a href="https://lacunaemusing.blogspot.com/2010/12/my-second-session-with-freud.html"><i style="mso-bidi-font-style: normal;">Freud’s Last Session</i></a><i style="mso-bidi-font-style: normal;"> </i>and
produced its Southeastern premiere (2011). <span style="mso-spacerun: yes;"> </span>A feature film based on the play, starring
Anthony Hopkins, was recently released.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Parsons
was interviewed by Bill Hayes on Jan 3, a great kick off to the festival.<span style="mso-spacerun: yes;"> </span>They are not only theatre colleagues, but
are now old friends and it was amusing to watch how Parsons, a veteran of six
decades in the theatre, now 96 years old but feisty, sharp, and a take charge
kind of person, just go her way with the interview, while Hayes was left
holding his interview outline (although he did manage to hit his high
points).<span style="mso-spacerun: yes;"> </span>It was a friendly, even loving,
give and take.<span style="mso-spacerun: yes;"> </span>Parsons is also a
director and when asked the question of what is the main role of the director,
it was “to find the truth.”<span style="mso-spacerun: yes;"> </span>Hopefully
the video that was being taken of the interview will be made available in the
future.<span style="mso-spacerun: yes;"> </span>It was a “don’t miss” beginning
to the festival and Parsons attended each and every performance in the ensuing
days.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">The
following day Hayes interviewed Mark St. Germain.<span style="mso-spacerun: yes;"> </span>Again, both have a long association.<span style="mso-spacerun: yes;"> </span>This time, Hayes was on script and like his
plays, St. Germain was thoughtful and passionate about ideas.<span style="mso-spacerun: yes;"> </span>Many of his plays are a form of historical
fiction and focus on single characters, or small casts. <span style="mso-spacerun: yes;"> </span>They are intimate and cerebral.<span style="mso-spacerun: yes;"> </span>He talked to an extent about bringing his
material to film but with some regret because of the loss of control.<span style="mso-spacerun: yes;"> </span>It was a memorable interview and St. Germain
was also in attendance for all the new plays that followed.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">So
the first two days were these landmark interviews, then five new plays in three
days (brief descriptions provided by PBD):</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">PROXIMITY</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">by
<a href=" https://en.wikipedia.org/wiki/Harrison_David_Rivers">Harrison David Rivers<span style="mso-spacerun: yes;"> <br /></span></a></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Newly
divorced and sheltering at home with her two children at the height of the
pandemic, Ezra hasn't been touched by another adult in eight months. At a
virtual PTA meeting, she is introduced to the charismatic Irie, another single
parent, and their immediate attraction causes Ezra to reconsider the limits of
her Covid bubble.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">STOCKADE</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">by
<a href="https://pwcenter.org/profile/andrew-rosendorf">Andrew Rosendorf</a><span style="mso-spacerun: yes;"> <br /></span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Five
years after the end of WWII, a group of gay soldiers gathers for a reunion on
Fire Island. They are met by an outsider with a surprise that will cause them
to question whether history is best left in the past. At a time when “security
risk” is government code for “homosexual,” it will take courage for them to
step out of the shadows and confront their present and future.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">COLOR
BLIND</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">by
<a href="https://en.wikipedia.org/wiki/Oren_Safdie">Oren Safdie</a><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">In
2009, a jury was tasked with selecting an architect to design the Smithsonian
National Museum of African American History and Culture in Washington, D.C.
This play is a fictionalized account of how that panel of diverse people and
ideas may have come together – or been pulled apart – in making its decision,
and in so doing, challenges the audience to consider the state of our current
civil discord.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">EVERYTHING
BEAUTIFUL HAPPENS AT NIGHT</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><a href="https://www.broadwayworld.com/people/Ted-Malawer/">by Ted Malawer</a><span style="mso-spacerun: yes;"> <br /></span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Ezra
is a successful children’s book writer. Nancy is his longtime editor. They are
always on the same page, until someone new threatens to disrupt their
friendship and influence Ezra’s next book. Set in 1980s Manhattan, this play explores
the legacy of an artist, the meaning of intimacy, and the stories we tell
ourselves to survive.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">LITTLE
ROW BOAT</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">by
<a href="https://en.wikipedia.org/wiki/Kirsten_Greenidge">Kirsten Greenidge</a><span style="mso-spacerun: yes;"><a href="https://en.wikipedia.org/wiki/Kirsten_Greenidge"> </a> <br /></span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">When
14-year-old Sally Hemings travels to Paris as nursemaid to her half-sister’s
young daughter, the world appears to have opened much wider than Thomas
Jefferson’s post-revolutionary Virginia plantation on which she was born. It is
not until Sally’s brother James, also in France as he trains to be a chef de
cuisine, points out the peculiarities of their circumstances that Sally begins
to question the kindnesses their “master” has extended to them.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">These
are rehearsed presentations by professional actors, most Actors Equity
members.<span style="mso-spacerun: yes;"> </span>Although they have a podium for
their scripts, there is no scenery, special lighting, movement, all the
elements endemic to theatre.<span style="mso-spacerun: yes;"> </span>Yet, the
actors are emotive and draw the audience into the production; we, in our imagination,
supply the rest.<span style="mso-spacerun: yes;"> </span>While we are watching
the playwrights’ work, they are watching the audience as these readings provide
valuable clues as to what further developmental work might be needed, clarity, cutting,
or maybe more humor, or laughter at the wrong spot?<span style="mso-spacerun: yes;"> </span>After the play, there is a Q&A skillfully
managed by Linser, encouraging the audience to give their true reactions.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">No
doubt one of these, at least, will appear on a fully developed main stage
production in the future.<span style="mso-spacerun: yes;"> </span>I would hate
to be on the “jury” to make those decisions as all have merit and as their
descriptions indicate a special relevancy to our present times.<span style="mso-spacerun: yes;"> </span>The arts are not a competition and to make
such decisions more difficult is the fact that a reading is threadbare of
staging.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Each
of the plays presented touched me in some way but I’ll mention a few; and these
are very personal observations, unique to my own theatre experiences and
background.<span style="mso-spacerun: yes;"> </span>So no intended judgment of
the ones I fail to mention.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Color Blind </span></i><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">reminded me in
some ways of Tracey Letts’ <i style="mso-bidi-font-style: normal;">The Minutes</i>.<span style="mso-spacerun: yes;"> </span>Although the latter is about a bickering City
Council meeting turning into something very ugly about the town secret, Oren
Safdie’s <i style="mso-bidi-font-style: normal;">Color Blind </i>uses a similar
technique, projecting architectural designs as kind of Rorschach test for
bringing out societal issues and the personalities of the jury.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Because
I have a background in publishing, the relationship between editor and author
as portrayed in <i style="mso-bidi-font-style: normal;">Everything Beautiful
Happens at Night</i> rang true, playwright Ted Malawer exploring larger themes
of loneliness, shame, and love.<span style="mso-spacerun: yes;"> </span>That
reading had two of South Florida’s premier actors, Tom Wahl and Laura Turnbull,
which helped make it especially touching.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Although
entitled <i style="mso-bidi-font-style: normal;">“Little” Row Boat</i>, it made a
big impression on me because it was so challenging, with lots of symbolism and dramatic
contrivances that could be highly effective in a fully realized stage
production. <span style="mso-spacerun: yes;"> </span>In a narrow sense the story
is about Thomas Jefferson and Sally Hemings, but the macrocosm is about slavery
leaving an indelible imprint on our nation.<span style="mso-spacerun: yes;">
</span>I can imagine if Tom Stoppard’s <i style="mso-bidi-font-style: normal;">Arcadia</i>
was workshopped, there would have been similar difficulties (in my mind,
Kirsten Greenidge’s <i style="mso-bidi-font-style: normal;">Little Row Boat</i>
has a similar feeling and complexity).<span style="mso-spacerun: yes;"> </span>It
is certainly theatre to think about.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">After
the festival there was a Champagne toast to all who made the festival possible.<span style="mso-spacerun: yes;"> </span>The collective energy that goes into staging
this festival is monumental by very talented people.<span style="mso-spacerun: yes;"> </span>Hopefully, it’s success represents an
emphatic statement that theatre is back! <span style="mso-spacerun: yes;"> </span>And maybe some mighty oaks will grow from
these readings.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNoSpacing"> </p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-7073543471763855942024-01-01T10:57:00.000-08:002024-01-01T10:57:49.267-08:00“Ghost of the Future, I fear you more than any spectre I have seen”<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-xSBkqrDLus4geUuBo5qUwEKWr5VNIa2USHNnLM0H2pIajerz7Jiej16JMWQ5jYxPioE1Qjp_JUIG0kEZyjUwKsRjVQgFRdbhHo-sFL9WgRgKIgOTTfffeXCi46zuhc6PWWOXgblkEBUXjdkdTbzR6MXWjSTiT4VO28M-zJv8WFIciQVlsh8X3AqTrZj8/s1381/Ghost%20of%20the%20Future.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1381" data-original-width="1058" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-xSBkqrDLus4geUuBo5qUwEKWr5VNIa2USHNnLM0H2pIajerz7Jiej16JMWQ5jYxPioE1Qjp_JUIG0kEZyjUwKsRjVQgFRdbhHo-sFL9WgRgKIgOTTfffeXCi46zuhc6PWWOXgblkEBUXjdkdTbzR6MXWjSTiT4VO28M-zJv8WFIciQVlsh8X3AqTrZj8/w306-h400/Ghost%20of%20the%20Future.jpg" width="306" /></a></div><br /><!--[if gte mso 9]><xml>
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<p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">I borrow from Dickens to
express a foreboding, in particular one that will culminate with this year’s
Presidential election.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The December 5, 2023 <i style="mso-bidi-font-style: normal;">New York Times</i> carried a front-page article,
“Second Term Could Unleash Darker Trump.”<span style="mso-spacerun: yes;">
</span>I fired off a brief letter to the Editor to add my
opinion and was surprised it was immediately published online and then in print under the rubric “<a href="https://www.nytimes.com/2023/12/05/opinion/donald-trump-autocrat.html">Trump Unbound: An Autocrat in Waiting?</a>”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"></span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"> </span></i></p><p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">To the Editor:</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">A second Trump presidency not only would be more
radical, but also seems inevitable. Donald Trump and his handlers have learned
to exploit every weakness in our democratic system of government.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">Our founders must have assumed that those who
gravitate to government service would essentially be people of good faith, and
the rotten apples would be winnowed by our system of checks and balances. But
here we are less than a year away from the election, and while Mr. Trump’s
transgressions have drawn 91 criminal charges, there has been no justice yet.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">He has proved to have a serpentine instinct to
capitalize on weak links ranging from the Electoral College to our justice
system, gathering strength every time he flouts the rule of law.</span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Perhaps the <i style="mso-bidi-font-style: normal;">Times</i> published my laconic letter as it
encapsulates a sad truth: our form of government was never designed for the
unthinkable. The greatest existential threat to us is, well, us.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">It’s simplistic to blame
Trump for all of this, but he taps into popular discontent like none other
before.<span style="mso-spacerun: yes;"> </span>His brand of anti-intellectualism
and affinity for reality TV and social media are in perfect sync with his minions.<span style="mso-spacerun: yes;"> </span>Those "attributes," and his ability to exploit the weakness
of our justice system, are a perfect storm for 2024. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Since I wrote that letter there have been
further key developments, with certain States trying to keep him off the primary
ballots, citing the 14<sup>th</sup> amendment (lots of luck with that) and SCOTUS
rebuffing special counsel Jack Smith’s request for an expedited ruling on
whether Trump can claim presidential immunity from prosecution for crimes “allegedly”
committed on January 6.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsU4Xu8fYrHdb8uSF2cmYCz2534PHJJXcg7XfFIAPg6CI_lbYoABaiqg0BwE9__VGisz75cqPGfQK6210A75xfEgzl76bT0NFSjlpY_S8dgbEWWs9ViJZyIqP-BZGysEZV_pZn9BBiv8m6uFWq72_wNLDYZKL2N4CZWvqP2UPjGnPhi246_8-4cDSQhTmn/s689/Jan%206%20Insurrection.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="509" data-original-width="689" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsU4Xu8fYrHdb8uSF2cmYCz2534PHJJXcg7XfFIAPg6CI_lbYoABaiqg0BwE9__VGisz75cqPGfQK6210A75xfEgzl76bT0NFSjlpY_S8dgbEWWs9ViJZyIqP-BZGysEZV_pZn9BBiv8m6uFWq72_wNLDYZKL2N4CZWvqP2UPjGnPhi246_8-4cDSQhTmn/w400-h295/Jan%206%20Insurrection.jpg" width="400" /></a></div><br /><p></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">We all saw it -- suggested,
aided and abetted by him -- <span style="mso-spacerun: yes;"> </span>and here it
is three years later! <span style="mso-spacerun: yes;"> </span>It should not be a
presidential immunity issue but one of special presidential culpability.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">A handful of States will again
determine the 2024 Presidential election and Democrats are still making
arguments about what has been accomplished, as if that reality will decide the
forthcoming election.<span style="mso-spacerun: yes;"> </span>President Biden,
who has done what he intended, deserves our gratitude, should now be thinking
of the greater good, and recognize his age and undeserved lack of popularity
should be major factors in deciding whether he should run.<span style="mso-spacerun: yes;"> </span>He could be the first incumbent president to
substantially win the popular vote but lose the election by a few Electoral
College votes (yet another seriously flawed factor in our Democratic system).<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Can democracy survive
while Justice is further postponed?<span style="mso-spacerun: yes;"> </span>Or
will Justice be foregone by fiat in 2024? </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This is not my first New
Year’s message of cheer.<span style="mso-spacerun: yes;"> </span>It is
remarkable to read the New Years’ entries from 2021 and 2022 while we were all mostly
COVID bound. It’s like mirrors in mirrors in mirrors:<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> <br /></span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">Saturday, January 9, 2021</span></i></p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"><a href="https://lacunaemusing.blogspot.com/2021/01/the-revoltingly-horrid-year-continues.html">The Revoltingly Horrid Year Continues….</a></span></i></b></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">Wednesday, January 5, 2022</span></i></p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"><a href="https://lacunaemusing.blogspot.com/2022/01/a-ground-hog-day-new-year.html">A Ground Hog Day New Year</a></span></i></b></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">And so, with a little
editing, as Tiny Tim observed, <u>“God HELP Us, Every One!”</u></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-87250348490726695842023-12-10T09:43:00.000-08:002023-12-10T09:43:41.594-08:00World Premiere of ‘The Messenger’ Boldly Probes the Complicity of Silence<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibE2q8Oy2JbBbT7eMqI5GpDgDp-75V1cgEYbVRb-4mc17TY6z7VHOoAAYQ8WpsY4EZAqdctfFcFORDq1Of7GiV2-fWJZ8uLk4B2i2WJUUV3W1I9vZyTxMEGFY3GSKQyV6tTi6aL1TGKt042tM5sU7X0P6xbHlclbd-1e36silUbaKP9FpVN_o_zg60_x-3/s1745/The%20Messenger%20Program.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1745" data-original-width="1144" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibE2q8Oy2JbBbT7eMqI5GpDgDp-75V1cgEYbVRb-4mc17TY6z7VHOoAAYQ8WpsY4EZAqdctfFcFORDq1Of7GiV2-fWJZ8uLk4B2i2WJUUV3W1I9vZyTxMEGFY3GSKQyV6tTi6aL1TGKt042tM5sU7X0P6xbHlclbd-1e36silUbaKP9FpVN_o_zg60_x-3/w131-h200/The%20Messenger%20Program.jpg" width="131" /></a></div><span style="font-size: 16.0pt;">Attention must be paid as
one enters the Palm Beach Dramaworks theatre.<span style="mso-spacerun: yes;">
</span>A stark white angular platform is set atop the stage with one sharp
corner pointing directly towards the audience.<span style="mso-spacerun: yes;">
</span>The entire set is bathed in white, a tabula rasa on which will be
written the message of <i style="mso-bidi-font-style: normal;">The Messenger</i>.<span style="mso-spacerun: yes;"> </span>PBD’s new Resident Stage Designer, Anne
Mundell, has populated a corner with books and files, randomly placed and chaotically
spilling onto the floor.<span style="mso-spacerun: yes;"> </span>It is edgy,
perplexing, inviting.<span style="mso-spacerun: yes;"> </span></span><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQVtUcz3L7ejSIPZfiT-rTOmysV0HiJRLyYGKmZuEJIVWq4c3mHrX5dldAs7DDgg2giRSmVU92OSxA6JKQZvVJ4njB4KqXXY87mhhbvjkTKzCykYAJp757o2PluTDMQKgJ9iqJaQXSKsuezUeTItW5DFrYHWjznidMRRjjstz49EMqOg8kmNPJPMg2V6m/s1450/Messenger%20State.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1450" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQVtUcz3L7ejSIPZfiT-rTOmysV0HiJRLyYGKmZuEJIVWq4c3mHrX5dldAs7DDgg2giRSmVU92OSxA6JKQZvVJ4njB4KqXXY87mhhbvjkTKzCykYAJp757o2PluTDMQKgJ9iqJaQXSKsuezUeTItW5DFrYHWjznidMRRjjstz49EMqOg8kmNPJPMg2V6m/w400-h331/Messenger%20State.jpg" width="400" /></a></div><br /><br /><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">PBD has always been known
as a home for serious classic works, but Producing Artistic Director William
Hayes has been moving the theatre towards innovative new plays with the logic
that if regional theatres don’t produce such works, who will?<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Messenger</i> was incubated in its Dramaworkshop. <span style="mso-spacerun: yes;"> </span>Hayes has said he believes this is the “most
important play ever produced at PBD and at the most appropriate time.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Indeed, what transpires in
the intermission-less 90 minutes bears out that statement, from the opening
moment when a monolithic section of the wall opens bathed in bright light with
ominous, deep musical tones (perhaps a hat tip to Kubrick’s <i style="mso-bidi-font-style: normal;">2001?</i>) as the characters emerge representing
the past, present, and possibilities of the future.<i style="mso-bidi-font-style: normal;"></i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Although this is not a
holocaust play per se, it finds its gravitas from the life of Georgia Gabor, a holocaust
survivor, who immigrated to the US and later taught math in the San Marino
Unified School District for two decades.<span style="mso-spacerun: yes;">
</span>The persecution she suffered in her adopted community was a terrible addendum
to her life, as well as its implications for society. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Messenger</i> pulls us into the central overarching issue, man’s inhumanity to
man.<span style="mso-spacerun: yes;"> </span>It is a play about persecution and
how history seems destined to repeat itself.<span style="mso-spacerun: yes;">
</span>It is about the consequences of being silent, especially in this
social-network polluted world where those who “scream” loudest are generally
those who perpetuate ethnic and racial persecution.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">While it is a four-character
play, Gabor’s story, played by PBD veteran Margery Lowe, is the only one based
on a real person, with much of her dialogue coming from<a href="https://lacunaemusing.blogspot.com/2023/11/my-destiny-by-holocaust-survivor.html"> Gabor’s memoir <i style="mso-bidi-font-style: normal;">My Destiny</i></a>. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Jenny Connell Davis, PBD
new Resident Playwright imaginatively creates the other three characters from
facts of different eras and designates years as their names to clarify where
they place in the panoptic vision of the play. <span style="mso-spacerun: yes;"> </span>All are women. <span style="mso-spacerun: yes;"> </span>It is remarkable that she has been able to
create characters that grow more and more real, ones the audience empathizes with,
in a play which is essentially surreal and symbolic. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">They are 1969, a curator
at The Huntington Library and Botanical Gardens in San Marino, California;
1993, the mother of one of Gabor’s students; and 2020, a high school student and
former volunteer at The Huntington.<span style="mso-spacerun: yes;"> </span>Off
stage character, Miley, a friend of 2020’s, shares this story as well. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Their episodic stories
materialize out of time sequence and are kaleidoscopically woven into the
fabric of Gabor’s experience. The actors pour their hearts into these stories,
making poignant connections between then and now.</span></p>
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Fang; Photo by Alicia Donelan</span></td></tr></tbody></table><br /></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The success of this world
premiere is in large part due to Margery Lowe’s experience in appearing in new
plays, especially at PBD. <span style="mso-spacerun: yes;"> </span>It takes a
special sensibility playing the lead where no one has gone before, to make the
character interpretation one’s own.<span style="mso-spacerun: yes;"> </span>Lowe
has a special advantage playing Georgia Gabor as both are diminutive in stature
but lions in spirit.<span style="mso-spacerun: yes;"> </span>Lowe also had the
advantage of being able to study Gabor when she was <a href="https://youtu.be/U25DrP61Pfs?si=rG81Lu0lWDv0Xsd-">interviewed in 1984 by The
1939 Society.<span style="mso-spacerun: yes;"> </span></a></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><br />Lowe perfectly captures
her character, and triumphs with Gabor’s words from her memoir although her
Hungarian accent takes some acclimation to clearly understand. <span style="mso-spacerun: yes;"> </span>Nevertheless, Lowe has reincarnated Georgia
Gabor with her flirtatious mannerisms, her dynamic personality and stalwart
resolve to tell her painful story over and over.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">But it is what she
experienced afterwards – again becoming a victim of anti Semitism in the
wealthy community of San Marino CA. -- where Lowe’s performance provides a
strong catalyst in moving the arc of the story. <span style="mso-spacerun: yes;"> </span>The other characters’ develop into real people
under her watchful eye, the ripple effects washing over the audience.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Bill Hayes directs <i style="mso-bidi-font-style: normal;">The Messenger</i>.<span style="mso-spacerun: yes;"> </span>His vision and his labor of love underscore
his belief in the play and are borne out by this production.<span style="mso-spacerun: yes;"> </span>His talented assistant director, Jessica Chen,
whose background is in dance brings her eye for fluidity to the stage. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Gracie Winchester plays 1969,
capturing youth’s wide eyed wonder of working in the august Huntington Library,
where possibly becoming a curator comes into conflict with her discovery that the
Library harbors a dark secret, the original copy of the Nuremberg Laws, which
was designed to deprive Jews of basic rights, signed by Hitler himself.<span style="mso-spacerun: yes;"> </span>How did they come to the Huntington and why
were they filed away, never displayed, forgotten?<span style="mso-spacerun: yes;"> </span>1969 has to make a choice to reveal the facts,
but perhaps at the expense of a cherished career.<span style="mso-spacerun: yes;"> </span>Winchester makes you feel her character’s
dilemma as well as her outrage, and sad capitulation, the playwright connecting
the dots with 1969 appearing as a regretful old lady with a parasol in 2020’s
era at “the Hunt.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Angela Gulner makes her
PBD debut as 1993, and gives a bravura performance of someone thinking she is
doing the right thing as the antagonist, organizing a partition objecting to
Gabor’s teaching. <span style="mso-spacerun: yes;"> </span>As a parent we all
know how we will go to extremes to guard one’s child.<span style="mso-spacerun: yes;"> </span>But did she cross a line when she is the one
that takes action to stop Gabor for inviting children to hear her survivorship
stories after school (not a requirement)? <span style="mso-spacerun: yes;"> </span>Gulner protests (“her history is not OUR
history”).<span style="mso-spacerun: yes;"> </span>She’s a math teacher!<span style="mso-spacerun: yes;"> </span>She has no right to teach what should be left
to historians!<span style="mso-spacerun: yes;"> </span>Yet her moving performance
elicits sympathy as well as being reminded of current events in our schools
right now.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Annie Fang, also making
her PBD debut as 2020, deals with some of the emotional highlights of the play,
particularly her relationship with the off stage Miley, who is a math genius,
is certainly destined for a top school (the community’s raison d’être), and yet
is more interested in art.<span style="mso-spacerun: yes;"> </span>They are
Asian Americans and during Covid were called “Chinks” while volunteering at the
Huntington by the same kind of people who might hurl Jewish invectives at Gabor.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The incident blows up in
social media, today’s ubiquitous Petri dish for scapegoating and persecution
and 2020 tries to distance herself from the widely circulated video of Miley
confronting her tormentor. Ultimately Miley suffers the ultimate consequence of
silence. <span style="mso-spacerun: yes;"> </span>As we can only see and feel Miley
through 2020, Fang’s performance is particularly noteworthy. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">It is an ingeniously
written play by Jenny Connell Davis and director William Hayes manages the actors
on the stage as they tell their overlapping stories, moving from shadows to
light.<span style="mso-spacerun: yes;"> </span>Portions reminded me of a
Sondheim duet where counterpoint is featured. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">As an abstract play, where
characters may be moving from point A to B, more along a surrealistic path, Resident
Lighting Designer, Kirk Bookman has challenging transitions, essential ones to
keep the audience engaged.<span style="mso-spacerun: yes;"> </span>Much of the
time shadows are as important as lights up, as all characters are on stage throughout
even if not engaged in their own particular part.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Bookman works in concert
with Video Designer Adam J. Thompson.<span style="mso-spacerun: yes;">
</span>Parts of the play are filled with projected videos, some falling on the
actors themselves but mostly on the white walls, in particular videos of artistic
compositions by Miley, and very moving to see them being created in real
time.<span style="mso-spacerun: yes;"> </span>Other projected images are
disturbing though, such as the bombed out Ghettos which Gabor “lived in,” and symbols
of hate that both Gabor and 2020 had to endure.<span style="mso-spacerun: yes;">
</span>Overall, the video and the lighting of the show are even more integral
than the typical play and kudos to Mr. Thompson and Mr. Bookman.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Sound design by Roger
Arnold is portending, even startling at times (gunshots), boot steps of the
Hungarian Nazi sympathetic Arrow Cross Party, all in keeping with the dystopian
theme of what Gabor endured, during the war. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Against a white-washed
stage Costume Designer Brian O’Keefe’s choices were endless (except white!) and
here he creates costumes not only appropriate for the different eras of the
characters, clearly distinguishing each, while still sharing certain earth tone
palettes. O’Keefe is a stickler for the details.<span style="mso-spacerun: yes;"> </span>They are award winning visions, and I loved
1993’s wide legged pants and sunglasses pushed up in her blond hair. <span style="mso-spacerun: yes;"> </span>It tells a lot about the sought after
community where helicopter parents landed with their kids. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">O’Keefe brilliantly designed
the swirling dress with the ubiquitous stretchy belt cinching in Ms. Lowe’s
tiny waist which not only showed off her diminutive figure to perfection but
allowed the actress to swish about in her more flirtatious moments. <span style="mso-spacerun: yes;"> </span>The dirt-red sweater thrown about her
shoulders added the final perfect touch.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The execution of the complex
staging of this play warrants kudos to PBD’s Stage Manager, Kent James
Collins.<span style="mso-spacerun: yes;"> </span>Opening night went as smoothly
as if the play had been in previews for weeks (vs. the reality of two days).</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">The Messenger</span></i><span style="font-size: 16.0pt;">
is not only a world premiere, it is also the first production in a National New
Play Network Rolling World Premiere series and regional theatres in Texas and
Minneapolis are already committed to producing it. <span style="mso-spacerun: yes;"> </span>Fittingly Mrs. Roberta Golub, Georgia Gabor’s
daughter, is the executive producer of <i style="mso-bidi-font-style: normal;">The
Messenger</i>.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">At the end, Fang, who plays
2020, has the temerity to begin to “step outside the box” (full lighting for
this dramatic effect).<span style="mso-spacerun: yes;"> </span>Can the future
learn from the past?<span style="mso-spacerun: yes;"> </span>Isn’t it incumbent
on all to become activists, to become messengers of <i style="mso-bidi-font-style: normal;">The Messenger</i>? <span style="mso-spacerun: yes;"> </span>That is the ultimate
question of this imaginative new play.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-88048395675679999762023-11-14T07:50:00.000-08:002023-11-14T07:50:47.387-08:00'My Destiny', by Holocaust survivor, Georgia Gabor<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivBHYDS6Yxd28qweK7N0eMU-dJgufde9mtUdhWIhCdwINWg-QdUYeQFy4StOqLLDo_QPCnqxvF5mWeL_s9KD-JUxYAXHgR2WewExPOJPRLmr8IYfjE4P10ZDdNcC_SZdXV8-WT3i_LSyHAyAIjlNZiyrU1ZHe5cGiG5zN4KqM3VFgI9YKL5dpmizFjqhwD/s578/My%20Destiny.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="578" data-original-width="359" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivBHYDS6Yxd28qweK7N0eMU-dJgufde9mtUdhWIhCdwINWg-QdUYeQFy4StOqLLDo_QPCnqxvF5mWeL_s9KD-JUxYAXHgR2WewExPOJPRLmr8IYfjE4P10ZDdNcC_SZdXV8-WT3i_LSyHAyAIjlNZiyrU1ZHe5cGiG5zN4KqM3VFgI9YKL5dpmizFjqhwD/s320/My%20Destiny.jpg" width="199" /></a></div><br /><!--[if gte mso 9]><xml>
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<p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">This is not a book review
per se as nothing I can write is adequate. <span style="mso-spacerun: yes;"> </span>Before commenting, this background
information:</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">After reading (in college and
later in my career republishing) <i style="mso-bidi-font-style: normal;">The
Psychology of Dictatorship</i> by Gustav Gilbert (he was the head of my
psychology department), and then as an adult reading Herman Wouk’s <i style="mso-bidi-font-style: normal;">War and Remembrance</i> as well as the <i style="mso-bidi-font-style: normal;">Diary of Anne Frank </i>(and later visiting
the Anne Frank House in Amsterdam with Ann), I had, until this time, avoided Holocaust
literature and films. There are other reasons as well.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">As a child I found my
father’s personal photograph collection from his days as a Signal Corps
photographer during WW II. Among them were scenes from a concentration camp which
led to thoughts, nightmares, which I couldn’t really discuss with my father as
my access to those files in our basement was forbidden.<span style="mso-spacerun: yes;"> </span>He also never talked about the war, something
he just wanted to forget. I think those photos were from a satellite camp of
Buchenwald, one not far from Cologne and the Rhine River where he was active
during the closing months of the War. <span style="mso-spacerun: yes;"> </span>They
ultimately disappeared; either he or my mother disposed of them.<span style="mso-spacerun: yes;"> </span><a href="https://lacunaemusing.blogspot.com/2012/05/gis-ww-ii-scrapbook.html">What remained of his war years was a detailed scrap book of primary sources which I gave to the WW II Museum in New Orleans</a>
after his death in 1984.</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Gilbert was the prison
psychologist at the Nuremberg Trial and the author of the <i style="mso-bidi-font-style: normal;">Nuremberg Diary.</i><span style="mso-spacerun: yes;"> </span>But his
documentation in <i style="mso-bidi-font-style: normal;">The Psychology of
Dictatorship</i> of how Rudolf Franz Hoess, who was the Colonel in charge of
Auschwitz, described with scientific precision, and with some pride how
efficiently they could “dispose of” some 10,000 people per day was
unforgettable and horrifying. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">When I read Herman Wouk’s <i style="mso-bidi-font-style: normal;">War and Remembrance</i> I had to prop
tissues under my glasses to read those sections pertaining to the Ghettos that
were temporary holding pens of Jews on their way to extermination camps.<span style="mso-spacerun: yes;"> </span>The conditions of starvation and exposure simply
resulted in fewer prisoners having to be transported to the death camps.<span style="mso-spacerun: yes;"> </span>Wouk’s fictional characters made that horrid
existence personal.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The normalization of
genocide and the indescribable cruelty made me avoid such literature and now I
feel, in these times in particular, guilty, and in preparation of seeing Palm
Beach Dramaworks’ <i style="mso-bidi-font-style: normal;">The Messenger,</i> I
felt compelled to read Georgia Gabor’s memoir, <i style="mso-bidi-font-style: normal;">My Destiny</i>. It is the work of a brilliant and passionate survivor
of the Holocaust.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The driving force behind
commissioning the play is PBD’s Producing Artistic Director Bill Hayes.<span style="mso-spacerun: yes;"> </span>I owe him a debt of gratitude for leading me
to Gabor’s story, to allow me, after all these years, to face these ugly facts
and to make me and anyone who sees the play, a “messenger.” The play was
written by the recently appointed Dramaworks' Resident Playwright, Jenny Connell
Davis. <span style="mso-spacerun: yes;"> </span>Silence is complicity and it is
not an option, especially now in our chaotic world where hate can be found
anywhere and everywhere and where there seems to be a slow slide into the
unthinkable: fascism in America.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">During WW II most
Americans hardly believed that civilized German culture could possibly engage
in genocide. The United States government was more aware of the extent of it,
but failed to do much.<span style="mso-spacerun: yes;"> </span>Deep antisemitism
was well entrenched here as well.<span style="mso-spacerun: yes;"> </span>And
today one only has to look at the reaction on some college campuses to Israel
trying to defend itself from Hamas terrorism to see it still. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">But I am straying from the
terrifying story of Georgia Gabor, her cunning ability to survive when there
seemed to be no hope (as there were none for her entire family who died in
concentration camps), and to witness atrocities, be subjected to unthinkable
living conditions and the constant anxiety of being on the run, escaping the
Nazis twice, sometimes posing as one to get by, all before she turned 16.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">It is a high wire story,
sickening in exposing man’s inhumanity to man.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Then there are several
moments when everything seemed to be turning in her favor, such as when she and
friends rejoiced hearing the Russians were pushing the Germans out of Hungary,
surely they will save the Jews who managed to survive those years in bombed out
buildings in unspeakable conditions.<span style="mso-spacerun: yes;"> </span>But
the Russians raped and pillaged and Gabor was on the run again.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">She planned to go to
Palestine with a Zionist group, but it was again a dangerous attempt, the
likelihood she would be shot and even if she made it, she would not be able to
pursue the education she wanted, and would become a laborer or farmer for the
rest of her life.<span style="mso-spacerun: yes;"> </span>Meanwhile the thought
of life under communism was unthinkable to her.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">She lived in orphanages
and befriended a woman from the United Nations Relief and Rehabilitation
Administration who after a labyrinth of obstacles finally was able to find a
place for her in a US Congress passed bill that allowed 500 carefully selected
orphan children to go to the US, becoming wards of the government until they
turned 21, dispersing them in state and charitable agencies for foster care.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Imagine how her heart leapt
at this opportunity, and when she first saw the Statue of Liberty she finally
felt safe.<span style="mso-spacerun: yes;"> </span>But that would be a nice ending
for “the movie.”<span style="mso-spacerun: yes;"> </span>Real life interceded,
more terrible living conditions and finally two failed marriages to abusive
men, losing custody of her two children, but finding education as her way out
of a hell hole of a life (she was a brilliant mathematician) and finally resolving
to be a teacher so she could gain custody of her children, find and marry the
childhood friend she loved in Budapest, and secure a teaching position.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Again, if that was only
the end of the story and indeed <i style="mso-bidi-font-style: normal;">My
Destiny</i>, published in 1981, concludes with her happy marriage. But after
that she was subjected to virulent antisemitism and harassment, and her life
was again miserable because she told her story.<span style="mso-spacerun: yes;">
</span>She was fired from her teaching job, sued the school system, and would
die only two years later.<span style="mso-spacerun: yes;"> </span>This LA Times
article, ‘<a href="https://www.latimes.com/archives/la-xpm-1992-04-23-me-1451-story.html">A Long Lesson in Hate : Holocaust Survivor Sues School District Over Harassment</a>,’ summarizes the consequences of telling the inconvenient
truth.<span style="mso-spacerun: yes;"> </span>The world premiere of the play, which
opens on Dec. 8, focuses on Gabor’s story but interacting with three different
generations (1967, 1993, and 2020) all with their own reactions to her and
their own stories of hate and complicity.<span style="mso-spacerun: yes;">
</span>The audience is left to connect the dots. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><p class="MsoNoSpacing"><span style="color: black; font-size: 16.0pt; mso-bidi-font-family: Calibri;"> </span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-41395660115659694172023-10-14T13:46:00.000-07:002023-10-14T13:46:51.392-07:00Kenneth Lonergan’s ‘Lobby Hero’ Exposes Uncomfortable Truths in Palm Beach Dramaworks' Production<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Although written more than
twenty years ago, <i style="mso-bidi-font-style: normal;">Lobby Hero</i> is a
highly relevant </span><span style="font-size: 16.0pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ2CuvAeQu5nNMtV7AQC4mU9DUHBRQm-FDaeeCHNyEwAcxBDIE4LzdqtOmdGOzuLwIw8LVEXBiWmlcZTeduMHlxPr6hyphenhyphenFHeSRFBgc5T8FJAEBNCMCq-4R97d9LvgIw9TfI5E1UWiw-9JYjvSj9oxIlCsD-KZ-sDEthzbRARQLFnnjbqG3e97tg__-LuvGz/s1854/Lobby%20Hero%20Program.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1854" data-original-width="1167" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ2CuvAeQu5nNMtV7AQC4mU9DUHBRQm-FDaeeCHNyEwAcxBDIE4LzdqtOmdGOzuLwIw8LVEXBiWmlcZTeduMHlxPr6hyphenhyphenFHeSRFBgc5T8FJAEBNCMCq-4R97d9LvgIw9TfI5E1UWiw-9JYjvSj9oxIlCsD-KZ-sDEthzbRARQLFnnjbqG3e97tg__-LuvGz/s320/Lobby%20Hero%20Program.jpg" width="201" /></a></span><span style="font-size: 16.0pt;">play for our post truth world.<span style="mso-spacerun: yes;">
</span>It was Sir Walter Scott who penned "Oh, what a tangled web we
weave, when first we practice to deceive!" which is at the heart of this ensemble
character-driven plot, leading to disturbing moral and ethical dilemmas. <span style="mso-spacerun: yes;"> </span>Each character's actions and choices affect one
another's lives.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The palette may be small, but
Kenneth Lonergan creates major layers of meaning: class issues, racism, sexism,
police cronyism, and workplace harassment, leavened by very humorous moments.<span style="mso-spacerun: yes;"> </span>These themes clearly emerge in this
thoughtful and entertaining production.</span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE7yBVoiy9nS-df3shDYn0IWBFABJH1rWhFmtUNNaeCzzbo9PDaY0B-gD2Xln7qsJHI2ynks7V1FeqDeEPi7EVuE8h0Ckl0JjvXaykJUiHik966FC2VSiPEC1SX_4qv0Y1S-hdbj93qbgb69WaFeTAaFq_tWpbSL8NF2ScxKhh_yzQLrAiCLHEXcxZQ9f0/s1832/Lobby%20Hero%20Set.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1076" data-original-width="1832" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE7yBVoiy9nS-df3shDYn0IWBFABJH1rWhFmtUNNaeCzzbo9PDaY0B-gD2Xln7qsJHI2ynks7V1FeqDeEPi7EVuE8h0Ckl0JjvXaykJUiHik966FC2VSiPEC1SX_4qv0Y1S-hdbj93qbgb69WaFeTAaFq_tWpbSL8NF2ScxKhh_yzQLrAiCLHEXcxZQ9f0/w400-h235/Lobby%20Hero%20Set.jpg" width="400" /></a></div><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-size: 16.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The stunning set was
envisioned by Dramaworks’ award-winning Scenic Designer, Victor Becker, who
died earlier this year and to whom the play is dedicated.<span style="mso-spacerun: yes;"> </span>This realistic lobby in a Manhattan high rise
apartment building is more than a space merely to be passed through.<span style="mso-spacerun: yes;"> </span>It is a stoic observer, a fifth character, enabling
the lives of the players to be challenged and changed before us.</span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Tim Altmeyer, Elisabeth Yancey, Britt Michael Gordon, Jovon
Jacobs</span></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span><span style="font-size: 16.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Lonergan builds the play
around a pair of parallel relationships, the action unfolding over four
successive nights.<span style="mso-spacerun: yes;"> </span>The first pair is
Jeff, a uniformed nighttime security guard for the building and his captain
William and the second is Bill, a uniformed policeman and Dawn, his rookie
partner.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Jeff is the antihero in
the lobby, “an Everyman,” who views his situation in the world for what it is,
having to live with his brother because of debt, hoping for a break, although
not knowing what to do in life. Sometimes he feels that he was born to fail; a
discernible Dreiserian undercurrent permeates all the characters. </span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Elisabeth Yancey and Britt Michael Gordon</span></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span><span style="font-size: 16.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Britt Michael Gordon plays
Jeff with an affability which has you pulling for him, in spite of his
unguarded casualness in dealing with others. Amusingly, but sometimes
disastrously, he just says his private thoughts out loud, even blurting out the
truth about others, leading to “the tangled web” of the characters’ enmeshment.
<span style="mso-spacerun: yes;"> </span>His demeanor makes him feel “safe” for
the other characters to talk to, even confess to, and to lecture to as
well.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Gordon portrays him with a
quirky innocence, belying some poor past choices and the estrangement from his late
father of whom he is always reminded as being a “real hero” during the Korean War.
<span style="mso-spacerun: yes;"> </span>He uses humor as a defense mechanism,
particularly to cope with personal insecurities in dealing with others.</span></p>
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<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">His boss, William, a black
man, is played with an ironclad moral implacability by Jovon Jacobs. <span style="mso-spacerun: yes;"> </span>He espouses “living by the book,” especially
for the edification of Jeff, but William is on the horns of a dilemma as he
later confesses to Jeff -- his brother was arrested for a monstrous crime, one
he’s almost certainly guilty of, but he is relying on William to provide an
alibi.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">William now must weigh
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particularly as the public defender is overburdened with other cases. <span style="mso-spacerun: yes;"> </span>Will he do the right thing, or will he provide
an alibi knowing the system, one that is blind to black men without resources, will
fail to provide true justice?<span style="mso-spacerun: yes;"> </span>Jacobs plays
this moral seesaw to the hilt, the impossible choices, drawing Jeff into the
details.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTXKQ4_QW1rbwO-vwTkylIoLmqt08RNI3HRPkSZfBYfqF6orjuFKTqYkNMgHYbglORlRQ-tO2wmQyVxq-6sPOre8nv86kjVPLC2Nuc25xCfc7wiGUY7W5c_-j9YZHAqDTOIy9KrKwg6TEPxQZ5xXqES42mD8icFYtrwap2vM3h35yQ8vkKhDAghl2tyJ1x/s4949/Lobby%20Hero%20III%20Photo%20by%20Tim%20Stepien.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3378" data-original-width="4949" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTXKQ4_QW1rbwO-vwTkylIoLmqt08RNI3HRPkSZfBYfqF6orjuFKTqYkNMgHYbglORlRQ-tO2wmQyVxq-6sPOre8nv86kjVPLC2Nuc25xCfc7wiGUY7W5c_-j9YZHAqDTOIy9KrKwg6TEPxQZ5xXqES42mD8icFYtrwap2vM3h35yQ8vkKhDAghl2tyJ1x/w400-h272/Lobby%20Hero%20III%20Photo%20by%20Tim%20Stepien.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Tim Altmeyer and Jovon Jacobs</span></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span><span style="font-size: 16.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The second pair is headed
by Bill, Tim Altmeyer delivering an exaggerated performance as a macho, intimidating
cop, imbued by his own self-importance.<span style="mso-spacerun: yes;"> </span>However,
he certainly nails him as the most unlikable person in the play, who even Jeff
in all his innocence calls a “scum bag.” </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">While carrying on an
affair with a woman in the same building where Jeff and William are security
guards (bristling at being called “doormen” by their police counterparts), Bill
also is engineering a fling with his rookie partner Dawn, played by Elisabeth
Yancey, her PBD debut who balances bravado, and later, betrayal.<span style="mso-spacerun: yes;"> </span>She sees Bill as a love interest until Jeff innocently
stirs the pot by blurting out the purpose of Bill’s visits to the building. <span style="mso-spacerun: yes;"> </span>Yancey convincingly plays the gullible and
then jilted rookie and delivers a lot of pathos in her role. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Jeff’s loose tongue provides
for many laughs as well. <span style="mso-spacerun: yes;"> </span>Gordon’s
performance rises to a climatic high point when he is charged by Dawn to share
William’s confidence.<span style="mso-spacerun: yes;"> </span>He successfully renders
this as an existential crisis of finally being able to do something meaningful in
his life. <span style="mso-spacerun: yes;"> </span>The denouncement hints at some
future for Dawn and Jeff, an understanding of doing the right thing, a hopeful
upbeat.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Director J. Barry Lewis
extracts first-rate performances from his very skilled actors, including some
fast sounding “New Yawkr tawk .”<span style="mso-spacerun: yes;"> </span>Maybe
it’s a little over the top along with the mannerisms of Altmeyer and Yancey in
their police roles, but those in the audience who grew up in NYC (including
myself) will identify. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Lewis magnifies some
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confidences and especially when Bill mincingly and aggressively confronts Jeff
for involving himself in Bill’s business, on the precipice of physical
violence. <span style="mso-spacerun: yes;"> </span>He has paced the play so the humor
can land, elevating some laugh out loud moments, so necessary given the play’s
themes.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The PBD technical staff
supports the efforts with Roger Arnold’s sound designs, jazz interludes between
scenes as well as the siren sounds of the city, the barking of a dog, the ding
of the arriving elevator.<span style="mso-spacerun: yes;"> </span>The lighting
design is by Kirk Bookman perfectly capturing that glaring light of a lobby in the middle of
the night, and PBD’s resident costume designer, Brian O’Keefe devises
immaculate uniforms, badges and caps for the four characters, purposely
disheveled at times, and street clothes for Dawn in the last scene.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Palm Beach Dramaworks
production of <i style="mso-bidi-font-style: normal;">Lobby Hero</i> successfully
deals with its large enigmatic moral dilemmas, with heart, humor and acumen. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span><span style="font-size: small;">All photographs of the
actors are by Tim Stepien</span></span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-73504232320465126042023-09-30T12:55:00.000-07:002023-09-30T12:55:43.685-07:00Mountain Getaways; Asheville, Fairview, and Big Canoe<p> </p><p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBccGB6osMZnYT6eO5mXBNXswwRjtGVHE9xj3bGcC2ElCsLYGkZvF1m3zxOVCJHWGTMMCx1QAsHEyJ7lKhdB1AMxnDJlTSrmTOdotxwgLVPtpsMwfnl_vbSniv3iZdnw5XM5585N2vq1sd1KZB3AF5NSXYvzfQqp2lh2KtrdwCmzS0a0fq3tilXJqDorEr/s1920/Chalet%20view.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBccGB6osMZnYT6eO5mXBNXswwRjtGVHE9xj3bGcC2ElCsLYGkZvF1m3zxOVCJHWGTMMCx1QAsHEyJ7lKhdB1AMxnDJlTSrmTOdotxwgLVPtpsMwfnl_vbSniv3iZdnw5XM5585N2vq1sd1KZB3AF5NSXYvzfQqp2lh2KtrdwCmzS0a0fq3tilXJqDorEr/w400-h300/Chalet%20view.jpg" width="400" /></a></div><br /><!--[if gte mso 9]><xml>
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<p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">I’ve
always had a penchant for the mountains, the crisp air, the pristine beauty, the
remoteness, all helping to temporarily disrupt the anxiety of our times.<span style="mso-spacerun: yes;"> </span>As a consequence we began to occasionally rent
a place in Asheville, NC, starting with condos and graduating to homes, all
these rentals through a broker (this was pre AirBnB).<span style="mso-spacerun: yes;"> </span>We also treated ourselves to a few stays at the
iconic Grove Park Inn, its edifice shaped from the granite boulders that were
hauled from a nearby mountain, mostly by mule wagon. <span style="mso-spacerun: yes;"> </span>The original structure has been added to as
time went on. <span style="mso-spacerun: yes;"> </span>It is a history vault as
well, it’s walls lined with plaques of the people who have stayed there, just
about every luminary of the 20<sup>th</sup> and 21<sup>st</sup> century,
including most of the US Presidents.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
used to visit the area driving back from CT after spending several months
living aboard our boat. <span style="mso-spacerun: yes;"> </span>Covid disrupted
everything, as well as merely aging. <span style="mso-spacerun: yes;"> </span>Also,
the boat is now our son’s, so we are not driving to CT anymore.<span style="mso-spacerun: yes;"> </span>But the mountains still beckoned. Having
visited most of the sites in and around Asheville, this time we wanted to do
something a little different.<span style="mso-spacerun: yes;"> </span>That is
mostly stay in one place where we have views and privacy and quiet.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglvS0WfIRP9UTub1ZIcr_kwBnESC3PbAapQQcPU1rcyrmGtOm81owRnzqhQI3Hz-031F42swH_K_a9lrhWFUpdE1FbrUhrRKWSOmB1aVDpB5t-QLsl3amLQaZcInkeCrlposfhieUuufEjfJJvBB6lbKh9GJH5VGIk2KIN2-IKHQTcDOV93pMTvJU8z7kc/s1558/Chalet%20I.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1558" data-original-width="1354" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglvS0WfIRP9UTub1ZIcr_kwBnESC3PbAapQQcPU1rcyrmGtOm81owRnzqhQI3Hz-031F42swH_K_a9lrhWFUpdE1FbrUhrRKWSOmB1aVDpB5t-QLsl3amLQaZcInkeCrlposfhieUuufEjfJJvBB6lbKh9GJH5VGIk2KIN2-IKHQTcDOV93pMTvJU8z7kc/s320/Chalet%20I.jpg" width="278" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">So
we joined the AirBnB site and began our search.<span style="mso-spacerun: yes;">
</span>We wanted not only those spectacular views, but a remote mountain top as
well. <span style="mso-spacerun: yes;"> </span>We found one, a Chalet with three
bedrooms, fully equipped kitchen, a hot tub, and fireplace with plenty of
cordwood. <span style="mso-spacerun: yes;"> </span>Naturally, the main attraction
being glorious views of the mountains and quiet that only remoteness can
offer.<span style="mso-spacerun: yes;"> </span>The only immediate neighbors we
were told might be a sighting of a bear or deer in Fairview, NC, a rural
community bordering on Asheville, only 20 minutes from downtown. <span style="mso-spacerun: yes;"> </span>The house boasted great reviews, so we said OK;
bring on the quiet and the bears and the funky nearby places to eat with the
locals. <span style="mso-spacerun: yes;"> </span>Of course we didn’t really mean
bears, but we read it was possible to occasionally spot one along the side of
the road.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMomPycuReIn9WSGAjzHGDtxuZLZNixP1CPKTsd95Ns4ct8KnwhGuWxKy0ls7e9th9TYIWeNl5cpvIVccffMUNnYnNuzxC5U3toZA3wi0pfQ_YvRTl3zmAfvg84Z4JcQur2tJLYBKBFIoTT6Npn2qbCS-vEKpDR6PAkMuxBGimlqh1F3LA_8HwPt7snKBh/s800/Chalet%20sunrise.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="800" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMomPycuReIn9WSGAjzHGDtxuZLZNixP1CPKTsd95Ns4ct8KnwhGuWxKy0ls7e9th9TYIWeNl5cpvIVccffMUNnYnNuzxC5U3toZA3wi0pfQ_YvRTl3zmAfvg84Z4JcQur2tJLYBKBFIoTT6Npn2qbCS-vEKpDR6PAkMuxBGimlqh1F3LA_8HwPt7snKBh/w400-h300/Chalet%20sunrise.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Dawn</td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
timed our arrival so could first shop at the local Food Fair and although the
plan was to just get the essentials, we were early for our check-in and so we
stocked up without really considering how loaded the car was already.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">At
the appointed time, we began our climb up to our “home away from home” for the
next two weeks and I mean, climb and more climbing along the curving mountain
roads.<span style="mso-spacerun: yes;"> </span>Lost except for the miraculous
GPS (what did we do before??) which finally led us to (and we were warned about
this from reviews), the final half mile of twisting road which is only one car
width wide, with tumbling down the steep mountainside as one option if you got
too close to one side, or getting stuck in a deep rocky culvert on the other, which
I suppose a 4 wheel drive vehicle with good ground clearance could navigate. <span style="mso-spacerun: yes;"> </span>Unfortunately for us our two wheel, rear drive
SUV gave us only a little more road clearance than a sedan but no added
traction.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
rule of the road is the vehicle going up has the right of way which means if
you meet one as you are going down, you have to back up to the point you can
pull into one of the few driveways (all at 45 degree angles) or back all the way
to your house (ours, a 45 degree one as well).</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Well,
in our two weeks there we never saw another vehicle on this stretch. <span style="mso-spacerun: yes;"> </span>Lucky us.<span style="mso-spacerun: yes;">
</span>Crisis averted!</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">So,
we arrived and unpacked like crazy, including groceries, and hauled everything
into our halcyon hideaway.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRPWaFd_X5SIczASDV1PFWiBzePdD-uZ1QXmx17T8B2JxkiY5ngvFyEKmropx8O3pBiitxQdPUdS5etdPX-tNWje6NJxrRP9NwK7iyca2u68Hj3acTr2QJ5BJxOEd5d_PLIBC_L5Ah29jUT6Q5z83j8XU5c2D_JIfC0VCmHMqvrrmPXzJauSrY55c20L77/s1531/Chalet%20early%20morning%20ground%20fog.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1531" data-original-width="1224" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRPWaFd_X5SIczASDV1PFWiBzePdD-uZ1QXmx17T8B2JxkiY5ngvFyEKmropx8O3pBiitxQdPUdS5etdPX-tNWje6NJxrRP9NwK7iyca2u68Hj3acTr2QJ5BJxOEd5d_PLIBC_L5Ah29jUT6Q5z83j8XU5c2D_JIfC0VCmHMqvrrmPXzJauSrY55c20L77/w320-h400/Chalet%20early%20morning%20ground%20fog.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Gound fog in the morning<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
problem with any rental, no matter how ideal, is acclimating yourself to
someone else’s idea of what constitutes comfort.<span style="mso-spacerun: yes;"> </span>Our landlady, Brea, to her credit, must be
OCD as copious instructions were everywhere. <span style="mso-spacerun: yes;"> </span>Except in the entertainment department where
she assumes that everyone was ROKU and DISH literate.<span style="mso-spacerun: yes;"> </span>Hey, Brea, you are dealing with a couple of
old fossils here!<span style="mso-spacerun: yes;"> </span>Give us cable and a
remote and we can survive.<span style="mso-spacerun: yes;"> </span>The sad
upshot was we couldn’t figure out how to watch the US Tennis open as we
unpacked, missing Coco’s semi final match. <span style="mso-spacerun: yes;"> </span>Exhausted out of our minds, we finally crawled
to our bed.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
next morning, though, we called and Brea patiently explained how to navigate
the TV from the various on screen menus. <span style="mso-spacerun: yes;"> </span>It was a day to relax.<span style="mso-spacerun: yes;"> </span>Enjoy the mountain views, fit in some reading
and watch a little tennis at night. Our mountain Chalet had a wrap around deck
with table, chairs, grill, etc. for outdoor eating, relaxing, and viewing.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoDRFqGk6vUEKyfL8vTS6yzj2K_3umi_x6gkB075BXU8Gcjcvovl-oH4pQ7MJ2Kgu1cyrbNbAv1-iIlz6jbxEf_pxyD6cai1pnwmF3yF3BMF6jnSxmNK8mfopeZ4QmfMQvuNtXQQAOzfFXVgHgvfGDQeCuo7lxXzyUSmgOetZYvOlyuvXKOYGNEz1p5VJ9/s582/Bear%20III.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="532" data-original-width="582" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoDRFqGk6vUEKyfL8vTS6yzj2K_3umi_x6gkB075BXU8Gcjcvovl-oH4pQ7MJ2Kgu1cyrbNbAv1-iIlz6jbxEf_pxyD6cai1pnwmF3yF3BMF6jnSxmNK8mfopeZ4QmfMQvuNtXQQAOzfFXVgHgvfGDQeCuo7lxXzyUSmgOetZYvOlyuvXKOYGNEz1p5VJ9/w400-h366/Bear%20III.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Our Bear Visitor<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
were having a glass of wine with crackers and hummus early that evening. <span style="mso-spacerun: yes;"> </span>Ann had just brought the food inside leaving
me briefly while I sat quietly mesmerized by our view. <span style="mso-spacerun: yes;"> </span>Suddenly I heard a sound behind me and when I
turned I saw a black bear approaching me from behind, actually on the deck
about 10-15 feet away. <span style="mso-spacerun: yes;"> </span>I jumped up, we
locked eyes but the bear jumped too, just as frightened, not realizing that the
still figure sitting there was a dreaded human being! <span style="mso-spacerun: yes;"> </span>He turned around on his hind legs and walked
slowly back to the driveway, surveyed the car, and even stopped for a few
photos.<span style="mso-spacerun: yes;"> </span>Seeing him in relation to our
car gives an idea of his size, maybe 250 lbs. </span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyP1kVxI-r0LYBouJn5AJHAamRlsNko1yNVW68vwPEJhv6ARQvEKyXv9UecarOFtbqj1gj7H9719M007eOv4C_nMT6Qgkhm7D5KABIvCnwWu3FSIQS_G3gaGgtgXUaMLTR-xiAKqSVKYLQ6MtarYekVyMB1CNIi5r0Pkh_CMR9qfl2yhVje4aftBRod-5A/s817/Bear%20I.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="726" data-original-width="817" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyP1kVxI-r0LYBouJn5AJHAamRlsNko1yNVW68vwPEJhv6ARQvEKyXv9UecarOFtbqj1gj7H9719M007eOv4C_nMT6Qgkhm7D5KABIvCnwWu3FSIQS_G3gaGgtgXUaMLTR-xiAKqSVKYLQ6MtarYekVyMB1CNIi5r0Pkh_CMR9qfl2yhVje4aftBRod-5A/s320/Bear%20I.jpg" width="320" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Brea
reminded us the next morning about how totally unusual it was that a bear came
so close, especially coming up on the deck. <span style="mso-spacerun: yes;"> </span>People do have sightings but rarely like that
one. </span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNlchkAg_zjJuXPmbH__xzvN-hyIzAfBPJ2FQtiUE_8saveoYITmTlvTRbz0EN-2VW7aCXKmc-NRLw5b0njlNZXr-Q5di4wnR3hGuNJjOCS73hlwGd8m-YrE4Vjm4Okd3QtM4zFz-6x74MXruuz4DhSgMkJlgsPWjQ5JpantpgsoPUOFw5lq2N9nwcxYb1/s1173/Troyers%201.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1173" data-original-width="1026" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNlchkAg_zjJuXPmbH__xzvN-hyIzAfBPJ2FQtiUE_8saveoYITmTlvTRbz0EN-2VW7aCXKmc-NRLw5b0njlNZXr-Q5di4wnR3hGuNJjOCS73hlwGd8m-YrE4Vjm4Okd3QtM4zFz-6x74MXruuz4DhSgMkJlgsPWjQ5JpantpgsoPUOFw5lq2N9nwcxYb1/s320/Troyers%201.jpg" width="280" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Troyer's Country Amish Blatz<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
shopped that day at a very local store, half way down the mountain, Troyer's
Country Amish Blatz (talk about farm to table and local).<span style="mso-spacerun: yes;"> </span>We read that they made the most amazing
sandwiches and decided to try this for ourselves.<span style="mso-spacerun: yes;"> </span>There we overheard that they would be closing
the following day to attend a Willie Nelson concert with friends, some 200
miles away.<span style="mso-spacerun: yes;"> </span>Too bad I thought as our son
and daughter in law would be visiting for the weekend and it would have been an
ideal place to take them for a little local color. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">In
anticipation of their arrival, Ann bought and made “from scratch” a vegetable/bean
soup, a nice snack for when their plane arrived at the local Asheville airport
and so down the mountain we went the next day to pick up Jon and Tracie. </span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj68isQ3a52Es0tRQy3Mb77fHrtuK2LcSI2cgPNG8PH7lrV2RreUpp-pryhTwqHuwtMqUuYUOPgS7bxAL2BAJKehVgI5lGCmKyNxRA-pwvqj1p3v1uDarrrmAyqNIi0mjC_X1rzleegIQAzdoMqNgFDyyDzcNeaSCQg47A1RlgRPxA2lpGcD2MWlrpXQItZ/s1466/Jonathan%20Tracie%20Bob%20Ann%20Blue%20Ridge%20Pkwy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="866" data-original-width="1466" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj68isQ3a52Es0tRQy3Mb77fHrtuK2LcSI2cgPNG8PH7lrV2RreUpp-pryhTwqHuwtMqUuYUOPgS7bxAL2BAJKehVgI5lGCmKyNxRA-pwvqj1p3v1uDarrrmAyqNIi0mjC_X1rzleegIQAzdoMqNgFDyyDzcNeaSCQg47A1RlgRPxA2lpGcD2MWlrpXQItZ/w400-h236/Jonathan%20Tracie%20Bob%20Ann%20Blue%20Ridge%20Pkwy.jpg" width="400" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Asheville
Regional Airport has its issues -- mostly commuter lines flying under the names
of the larger carriers.<span style="mso-spacerun: yes;"> </span>This
necessitated their arriving on two different flights from LGA but they did get
in pretty much on schedule, a half hour apart.<span style="mso-spacerun: yes;">
</span>Leaving was a different story.<span style="mso-spacerun: yes;">
</span>They were scheduled to leave together, but the flight was cancelled for
no reason and was rescheduled for 8.00 am the following day.<span style="mso-spacerun: yes;"> </span>We left the mountain top at 6.00 am to get
them there in plenty of time.<span style="mso-spacerun: yes;"> </span>They
boarded the flight on time, ready to roll and then they were told to leave the
plane because of mechanical problems.<span style="mso-spacerun: yes;">
</span>Rerouting through Charlotte later in the afternoon resulted in flying or
waiting around airports the entire day.<span style="mso-spacerun: yes;"> </span>This
made Ann say that she didn’t think they would ever come back to Asheville
again!</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBWgofH3zq8KwUnNhjKDqYAlhJH0I0Xh72JS1u4JYn0hZtDxFCUQUr8r0p4IQIaLtzi0-bOJ5CecUQGFeFBECnyZKYjXkxNI-mzwIBcMGSxm6IjvD5YKTN98KcOLCjiNZL-TXUuS1uDE0D5gzZQl2mY0M_kHDULAvbYl_5Y1kqu1sxnj4DUhl3QeZl4CP/s1743/Jonathan%20and%20Tracie%20Grove%20Park%20Inn.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1351" data-original-width="1743" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBWgofH3zq8KwUnNhjKDqYAlhJH0I0Xh72JS1u4JYn0hZtDxFCUQUr8r0p4IQIaLtzi0-bOJ5CecUQGFeFBECnyZKYjXkxNI-mzwIBcMGSxm6IjvD5YKTN98KcOLCjiNZL-TXUuS1uDE0D5gzZQl2mY0M_kHDULAvbYl_5Y1kqu1sxnj4DUhl3QeZl4CP/s320/Jonathan%20and%20Tracie%20Grove%20Park%20Inn.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">At the Grove Park Inn<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Nonetheless,
that gave us an extra day to spend with them.<span style="mso-spacerun: yes;">
</span>We toured the area and sampled some of the fun restaurants nearby for
dinner, particularly Cooks Corner and Rendezvous.<span style="mso-spacerun: yes;"> </span>And that allowed us time for lunch on the
Grove Park Inn stone terrace with majestic views of the Blue Ridge mountain
range as well as a tour of the Hotel itself which our daughter in law had never
seen. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxziKBlRZCESalbTOwqjY1jyP9bQppCTHdkMVbUb96ZkPTDOZi1AEtWOWFxEGGnmFwjgkCKbjOpl6a5p2JWqj9ZhrlGRHk7wCJIO76yCmyfxN1VIEOpskKWvryE8e4tTOd37JBYVEeiAYbPyVOcG6IYYeHz9O4FHi7e3y9g-_PNmhUhLOICvP-tKb-nQw-/s1131/Jonathan%20Tracie%20Ann%20Bob%20Botanical%20Gardens.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="848" data-original-width="1131" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxziKBlRZCESalbTOwqjY1jyP9bQppCTHdkMVbUb96ZkPTDOZi1AEtWOWFxEGGnmFwjgkCKbjOpl6a5p2JWqj9ZhrlGRHk7wCJIO76yCmyfxN1VIEOpskKWvryE8e4tTOd37JBYVEeiAYbPyVOcG6IYYeHz9O4FHi7e3y9g-_PNmhUhLOICvP-tKb-nQw-/s320/Jonathan%20Tracie%20Ann%20Bob%20Botanical%20Gardens.jpg" width="320" /></a></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwT5yLmNMdIGnzgJc7Q8gAMKonQcj6Pasv1GNNjd_BT47XDwgTKaKVABARayba1DpbgJXDGzw29e3XCICiWTb6LlCU-u3grj5ZMtq_ERrXjZNETZuKrviQ588ZHohZVi3tjodCjPT7XHJYW8jKz2Uy7mU_YZ7wOu4YOCmuiJT1zfW_pXb09E_4FzWXCr8S/s1122/Jonathan%20Yoga%20Botanical%20Garden.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1122" data-original-width="803" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwT5yLmNMdIGnzgJc7Q8gAMKonQcj6Pasv1GNNjd_BT47XDwgTKaKVABARayba1DpbgJXDGzw29e3XCICiWTb6LlCU-u3grj5ZMtq_ERrXjZNETZuKrviQ588ZHohZVi3tjodCjPT7XHJYW8jKz2Uy7mU_YZ7wOu4YOCmuiJT1zfW_pXb09E_4FzWXCr8S/s320/Jonathan%20Yoga%20Botanical%20Garden.jpg" width="229" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
botanical gardens offered up not only the local fauna, but during our walk in
the forest we went past a momma and baby bear watching us. <span style="mso-spacerun: yes;"> </span>VERY nearby.<span style="mso-spacerun: yes;">
</span>As the mother bear is very protective we were told not to stop or make
any motion that she might interpret as threatening, so we kept moving although
Jonathan said to them, “That’s OK, nothing to see here” as we walked on.<span style="mso-spacerun: yes;"> </span>They seemed to understand thankfully.<span style="mso-spacerun: yes;"> </span>Bears can run up to 30 mph for short distances
and were a short distance, so we really didn’t want to engage them in conversation!</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgPu0o7eDeySVgPt5vrZWal6z54M98QJt4G4bsyK0brainWjpYAPxHhxSBNQ-y32Qi7oFmBOubjAnd63vtlDV6JN8JV5pIz-FdjsJVQA-aFuKhqc5WtoxZ7wiv3U7FcJqCbNfwobnRV9no-8SXFhw57dnWuJiCHi6wNagkEKxcDLFpw7SdZE6g-HqvTfO/s1365/Bear%20and%20Cub%20Botanical%20Gardens.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1045" data-original-width="1365" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgPu0o7eDeySVgPt5vrZWal6z54M98QJt4G4bsyK0brainWjpYAPxHhxSBNQ-y32Qi7oFmBOubjAnd63vtlDV6JN8JV5pIz-FdjsJVQA-aFuKhqc5WtoxZ7wiv3U7FcJqCbNfwobnRV9no-8SXFhw57dnWuJiCHi6wNagkEKxcDLFpw7SdZE6g-HqvTfO/w400-h306/Bear%20and%20Cub%20Botanical%20Gardens.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">At the Botanical Gardens<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">After
the “kids” left we were on our own to enjoy the next week and a half.<span style="mso-spacerun: yes;"> </span>One of Ann’s dearest friends, Joyce (soon to
be 98 years old but acts and looks our age or younger!) now lives there with
her daughter Terri and her husband Brian who built a beautiful year round house
to their specifications and, wisely, only half way up a mountain.<span style="mso-spacerun: yes;"> </span>When Joyce moved from Florida, they converted
an en suite bedroom to an in-law quarter and Joyce now has the best of both
worlds, the setting and family, as well as being near her other daughter, Pattie.<span style="mso-spacerun: yes;"> </span>So we spent some time and had dinner with
them later in the week.<span style="mso-spacerun: yes;"> </span>I could easily
trade our home in FL for theirs in Asheville, but not one other person involved
would agree, especially Ann.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Hl9Uv3htp2T9HKKgtQ4ERdSlvUv6esDZXDHm3dHVE5gOuIRGbtI89UPCMOmWMtAFU6jO-ZcfvGf9fI06cBBrPAeQer57JYlp4sRf1lvVCY9cHCfcyXtSX9Ic50dG6tNO0gGn2rLxVXrxyyET0Akrnq9kvT-Lv4qEdbnR9Ti-Kf8U2rYlHOaCkiZfDO_T/s540/Ann%20Bob%20Joyce%20II.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="387" data-original-width="540" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2Hl9Uv3htp2T9HKKgtQ4ERdSlvUv6esDZXDHm3dHVE5gOuIRGbtI89UPCMOmWMtAFU6jO-ZcfvGf9fI06cBBrPAeQer57JYlp4sRf1lvVCY9cHCfcyXtSX9Ic50dG6tNO0gGn2rLxVXrxyyET0Akrnq9kvT-Lv4qEdbnR9Ti-Kf8U2rYlHOaCkiZfDO_T/w400-h286/Ann%20Bob%20Joyce%20II.jpg" width="400" /></a></span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIKvP1vC-W8F014AyydBAhXY-4R5cCxxOonXEEtaMB0a3UjCiOeQPwgKu0vAOejkexa3XjecNmXAm9cpVTCovnxUo4L6oiKDYipO_ohN5cIVgtzxhrU2RCLfkw6kt43Tx3ugavuRHhjpl2e-GRSrH3AHBBVAjn_lZ67xsps3VBnalhOovk2T4EFAbvYntp/s420/Joyce%20and%20Ann.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="420" data-original-width="407" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIKvP1vC-W8F014AyydBAhXY-4R5cCxxOonXEEtaMB0a3UjCiOeQPwgKu0vAOejkexa3XjecNmXAm9cpVTCovnxUo4L6oiKDYipO_ohN5cIVgtzxhrU2RCLfkw6kt43Tx3ugavuRHhjpl2e-GRSrH3AHBBVAjn_lZ67xsps3VBnalhOovk2T4EFAbvYntp/s320/Joyce%20and%20Ann.jpg" width="310" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Joyce and Ann<br /></td></tr></tbody></table><p class="MsoNoSpacing"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Q33Ewyax53Ko3gsNqVtei2NRcaB31rzZFnlGvaRg7EkgG8rK7sPxOIg-59E25FeUgzmS_FeB-3TMZi1jE3QFOco6ICPS-78wKIgwTu_I0Z6DCz6vWZ7N2wjAi0bDaWRPJCk2VOFHYuVsQdHsD1uT4HkjAIv3ds2aqF-22Dxz3mcBwsufbZauFJO-Nfhu/s1603/Asheville%20Street%20Scene.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1603" data-original-width="858" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Q33Ewyax53Ko3gsNqVtei2NRcaB31rzZFnlGvaRg7EkgG8rK7sPxOIg-59E25FeUgzmS_FeB-3TMZi1jE3QFOco6ICPS-78wKIgwTu_I0Z6DCz6vWZ7N2wjAi0bDaWRPJCk2VOFHYuVsQdHsD1uT4HkjAIv3ds2aqF-22Dxz3mcBwsufbZauFJO-Nfhu/s320/Asheville%20Street%20Scene.jpg" width="171" /></a><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">No
trip to the area would be complete without a visit to downtown Asheville
proper.<span style="mso-spacerun: yes;"> </span>It’s a funky city so much
reminding me of my days in the East Village in NYC.<span style="mso-spacerun: yes;"> </span>Most of the locals have tattoos and somewhere
in this blog you’ll find a story of Paul Ortloff who was a friend of mine in
high school and became a well known tattoo artist, living in Woodstock (think
he still does).<span style="mso-spacerun: yes;"> </span>Every time I’m in
Asheville I think of him.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><br /></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Asheville,
like any city, has a homeless population and it is sad to see someone sleeping
on the ground there or dumpster diving.<span style="mso-spacerun: yes;">
</span>I managed to get a photograph of two young women in plain sight and the
body expression of the one waiting tells a story of despair.</span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rWYgJZ8xu79HKLf6LZ0Zq9baHeCVoZRk_CTbfVtHFoW0j8PiiTYQfX4RU4h4Rwr1COOiWUdWwVRAsC024Mu2bMPc5hK7yYTrensz72QU8RYbarIcKZnpH_xUz0M-MYssTGiBHfhX_nUGwrW-6JDcqZwlSiEqOYF5xdaepZroG6fUrvGeZ4w7arlNTAXA/s1137/Asheville%20Dumpster%20Diving.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1016" data-original-width="1137" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rWYgJZ8xu79HKLf6LZ0Zq9baHeCVoZRk_CTbfVtHFoW0j8PiiTYQfX4RU4h4Rwr1COOiWUdWwVRAsC024Mu2bMPc5hK7yYTrensz72QU8RYbarIcKZnpH_xUz0M-MYssTGiBHfhX_nUGwrW-6JDcqZwlSiEqOYF5xdaepZroG6fUrvGeZ4w7arlNTAXA/w400-h358/Asheville%20Dumpster%20Diving.jpg" width="400" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
main draw downtown for us is a great independent bookstore, Malaprop’s
Bookstore / Café.<span style="mso-spacerun: yes;"> </span>We could spend all day
there. <span style="mso-spacerun: yes;"> </span>And we sort of did, ending up
buying several books.<span style="mso-spacerun: yes;"> </span>I looked at their
signed editions section and they had one I wanted, a hardcover of Richard
Russo’s latest book, the final one in his “Sully” trilogy, <i style="mso-bidi-font-style: normal;">Somebody’s Fool</i>.<span style="mso-spacerun: yes;"> </span>I already
had the book on my iPad and that was to be my next read.<span style="mso-spacerun: yes;"> </span>But it’s a signed Richard Russo! (I have a
couple of others).<span style="mso-spacerun: yes;"> </span>As I don’t like to
mark up clothbound books anyhow, I rationalized that I would get this for my
collection and read it on my iPad.<span style="mso-spacerun: yes;"> </span>Ann
loaded up on paperbacks on the advice of one of the knowledgeable managers
there.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
next logical step after spending so much time there was to ask to use their
bathroom.<span style="mso-spacerun: yes;"> </span>No, those are for the staff
only, and they suggested we go down the street to the public library which we
did.<span style="mso-spacerun: yes;"> </span>But, little did we know, within
that public library is a used bookstore, another one of our favorite places to
browse!<span style="mso-spacerun: yes;"> </span>Most books were a buck and in
perfect condition!<span style="mso-spacerun: yes;"> </span>Had we known that
first, we might have saved a lot of $$ so we loaded up there too, my finding a
pristine hardcover copy of Joyce Carol Oats’ novel, <i style="mso-bidi-font-style: normal;">Black Water</i> as well as a hardcover book by Willie Nelson (more on
that later).<span style="mso-spacerun: yes;"> </span></span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdEXZZspo0UJKOer65ZVIIoPS2h44S2JHv-vCfHwKQIL2sSHrYSlbTJKdu88TIGJ7TQsKm39AfwV6-N5AWg2XjaS-HIj_eCcvJh3TOsU7Y7uzk5FZfF7OeNgRBMSswIsqw0_IQbCw4qI-5AuLBpEupLWweMRFlB8oJLex8JHZlkyez3l-4JbYO6xbhLGf_/s1744/Asheville%20al%20Fresco.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1396" data-original-width="1744" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdEXZZspo0UJKOer65ZVIIoPS2h44S2JHv-vCfHwKQIL2sSHrYSlbTJKdu88TIGJ7TQsKm39AfwV6-N5AWg2XjaS-HIj_eCcvJh3TOsU7Y7uzk5FZfF7OeNgRBMSswIsqw0_IQbCw4qI-5AuLBpEupLWweMRFlB8oJLex8JHZlkyez3l-4JbYO6xbhLGf_/s320/Asheville%20al%20Fresco.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Asheville al Fresco<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">A
word or two about Joyce Carol Oats, who, when I was younger, I would read, but as
her fiction morphed into gothic, even horror, I rarely read her work
anymore.<span style="mso-spacerun: yes;"> </span>Shame on me.<span style="mso-spacerun: yes;"> </span>She is such a fine writer and given the fact
that she’s written more than 50 works, probably one of our best living
novelists.<span style="mso-spacerun: yes;"> </span>Well, <i style="mso-bidi-font-style: normal;">Black Water</i> didn’t disappoint, including its white knuckle terror
moments. <span style="mso-spacerun: yes;"> </span>Although she has denied it, it
seems to be based on Ted Kennedy’s Chappaquiddick tragedy when he left a party
on Martha's Vineyard late on a Friday night with a young woman, Mary Jo Kopechne
to drive to a ferry landing and his car went off the road into a pond drowning
the young woman.<span style="mso-spacerun: yes;"> </span> </span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA2gMkaaAegqmpqx2Xmy6s7nZ7DuUxbY6rTrFIascb_4rZR-r7NWuEFr6GiHcXMEvHj7qyn3g1HKfdQpXKCyPFsjXagDf1P5DJPeot4Wx5FB9g66CweCnBpXbU0zi3TGgY9xVuAYrCHZU8wzCjKoIlN4avEIWFf8H4eg74e7yqP9_j9Z8joFQhgDIAxptf/s1920/Black%20Water.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1920" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA2gMkaaAegqmpqx2Xmy6s7nZ7DuUxbY6rTrFIascb_4rZR-r7NWuEFr6GiHcXMEvHj7qyn3g1HKfdQpXKCyPFsjXagDf1P5DJPeot4Wx5FB9g66CweCnBpXbU0zi3TGgY9xVuAYrCHZU8wzCjKoIlN4avEIWFf8H4eg74e7yqP9_j9Z8joFQhgDIAxptf/s320/Black%20Water.jpg" width="240" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Black Water by Joyce Carol Oats<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Oates renames these characters
for her 1991 novel, set in a different decade and in Maine. <span style="mso-spacerun: yes;"> </span>It is the story of the main character’s death,
Oats telling it over and over again from different perspectives and just when
you think this is it, it is told yet again and with more retrospective
narrative.<span style="mso-spacerun: yes;"> </span>The rhythm of the novel alone,
and its expectant buildup of terror, makes it worth reading and in part of a
day, sitting on the porch, overlooking the mountains, waiting for the
appearance of our bear again, I read the entire book.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Getting
back to the Willie Nelson story.<span style="mso-spacerun: yes;"> </span>Much
earlier in this entry I mentioned that we had visited Troyer's Country Amish
Blatz, and overheard the owners excitedly talking about taking the next day off
to see their favorite singer, Willie Nelson.<span style="mso-spacerun: yes;">
</span>Our thought was to drop off the book we bought at the library on our way
back (and pick up more of their delicious offerings).<span style="mso-spacerun: yes;"> </span>Serendipitous unexpected gifts are the
best.<span style="mso-spacerun: yes;"> </span>When Ann gave them the book, you
would think she was offering a gold bar, the gal who runs the store running
around the counter to give her a big hug.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMt3e3AS195cdqLqr27uM5BBJI0a6OciD6lA8k7rVx9OraimZb9fnuUMl-mO_hBPEHrju_0KJOQa-55ybZspvuwYxcM9vcIcHjO_7DHnaooNgsHLjo8OpEPvkrDoOBpMXsviJxKNK85guXRZ_lVdCHOYR2LXLldvzUwLy_QHUkPNflEZLT3Y6BzaN35lLW/s1920/Smokey%20and%20the%20Pig%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMt3e3AS195cdqLqr27uM5BBJI0a6OciD6lA8k7rVx9OraimZb9fnuUMl-mO_hBPEHrju_0KJOQa-55ybZspvuwYxcM9vcIcHjO_7DHnaooNgsHLjo8OpEPvkrDoOBpMXsviJxKNK85guXRZ_lVdCHOYR2LXLldvzUwLy_QHUkPNflEZLT3Y6BzaN35lLW/s320/Smokey%20and%20the%20Pig%201.jpg" width="320" /></a></span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9gyo5vXwxTbYP2xsox-drlr-nueTKpBofeQK2OqdU7HDJqWkaGljtQ0cHs9O9qcZuVY0eMRrvL5HHW9Og0tXOaAUvicWMka_utMGI6PeUkAGmAFkVn1_inocix4A7Vze0jjw8jIAroQ83lhNZyGnU6Pi5n5rcKPEYlUbPM-SeB5MubRs6aU1OwexVd90G/s1920/Smokey%20and%20the%20Pig%20Pick%20up.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1920" data-original-width="1440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9gyo5vXwxTbYP2xsox-drlr-nueTKpBofeQK2OqdU7HDJqWkaGljtQ0cHs9O9qcZuVY0eMRrvL5HHW9Og0tXOaAUvicWMka_utMGI6PeUkAGmAFkVn1_inocix4A7Vze0jjw8jIAroQ83lhNZyGnU6Pi5n5rcKPEYlUbPM-SeB5MubRs6aU1OwexVd90G/w300-h400/Smokey%20and%20the%20Pig%20Pick%20up.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Visiting Smokey and the Pig</td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Although
we were strangers, all the local places treated us as old friends. That also included
visits to the BBQ ‘Smokey and the Pig’ and ‘The Local Joint” which is a diner
attached to a gas station.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-lsBz5MMIxH5R_opOqkPjdnWrNWNVX8TRFWnMmEVQvxiyg6i6aRK7tfSJPe4yivso3P7-lQJ4gPKSWFvLnQDTWVQmqWMAYGeFGYGcww9RiIfyeBTeWE6GA75l8iFPfUcEWVw8Oi_2y34ZIl6tROueQxxyv5jUjGxYZjxTiwZwzewusLoH89G8bYG9d2ew/s1684/The%20Local%20Joint.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1684" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-lsBz5MMIxH5R_opOqkPjdnWrNWNVX8TRFWnMmEVQvxiyg6i6aRK7tfSJPe4yivso3P7-lQJ4gPKSWFvLnQDTWVQmqWMAYGeFGYGcww9RiIfyeBTeWE6GA75l8iFPfUcEWVw8Oi_2y34ZIl6tROueQxxyv5jUjGxYZjxTiwZwzewusLoH89G8bYG9d2ew/s320/The%20Local%20Joint.jpg" width="274" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Local Joint<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Also,
no trip in the area would be complete without a drive along the Blue Ridge
Parkway.<span style="mso-spacerun: yes;"> </span>Little did we know, the day we
choose was “Heritage Day” and the Arts and Crafts center which we have visited
many times in previous years was celebrating with local artisans displaying
(and naturally selling) their crafts and in a small tent adjacent to a grassy area
a Western North Carolina group would perform the music of the area, mostly
ballads handed down from one generation to the next and bluegrass
originals.<span style="mso-spacerun: yes;"> </span>We enjoyed sitting in the
little audience, being among the locals, and watching the families gather on
the lawn, a little girl doing continuous cartwheels.<span style="mso-spacerun: yes;"> </span>It was like being part of <i style="mso-bidi-font-style: normal;">Our Town</i>.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX1knf6OJDX_FfXJWku_MdE7yq7Y3PWWqeVXTu9wR5xqaLcdFmkgmX-myrxlbSMR-5FJi2dmcvVpgrAYORDrQTRTLUgfFsd97hezQt71zEix6mY0iScW-d99RdOXF9yqVHyYn-CRNezhCOlPWcPDvBy-klEL807I2YCLWN5K-K53tRb5G3hgc-jCjZ1i8W/s960/Arts%20and%20Crafts%20Center%20Heritage%20Day%20Blue%20Eyed%20Girls.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="791" data-original-width="960" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX1knf6OJDX_FfXJWku_MdE7yq7Y3PWWqeVXTu9wR5xqaLcdFmkgmX-myrxlbSMR-5FJi2dmcvVpgrAYORDrQTRTLUgfFsd97hezQt71zEix6mY0iScW-d99RdOXF9yqVHyYn-CRNezhCOlPWcPDvBy-klEL807I2YCLWN5K-K53tRb5G3hgc-jCjZ1i8W/s320/Arts%20and%20Crafts%20Center%20Heritage%20Day%20Blue%20Eyed%20Girls.jpg" width="320" /></a></span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix1FO2EKNva-AlGDjPJQAVYBRG2KjRDCV1-ceZLeG8IQNxdyq1ICFLKLIbUK8uaeV8A6S25Z_n7JMeEu0H8E0uCjuqRmtnDt4Tyi0gc-EOSwyir-NevnkEFSj8RrE48JLLQs0M6QU1tq2CHwdb3919NjFBBAKi4WgqWHqmU_7veEPMWJclyC5ToU0POhri/s1442/Arts%20and%20Crafts%20Center.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1442" data-original-width="1276" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix1FO2EKNva-AlGDjPJQAVYBRG2KjRDCV1-ceZLeG8IQNxdyq1ICFLKLIbUK8uaeV8A6S25Z_n7JMeEu0H8E0uCjuqRmtnDt4Tyi0gc-EOSwyir-NevnkEFSj8RrE48JLLQs0M6QU1tq2CHwdb3919NjFBBAKi4WgqWHqmU_7veEPMWJclyC5ToU0POhri/w354-h400/Arts%20and%20Crafts%20Center.jpg" width="354" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Heritage Day Blue Ridge Parkway<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Alas,
the time had come to leave our mountain retreat, pack and close up our Chalet
putting it back together again the way we found it. <span style="mso-spacerun: yes;"> </span>But that was not the end of the journey as we
had promised to visit friends, Kyle and Joe, in their new home in Big Canoe,
GA.<span style="mso-spacerun: yes;"> </span>So down the mountain we went and on
mostly local NC or GA highways we made our way to them, our GPS miraculously taking
us to their door in the winding treacherous labyrinth which passes as a road to
their home, deep within their mountain community.</span></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRFZYwXzODzMehck_-dWS9bTxVQKq0Z8mMsO_pr4pB4ViDkzjLPapGgc7xNDQa9zFINW5A0sWbuafKtwCbnr00canMjM5FWwoojyCuDyql8eZSSORo4zmAVNVRYkMzGZBC_UtC6liiqCwIJYeVVFqRBP80B1m_1Gg2uJgVUP3lZI7NpVnW_aoSbUhYzmDj/s1906/Big%20Canoe%20Lake.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="790" data-original-width="1906" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRFZYwXzODzMehck_-dWS9bTxVQKq0Z8mMsO_pr4pB4ViDkzjLPapGgc7xNDQa9zFINW5A0sWbuafKtwCbnr00canMjM5FWwoojyCuDyql8eZSSORo4zmAVNVRYkMzGZBC_UtC6liiqCwIJYeVVFqRBP80B1m_1Gg2uJgVUP3lZI7NpVnW_aoSbUhYzmDj/w400-h166/Big%20Canoe%20Lake.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Big Canoe Lake<br /></td></tr></tbody></table><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">It
can be challenging staying with another couple, living in their space, under
their rules, but their commodious home and easygoing attitude made for a
pleasurable two night stay.<span style="mso-spacerun: yes;"> </span>This
community has it all, a pleasant clubhouse with good dining, golf (not for me),
a health club, a lake with boats (very much for me), and that fine mountain
air.<span style="mso-spacerun: yes;"> </span>Joe and Kyle have fixed up their
home since they bought it a year ago, into a real escape from the flatness of
FL.<span style="mso-spacerun: yes;"> </span>I loved being in the woods again, as
we lived for 30 years in CT, and listening to the occasional song of cicadas.</span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWLGXV0tQ4n59Wy39RgB1KOamR1orw9bUB-Z2GXIl_OVbPmcpqA2N4Z0a9nfeAiZ5rjMRfvQlGnRJyUd9rthkut4nUhs2FvC3l7HAeo28_yryoNj0sYvjjh3jx7Ow91cyplcWFBzP74fHBsiho1yXq29SqXb4qUZkCYPWR8nZTRZbV6tPMUWfsvBv5xJRW/s1511/Big%20Canoe%20Kyle%20Joe%20Ann.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1511" data-original-width="1189" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWLGXV0tQ4n59Wy39RgB1KOamR1orw9bUB-Z2GXIl_OVbPmcpqA2N4Z0a9nfeAiZ5rjMRfvQlGnRJyUd9rthkut4nUhs2FvC3l7HAeo28_yryoNj0sYvjjh3jx7Ow91cyplcWFBzP74fHBsiho1yXq29SqXb4qUZkCYPWR8nZTRZbV6tPMUWfsvBv5xJRW/w315-h400/Big%20Canoe%20Kyle%20Joe%20Ann.jpg" width="315" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj502vlsEMLrLmuBCogWVMflTNnxguw6j8W-E1RseUa5CXIzSFfr8HIQU2Gzm21SW85VH80VUegHqBFxjvPjYOmADL7k451osqWijcYmjY4KQqNj1nWj_j_l8UtDANNOVjOTz9DEt0X6q7sDHIugmODLLLtJoUEj7pz0d5V085nkPrbA4xKgi1v8rDRxXvr/s1818/Big%20Canoe%20Ann%20Bob.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1262" data-original-width="1818" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj502vlsEMLrLmuBCogWVMflTNnxguw6j8W-E1RseUa5CXIzSFfr8HIQU2Gzm21SW85VH80VUegHqBFxjvPjYOmADL7k451osqWijcYmjY4KQqNj1nWj_j_l8UtDANNOVjOTz9DEt0X6q7sDHIugmODLLLtJoUEj7pz0d5V085nkPrbA4xKgi1v8rDRxXvr/s320/Big%20Canoe%20Ann%20Bob.jpg" width="320" /></a></div><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
went out to dinner one night and once outside the community realized we were in
MAGA country, someone actually paying to put up this billboard on a state road.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJMH8xJ41jGOEPZA4tfo50MqKaXYMA66l3tdwqFv3LmNNMIzTU7sK9F3zgQuXTCXD2UjY2XsEv1f0MMZmsSM_rl2enjUDM1dFLYWpY1XGp8k-lmavOtb3-y9IQF6zjxcxg8Y0koasV9V_4OcHQXvh9ZLPLdHGQ4yUf5M8sxrexjn-5KdE-vL0ZYSrZX2Gx/s1280/Big%20Canoe%20GA%20highway%20Retribution%20Sign.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1149" data-original-width="1280" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJMH8xJ41jGOEPZA4tfo50MqKaXYMA66l3tdwqFv3LmNNMIzTU7sK9F3zgQuXTCXD2UjY2XsEv1f0MMZmsSM_rl2enjUDM1dFLYWpY1XGp8k-lmavOtb3-y9IQF6zjxcxg8Y0koasV9V_4OcHQXvh9ZLPLdHGQ4yUf5M8sxrexjn-5KdE-vL0ZYSrZX2Gx/s320/Big%20Canoe%20GA%20highway%20Retribution%20Sign.jpg" width="320" /></a></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Leaving
to go home finally was bittersweet, hating to leave on the one hand, but ready
for our own bed.<span style="mso-spacerun: yes;"> </span>Ironically, even though
their home is closer to ours in FL than from Asheville, it takes even longer as
you have to go through Atlanta and then cut across FL.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">So
leaving their house early Saturday morning, I set our GPS on home.<span style="mso-spacerun: yes;"> </span>It got us to their front door and through
their enormous community.<span style="mso-spacerun: yes;"> </span>It’s only
logical it would get us out. <span style="mso-spacerun: yes;"> </span>Oops, not
quite, much to our surprise!</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Apparently,
the GPS routes one to a gate exit which will not open for visitors and then
keeps rerouting you to the top of a mountain.<span style="mso-spacerun: yes;">
</span>We were hopelessly lost and we had wanted to get an early start.<span style="mso-spacerun: yes;"> </span>We stopped several people for directions, and
they were as vague as the GPS until FINALLY we found the main road out, but we
can unequivocally say we saw more of Big Canoe, GA than most of its residents!</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Finally
underway, through Atlanta, most of the traffic consisting of those going to
college football games, no real difficulties, and after Atlanta
(unrecognizable, the place of Ann’s birth), as usual I set my speed control for
9 miles over the speed limit.<span style="mso-spacerun: yes;"> </span>I’ve been
driving for 62 years and have never had a ticket for anything and having driven
up and down the coast to CT for twenty years to our boat, was not about to
forfeit my record.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">About
ten miles from the FL state line, my doing 79 miles an hour in the 70 zone, I
noted that everyone was passing me as I was in the left lane, so I settled
behind a GA driver in the middle lane who was going 80.<span style="mso-spacerun: yes;"> </span>Still traffic (all GA plates) was passing us
in the left lane.<span style="mso-spacerun: yes;"> </span>Suddenly a sheriff’s car,
lights flashing, came up behind me and pulled me over.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">We
were caught in a local GA speed trap.<span style="mso-spacerun: yes;"> </span>GA
drivers were ok to go that speed or faster even, but the local police hand out
these mementoes to anyone out of state (not really speeding tickets, but an income
producing “breaking a local ordnance” scheme).<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Sort
of ruins a great trip.<span style="mso-spacerun: yes;"> </span>This officer was
a good ole’boy if we ever saw one.<span style="mso-spacerun: yes;">
</span>Pleasant but would not want to be Cool Hand Luke under his tutelage.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Home
safe and sound once again.<span style="mso-spacerun: yes;"> </span>At our age,
we wonder how many such trips we might have left in us.<span style="mso-spacerun: yes;"> </span>Probably no more long distance drives.<span style="mso-spacerun: yes;"> </span>We put 1, 892 miles and 40 hours in the car
those two plus weeks.<span style="mso-spacerun: yes;"> </span>That’s enough!</span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXz3illq47L4WCvvn8fqcI4oliBiyzrza6lMxCgB7CWN6qai8OExU5Scytt7sIZHJVn-YMSwxxq-0X0z12sGBNy9M2Q01XWI8FSSkS96coKKO2o5ViYlUMs8E0xcOaFrPP4SY10kSvQsT-tIYBqRz4TEVYCbvOU6CTQ-YQOHS-jCrw2bea-rkRU4LsPQX/s1678/Troyers%20II.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1351" data-original-width="1678" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVXz3illq47L4WCvvn8fqcI4oliBiyzrza6lMxCgB7CWN6qai8OExU5Scytt7sIZHJVn-YMSwxxq-0X0z12sGBNy9M2Q01XWI8FSSkS96coKKO2o5ViYlUMs8E0xcOaFrPP4SY10kSvQsT-tIYBqRz4TEVYCbvOU6CTQ-YQOHS-jCrw2bea-rkRU4LsPQX/w400-h323/Troyers%20II.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Troyer's Backyard<br /></td></tr></tbody></table><br /><br /><br /><br /><br /></span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-15526509775582580722023-08-29T10:31:00.000-07:002023-08-29T10:31:02.391-07:00BE MINE -- A Valentine from the Heart of Richard Ford<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihR_j0Ra0whJ-w8RjwrwxLpB3UAIl3y4xZl_KXor9lCCN0uPfExPzEZ5vzPAMaPBTIr4TJwlCpdy1gI2Kxy-4k_9imoR0LC654jqPFJrFhGd5jVPCKhsTCcb7mGdmJKqFkuywHLbsfEJHIolP6fP_-UcVMs4b_4FpksCQLaLt1jjpcWUos9YvD3ranbdAN/s1507/Be%20Mine%20by%20Richard%20Ford.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1507" data-original-width="999" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihR_j0Ra0whJ-w8RjwrwxLpB3UAIl3y4xZl_KXor9lCCN0uPfExPzEZ5vzPAMaPBTIr4TJwlCpdy1gI2Kxy-4k_9imoR0LC654jqPFJrFhGd5jVPCKhsTCcb7mGdmJKqFkuywHLbsfEJHIolP6fP_-UcVMs4b_4FpksCQLaLt1jjpcWUos9YvD3ranbdAN/w265-h400/Be%20Mine%20by%20Richard%20Ford.jpg" width="265" /></a></div><br /><p></p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Here is an unforgettable
Valentine’s card of a novel, particularly affecting for those of us from the
boomer years or earlier. <span style="mso-spacerun: yes;"> </span>I suppose there
are spoilers in what follows, but they wouldn’t deter me from reading this
novel if I came across this personal analysis.<span style="mso-spacerun: yes;">
</span>At least that is my hope in writing this.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Richard Ford does not tilt
the windmill into fantasy, but into the realities of aging and dying, the
father/son relationship, and the carnival of American culture in, yet, another
novel whose main character is his alter ego, Frank Bascombe. <span style="mso-spacerun: yes;"> </span>I originally thought his novel, <a href="https://lacunaemusing.blogspot.com/2012/07/richard-fords-canada-classic.html"><i style="mso-bidi-font-style: normal;">Canada</i></a>,
marked the passing of Frank Bascombe.<span style="mso-spacerun: yes;">
</span>But Frank was not yet down and out. <span style="mso-spacerun: yes;"> </span>He came back with <a href="https://lacunaemusing.blogspot.com/2014/11/perfectly-frank.html"><i style="mso-bidi-font-style: normal;">Let Me Be Frank With You</i></a><span style="mso-spacerun: yes;"> </span>
so I thought the latter, four novellas, loosely held together by Hurricane
Sandy and the theme of aging, might be the last we hear from Frank.<span style="mso-spacerun: yes;"> </span>That was followed by his intimate memoir
about his parents<i style="mso-bidi-font-style: normal;">, <a href="https://lacunaemusing.blogspot.com/2018/01/the-solitary-journey.html">Between Them;Remembering My Parents</a></i>.<span style="mso-spacerun: yes;"> </span>Surely that meant Ford was moving on to new
pastures.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">But, no, Frank had more to
say through Ford, although Frank is now older, burdened by his own health
issues. <span style="mso-spacerun: yes;"> </span>More significantly, there is now
the major health issue of his sole surviving son, Paul, who at 47 is suffering
from ALS, and Frank has chosen to be his caretaker.<span style="mso-spacerun: yes;"> </span>This is the same Frank as I described in <i style="mso-bidi-font-style: normal;">Let Me Be Frank With You</i>: “it is Frank’s
voice, the way he thinks, that connects with me -- plaintive, sardonic, ironic,
perplexed, now somewhat resigned, and with a wry wit.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I say “tilting the
windmill” into life purposely, as the novel has elements of Don Quixote.<span style="mso-spacerun: yes;"> </span>The literary critic Harold Bloom says “Don
Quixote is the first modern novel, and that the protagonist is at war with
Freud's reality principle, which accepts the necessity of dying…. [A] recurring
theme is the human need to withstand suffering.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">And there is abundant
suffering in <i style="mso-bidi-font-style: normal;">Be Mine</i>.<span style="mso-spacerun: yes;"> </span>Dostoevsky said once "There is only one
thing that I dread: not to be worthy of my sufferings."<span style="mso-spacerun: yes;"> </span>Frank and his son prove to be worthy.<span style="mso-spacerun: yes;"> </span>Ford even indulges in a piece of metafiction
to make his point; Dying<i style="mso-bidi-font-style: normal;"> makes the
non-dying feel excluded and shabby, since dying’s struggle is like no other.
Long ago, when I was a doomed-to-fail scribbler of mid-century American short
stories of the sort that showed up in The New Yorker, written by John Cheever
and John Updike (mine never did even once), I practiced the “rule” taught me in
my writing course at Michigan, which stipulated that inserting a death into a
fragile short story was never permitted, since death must have importance
proportional to the life that’s ended, and short stories, my teacher believed,
weren’t good at relating the vastness of human life.</i><span style="mso-spacerun: yes;"> </span>(Ford, in my mind, belongs in the company of
Cheever and Updike as being astute observers of American life.) </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Imagine caring for a 47
year old son who has ALS.<span style="mso-spacerun: yes;"> </span>Frank’s
solution, with the help of Dr. Catherine Flaherty, who we meet at the beginning
of the book and whose presence later provides a satisfying denouement, is to
get his son into an experimental program at Mayo in Rochester MN. <span style="mso-spacerun: yes;"> </span>She had <i style="mso-bidi-font-style: normal;">recently
stepped down as head of endocrinology at Scripps La Jolla. <span style="mso-spacerun: yes;"> </span>Catherine. Light of my life, fire of my
loins.<span style="mso-spacerun: yes;"> </span>Here was a long story, as there
is for everything if you survive.<span style="mso-spacerun: yes;"> </span>Since
1983, Catherine (who’s 60) and I have never totally been out of touch.<span style="mso-spacerun: yes;"> </span>And since Sally’s departure, she and I have
spoken a time or two with a circling, half-suppressed fragrance of possibility
scent-able down the cyberlines</i>. <span style="mso-spacerun: yes;"> </span>But
Catherine had other suitors she never took seriously, a “big doctor” career,
and a divorce.<span style="mso-spacerun: yes;"> </span>And yet she has never
left Frank’s psyche.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">And so begins the journey,
but most of the distance is covered between the 600 mile trek between Mayo and
Mount Rushmore, culminating on Valentine’s Day.<span style="mso-spacerun: yes;">
</span>Here is a canvas for Ford to paint his themes.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I must digress to what I
wrote about his deeply affecting memoir <i style="mso-bidi-font-style: normal;">Between
Them; Remembering My Parents</i>.<span style="mso-spacerun: yes;"> </span>I
quoted something which I think profoundly influences this novel:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">But
hardly an hour goes by on any day that I do not think <u>something</u> about my
father. Much of these things I've written here. Some men have their fathers all
their lives, grow up and become men within their fathers' orbit and sight. My
father did not experience this. And I can imagine such a life, but only imagine
it. The novelist Michael Ondaatje wrote about his father that ‘... my loss was
that I never spoke to him as an adult.’ Mine is the same - and also different -
inasmuch as had my father lived beyond his appointed time, I would likely never
have written anything, so extensive would his influence over me have soon
become. And while not to have written anything would be a bearable loss - we
must all make the most of the lives we find - there would, however, not now be
this slender record of my father, of his otherwise invisible joys and travails
and of his virtue - qualities that merit notice in us all. For his son, not to
have left this record would be a sad loss indeed.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Be Mine</span></i><span style="font-size: 16.0pt;"> fills
in those emotional blanks.<span style="mso-spacerun: yes;"> </span>The voice of
Frank is clear; you could say being on a quixotic journey. <span style="mso-spacerun: yes;"> </span>Paul could be a stand in for the author himself;
“making the life” he is found.<span style="mso-spacerun: yes;"> </span>I just
had an aching feeling that in <i style="mso-bidi-font-style: normal;">Be Mine</i>
Ford is working out the emotional pain of the absent father. And, as so much of
the novel is about aging and dying, what does one value in the decreasing
moments left in a long life?<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Yet how we chose to deal
with our suffering is book-ended by two chapters with the same title:
“Happiness.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Thus, purely on average, I would say I’ve been happy. Happy enough, at
least, to be Frank Bascombe and not someone else.</i> <span style="mso-spacerun: yes;"> </span>Ford’s acerbic sense of humor comes through: <i style="mso-bidi-font-style: normal;">It’s widely acknowledged that people live
longer and stay happier the more stuff they can forget or ignore.</i> <span style="mso-spacerun: yes;"> </span>That was at the start of the emotional and
literal journey with his son. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">And “happiness” at end is
another piece of metafiction:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">I’d once read in a book about writing that
in good novels, anything can follow anything, and nothing ever necessarily
follows anything else. To me this was an invaluable revelation and relief, as
it is precisely like life—ants scrabbling on a cupcake. I didn’t see I had to
speculate about what caused what. And truthfully, I believe it to this day.
Witness my son’s relentless assault by ALS, which as far as the best medical
science understands, poses a near complete mystery. Yes, we see it happening.
But nothing specifically causes it or specifically doesn’t cause it. It just
happens</i>.<span style="mso-spacerun: yes;"> </span>Happiness =
Acceptance.<span style="mso-spacerun: yes;"> </span>We are dealt the cards; how
we play them is more important that what we are dealt.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The journey itself and his
observations about the America we are left with is reminiscent of another novel
I read which is even more transparently modeled after Don Quixote, Salman
Rushdie’s <a href="https://lacunaemusing.blogspot.com/2019/12/quichotte-by-salman-rushdie-making.html"><i style="mso-bidi-font-style: normal;">Quichotte</i></a> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">A key issue in my reading
of that book was the following: “There are pastiches of popular culture the sum
of which point the way to the vapid disintegration of values and truth, making
it a hallmark work of dystopian literature…. As a picaresque novel it savagely
satires the entire America of now, a society gone wild with the self indulgent
consumption of popular culture, conspiracy theories, xenophobia, opioid
addition, and political polarization<i style="mso-bidi-font-style: normal;">.</i>”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;"></i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Ford’s observations go
further into the funhouse of today’s eerie reality; a cartoonish view of what
this nation has become, but in black humor lays the truth.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">While Paul is at the Mayo
clinic, Frank has sought out the services of Betty Tran, a Vietnamese masseuse
in one of those shopping centers.<span style="mso-spacerun: yes;"> </span>He
thinks he’s in love with her. <i style="mso-bidi-font-style: normal;">Diminutive,
smiling, cheerful, with bobbed hair and darkly alert eyes. 4 feet, 10 inches,
not a centimeter taller, with pert, friendly gestures that were welcoming yet
confident, happy to look me in the eye and give me a slightly unsettling wink.
…But sitting, talking two hours with pretty, exciting, vivid, immensely
likeable Betty was like a fantasy (I’m told) men my age frequently indulge: the
high school girl you should’ve loved but for a thousand reasons didn’t, yet
dream you could still love.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Apparently she gave “happy
endings.” As Frank arrives to give her a “Be Mine on Valentine’s Day” card she
is being hauled off by the police, <i style="mso-bidi-font-style: normal;">smiling,
waving a dainty hand, her slender arm bare, bobbling her head of bright yellow
hair in a gesture she’s performed for me other times. “Good-bye, good-bye. Come
back, come back,” words I “hear” as if they were booming through a PA.
“Good-bye, good-bye. Come back, come back.”</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Paul wants to rent an RV
and travel all over the southwest which given his condition would be challenging
for them both.<span style="mso-spacerun: yes;"> </span>Frank comes up with the
idea of a shorter road trip to Mount Rushmore but <i style="mso-bidi-font-style: normal;">rent the RV at the place he wants—A Fool’s Paradise—a roadside emporium
we’ve visited once and where one finds for-sale-or-rent golf carts, septic
tanks, porta-potties, snowmobiles, cherry pickers, enormous American flags,
blank grave monuments, waterslide parts and an array of 25 used RVs set out in
rows in the frozen snow. Paul can choose whichever RV rig he wants. And the
minute his Medical Pioneer event’s over, we can load up and set off for Mount
Rushmore in South Dakota, making stops at whatever loony sights we find</i>.<span style="mso-spacerun: yes;"> </span>The only one available is an old Dodge
Windbreaker Camper, not really suitable to be lived in during the cold nights,
obligating them to stay in hotels along the way.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I had to laugh as their
first stop is at a Hilton Garden Inn, where we usually stay when traveling
along the spider web of the Interstates and, as Frank, specifying <i style="mso-bidi-font-style: normal;">a double not by the elevator, the ice
machine or the pool, two free bottles of…Dasani water.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Then on to the “<i style="mso-bidi-font-style: normal;">World’s Only Corn Palace” in Mitchell, SD,
where my parents stopped off in our sole transcontinental junket in 1954…</i>
which is billed as <i style="mso-bidi-font-style: normal;">“Everything in your
wildest dreams made out of corn.” <span style="mso-spacerun: yes;"> </span>This
has elements up Paul’s alley—self-conscious inanity, latent juvenile sexual
content and a “life in these United States” down-home garishness. Again, he is
hard to predict—which can be good.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Frank has hit pay dirt
with his son. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Like me, there’s nothing my son thrills to more than the anomalies of
commerce….The “Place Corn Boutique” spreads over the entire arena/performance
venue/polling place; a Macy’s of corn-themed crapola….All of it precisely what
Paul Bascombe is put on the earth to seek, be deeply interested in and
mesmerized by. I could not have been more prescient.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The banter between Frank
and his son is a balance between contentious and affection.<span style="mso-spacerun: yes;"> </span>The dialogue is poignant. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">From there they go to the Fawning
Buffalo Casino, Golf and Deluxe Convention Hotel.<span style="mso-spacerun: yes;"> </span>Something for everyone! <span style="mso-spacerun: yes;"> </span>Ford’s description constitutes hilarious
realism: <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">There’s a “Rolling Stones All-Native” cover band in the
Circle-the-Wagons supper club. Exotic Entertainment in the Counting Coup
Lounge. Ugly sweater, wet T-shirt and best-butt contests every weekend. A
“gigantic” indoor waterslide. A “world famous” Tahitian Buffet. Plus,
“Lifestyle Enrichment” classes, a writers workshop, a mortuary science job
fair, Tai Chi instruction, and a “How to Live in the Present” seminar taught by
Native psychologists with degrees from South Dakota State. Plus, “Loose Slots”
and Valentine’s room rates for lovers—which my son and I are not but might pass
for. There’s also a free shuttle to the “The Monuments” every two hours, which
appeals to me, since I’m not sure the Windbreaker makes the climb if the
weather turns against us, which it could.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">But <i style="mso-bidi-font-style: normal;">the Fawning Buffalo is not an inspired choice. </i><span style="mso-spacerun: yes;"> </span>Paul is irate, wheelchair bound, feeling remote
from the possibilities the carnival-like atmosphere offers, Frank pressing to
get a room, thinking of the buffet and secretly maybe a lapdance when his son
goes to bed.<span style="mso-spacerun: yes;"> </span>They argue in front of the
room clerk<i style="mso-bidi-font-style: normal;"> <span style="mso-spacerun: yes;"> </span>“But we can still get the Valentine’s suite.
I’ll order you up exotic room service. I’m sure it’s available.” I mean this.
“You’re an asshole.” “Why am I an asshole? Life’s a journey, son. You’re on
it.” I’m willing to piss him off if I can’t make him happy. Though I wish I
could. He is quite a conventional, unadventurous man when you come down to it.
Like me. “It’s not a journey to here,” he says savagely…. Fatherhood is a
battle in any language.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">They leave, but as
Valentine’s Day is such a big holiday there, they try every hotel/motel after
leaving.<span style="mso-spacerun: yes;"> </span>They’re all full. <i style="mso-bidi-font-style: normal;">If I’d prevailed at the Fawning Buffalo, I’d
right now be in the Tahitian Buffet, a couple of free Stolis to the good. Never
let your son decide things.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">At another Hilton, the
clerk knows an out of the way motel where they could stay.<span style="mso-spacerun: yes;"> </span>They have to double back to get there. <span style="mso-spacerun: yes;"> </span>It is a broken down mostly abandoned place,
with aging down to earth proprietors, relics of the past.<span style="mso-spacerun: yes;"> </span>In a dank room Frank sleeps in his clothes
next to his son.<span style="mso-spacerun: yes;"> </span>And Frank thinks.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">I have said little on the subject; but I am moved by
whatever it is my son is at this drastic intersection of life. There should be
a word for that—I wish I knew it—for what he is, a word that can be inserted in
all obituaries to help them speak truth about human existence. Though whatever
that word is, “courage” isn’t it</span></i><span style="font-size: 16.0pt;">.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Finally, the big day,
Mount Rushmore, another circus to end their journey, but this time, despite the
artificiality of it all, those faces on the mountain, the oohing and aahing, the
selfies, etc., Frank and Paul, reconcile a lifetime.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">“This is great. I love this,” Paul Bascombe—the Paul
Bascombe—says. He is craned forward in his chair, fingering his silver ear
stud, eyes riveted with all the others of us, upon the four chiseled visages. I
cannot completely believe I’ve brought this unlikeliest of moments about, and
can be here standing where I’m standing—with my son. How often do anyone’s
best-laid plans work out?....I am happy to have done one seemingly right thing
for one seemingly not wrong reason. Any trip can be perilous once you commit to
the destination, as we have….“Do you know why it’s so great…Why I’ll never be
able to thank you enough?” “Tell me.” “It’s completely pointless and
ridiculous, and it’s great.” I’m merely happy to believe we see the same thing the
same way for once—more or less. It is pointless and it is stupid.<span style="mso-spacerun: yes;"> </span>“We’re bonded,” Paul says slyly, “It’s not
really like any place else, is it? It’s monumental without being majestic.”
There is no trace of disappointment, double or triple meaning.</span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The last chapter, again,
“Happiness,” is perhaps the best piece of writing I’ve read in a long time,
languid and elegant (Cheeveresque), philosophical but, even what Frank has
endured and at his age, hopeful.<span style="mso-spacerun: yes;"> </span>Paul
would approve.<span style="mso-spacerun: yes;"> </span>Now that I’ve read the
work, taking notes, I can now go back and reread it simply for pleasure and Ford’s
exquisite writing. <span style="mso-spacerun: yes;"> </span>Maybe before
Valentine’s Day?</span></p>
<p> </p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-50662775948416986682023-08-19T11:13:00.000-07:002023-08-19T11:13:19.765-07:00Was it But a Bad Dream?<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I’m referring to those
long months of Covid confinement and panic.<span style="mso-spacerun: yes;">
</span>Was our fate a ventilator made in Detroit or, worse, a body bag in a
refrigerator truck?<span style="mso-spacerun: yes;"> </span>Would we ever see
our loved ones again not to mention taking a trip, on a plane, or the horror of
it, a ship?</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyo5pPN6uZM1F7U1qAsKX7ayi6NrNk6t6uvGGm-SGO69kVEgrwe6Q6Mk3B03VIg0Caj-R4Dy33HDRCSzfwy6oilkk0YQojTJYa9Ccr6Q4TFzGBmXPWL_ysH0pUNylD8x3hafPSLA0jHt2gKWfNHxHX42r0Y-mzp2EbMbNWdpOKaUPU1rc4zUBvpN5cHgre/s1504/View%20from%20our%20Hotel%20Room.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1504" data-original-width="1350" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyo5pPN6uZM1F7U1qAsKX7ayi6NrNk6t6uvGGm-SGO69kVEgrwe6Q6Mk3B03VIg0Caj-R4Dy33HDRCSzfwy6oilkk0YQojTJYa9Ccr6Q4TFzGBmXPWL_ysH0pUNylD8x3hafPSLA0jHt2gKWfNHxHX42r0Y-mzp2EbMbNWdpOKaUPU1rc4zUBvpN5cHgre/s320/View%20from%20our%20Hotel%20Room.jpg" width="287" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">It’s as if a dam broke
loose and the inflationary tentacles of demand for normalcy has reached deep
into the pockets of liberated consumers.<span style="mso-spacerun: yes;">
</span>This year we too have followed the flock having been on a Jazz Cruise in
January, a trip to our beloved NYC, my returning home and Ann going to Milan
for 2 weeks, and then visiting our son and daughter in law on our old boat in
CT in June.<span style="mso-spacerun: yes;"> </span>We just returned from our
long delayed trip to Boston to see our older son Chris and his significant
other Megan.<span style="mso-spacerun: yes;"> </span>While in Boston we hooked
up with my best friend from college, Bruce, and his wife, Bonnie.<span style="mso-spacerun: yes;"> </span>A lot was packed into just four nights and
three days.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">So this was our third
round trip domestic flight in the last few months. As with the others, not a
vacant seat, this one to and from Boston packed to the hilt on an extended Boeing
737-900.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Landing at Logan during
rush hour on a weekday presented issues, the Delta arrival gate football field
lengths away from baggage claim and then cabs another football field away, with
few available.<span style="mso-spacerun: yes;"> </span>Our luck, the Sumner
Tunnel/Route 1A South was closed for restoration so the less than two mile
journey to the Omni Seaport Hotel moved at a snail’s pace.<span style="mso-spacerun: yes;"> </span>But, compared to the real horror stories you
hear about travel today, all was taken in stride.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The Omni is a relatively
new hotel.<span style="mso-spacerun: yes;"> </span>The entire Seaport section of
Boston seems to be under construction.<span style="mso-spacerun: yes;">
</span>It is a happening place.<span style="mso-spacerun: yes;"> </span>It was a
convenient spot to have a lovely dinner with Chris and Megan our second night
there; spending quality time with them, the main reason for our short
trip.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLjTbo0cMpa-3Z9T94Ozq-cisUsujfjOM3WF10LOXMiQMZKkQz1nettFkFtFCSgyzZc4D-lqlfnVxhFt-5whKrGpo6Tn9wmZPha5U8-nEcJYrnwDZaBHA713LMIgsjU0u-Us_ygHxs8GsIKlXOvN8A0pbSAA6Z2MENA0-g85ZwEpFJxsGiOFf3i35EjBUB/s1743/Morning%20Walk%20Past%20Ferries%20to%20Provincetown.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1262" data-original-width="1743" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLjTbo0cMpa-3Z9T94Ozq-cisUsujfjOM3WF10LOXMiQMZKkQz1nettFkFtFCSgyzZc4D-lqlfnVxhFt-5whKrGpo6Tn9wmZPha5U8-nEcJYrnwDZaBHA713LMIgsjU0u-Us_ygHxs8GsIKlXOvN8A0pbSAA6Z2MENA0-g85ZwEpFJxsGiOFf3i35EjBUB/w400-h290/Morning%20Walk%20Past%20Ferries%20to%20Provincetown.jpg" width="400" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The following day I was up
and out early to walk the Seaport, mostly deserted but the sky and air brought
back our New England days and our boating life.<span style="mso-spacerun: yes;">
</span>It was the very noticeable change not only in temperature as well as the
low humidity that commanded my attention.<span style="mso-spacerun: yes;">
</span>Leaning against the railing of the wharf to which ferries to
Provincetown were docked and loading, there was a nearly irresistible urge to
buy a one way ticket and disappear onto the Cape.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">After doing so much
boating to places like Block Island, Nantucket, Martha’s Vineyard and Cuttyhunk
during our once-upon days, I always wanted to live, permanently, on an
island.<span style="mso-spacerun: yes;"> </span>But the Cape would do as
well.<span style="mso-spacerun: yes;"> </span>So much for unrealistic reveries.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnYOenoQBrUmxMhs4MyOmDPZmnU4LpTW1Kfd3kgntrFFoDN13-v_Xqb8FLWL5kgJLMtqnAGrMi82knbhyi79GfEkFrnoxujhs_Mv7RDqPXvFS478k0N4b7KSzWKNiNmK4fFX1y-W_SU8HSTVb1RZm-lyZq1sHKZpLAwP5-TS2Wv9tjwY6K_lE0mgV4m2yB/s1796/Bonnie%20Ann%20Bruce%20Bob.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="652" data-original-width="1796" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnYOenoQBrUmxMhs4MyOmDPZmnU4LpTW1Kfd3kgntrFFoDN13-v_Xqb8FLWL5kgJLMtqnAGrMi82knbhyi79GfEkFrnoxujhs_Mv7RDqPXvFS478k0N4b7KSzWKNiNmK4fFX1y-W_SU8HSTVb1RZm-lyZq1sHKZpLAwP5-TS2Wv9tjwY6K_lE0mgV4m2yB/w400-h145/Bonnie%20Ann%20Bruce%20Bob.jpg" width="400" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Later, we had a leisurely
lunch with my best friend from college, Bruce, and his wife Bonnie.<span style="mso-spacerun: yes;"> </span>We are all simpatico, looking at our long
lives with gratitude and now apprehension about the future for our “kids.”<span style="mso-spacerun: yes;"> </span>They have two daughters; we have two
sons.<span style="mso-spacerun: yes;"> </span>Neither of us have grandchildren.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">We had looked forward to
Saturday with anticipation as we were about to spend the day with Chris and
Megan at their home, closer to Worcester than Boston, but as it was a weekend,
Chris volunteered to pick us up and return us.<span style="mso-spacerun: yes;">
</span>We could have caught a train for most of the trip, but it ran only every
two hours and no one wanted to be on a schedule. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">That drive, much of it on
the Mass. Turnpike, brought me back to the days when I used to go to an office
we had in Portsmouth, NH, usually staying<span style="mso-spacerun: yes;">
</span>over a night or two, but once I remember leaving before dawn in CT and
returning around Midnight the same day, a round trip of some 400 miles.<span style="mso-spacerun: yes;"> </span>It was easy to be young.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJCZ0SRlvY55FPqpcwrZDCA-QH1s31IRMCTki9FvA0-bxBnWuZFG925cTzfb41tCrbKXJpdtcR2BX89WKX5unqHHKJw5Rqj9ETTQWaAcw-s8-gGJK6aN7WCfFK_DGd1NDAKcRXcMLkgznvoPqAs0JLNlrUW4HhYkJ2MIOLBzZDMZvN0CzAaW0yznzJHNgJ/s618/Lily%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="618" data-original-width="430" height="367" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJCZ0SRlvY55FPqpcwrZDCA-QH1s31IRMCTki9FvA0-bxBnWuZFG925cTzfb41tCrbKXJpdtcR2BX89WKX5unqHHKJw5Rqj9ETTQWaAcw-s8-gGJK6aN7WCfFK_DGd1NDAKcRXcMLkgznvoPqAs0JLNlrUW4HhYkJ2MIOLBzZDMZvN0CzAaW0yznzJHNgJ/w282-h367/Lily%202.jpg" width="282" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Ann had visited a dog
boutique store in Boston as we were about to meet our “grand-dog,” Lily, who Chris
and Megan recently adopted, a rescue dog: toys, chewable bones, and a collar monogrammed
bandana which she had previously ordered.<span style="mso-spacerun: yes;">
</span>She’s already spoiled enough by the love of Chris and Megan, a mature
puppy with more pup than maturity.<span style="mso-spacerun: yes;">
</span>Lovable, indeed.<span style="mso-spacerun: yes;"> </span>As we haven’t
had a dog in our lives since our beloved Treat passed about 20 years ago, we
could hardly keep our hands off of her.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZKQXwalEzQoJEBpVu7gMSsplNsJIm60-F-XzxsLkldJ5FQSySitUQ91suGw9L36qWpsPpPRUeEjgc2aVqKxq9s4LebUjZoZzSB_oXzcLmqbJ3e7YM0E6l0RrWJyYDb2eP6QeVtkXkgfx6GIsSGFgPmvtDI26cVRqdibDqNZmBBTlHrYmxSUcxPHw9US6i/s476/Lily%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="467" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZKQXwalEzQoJEBpVu7gMSsplNsJIm60-F-XzxsLkldJ5FQSySitUQ91suGw9L36qWpsPpPRUeEjgc2aVqKxq9s4LebUjZoZzSB_oXzcLmqbJ3e7YM0E6l0RrWJyYDb2eP6QeVtkXkgfx6GIsSGFgPmvtDI26cVRqdibDqNZmBBTlHrYmxSUcxPHw9US6i/s320/Lily%20.jpg" width="314" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Megan had prepared a mid
afternoon feast, all home-made, with yummy appetizers of hummus and tzatziki
and pita bread, then chicken souvlaki, spanakopita, and a Greek salad.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_jKoUd4SIeXLBSXHDnX2UfiKyf-8fQV2jSF-F5D5mrvFZY3Qo10ItwDuuAKI00SYp8E0EXGJRQ1Sc5YUDDchtNn2qRT8I0QhD5cusILodJdPz1_YizX96GRQY4GMItrd6X2P_jTxZBlIBOakHEjXpBd2oWcrbHgWiMEOMd7jxMJgPE8JqMT59baj1uc7n/s1920/Chris%20Ann%20Megan%20Bob.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1174" data-original-width="1920" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_jKoUd4SIeXLBSXHDnX2UfiKyf-8fQV2jSF-F5D5mrvFZY3Qo10ItwDuuAKI00SYp8E0EXGJRQ1Sc5YUDDchtNn2qRT8I0QhD5cusILodJdPz1_YizX96GRQY4GMItrd6X2P_jTxZBlIBOakHEjXpBd2oWcrbHgWiMEOMd7jxMJgPE8JqMT59baj1uc7n/w400-h245/Chris%20Ann%20Megan%20Bob.jpg" width="400" /></a></div><span style="font-size: 16.0pt;"> </span><p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">We met Megan’s father,
John, and his husband, Victor, who live nearby.<span style="mso-spacerun: yes;">
</span>John made a delicious lemon meringue dessert to round out a perfect
meal.<span style="mso-spacerun: yes;"> </span>It was a pleasant afternoon,
getting to know one another, sipping wine, and enjoying a fabulous luncheon.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">We sat outside and
although it was a higher humidity late afternoon, there was also a light
breeze, shade, and if I closed my eyes it had the sound and redolence of when
we lived in Weston, CT so many years ago.<span style="mso-spacerun: yes;">
</span>Being at their home we felt transported, until it was time to return to
our hotel, and to pack for an early morning flight.<span style="mso-spacerun: yes;"> </span>As this was on a Sunday, the trip which had
taken us nearly an hour from Logan was a mere five minutes to return.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I love the location of the
Seaport in relation to Logan and that area itself.<span style="mso-spacerun: yes;"> </span>We’ll be back! <span style="mso-spacerun: yes;"> </span>At least that’s the hope.</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><br /></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-54781969241214660432023-07-28T07:59:00.001-07:002023-07-28T08:00:25.780-07:00The Continuing Political Piñata of the Pandemic<p><!--[if gte mso 9]><xml>
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<![endif]--><span face=""Calibri","sans-serif"" style="font-size: 16pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKG9bVPPxO2Ow-Y4GTWKPMbRqq9v4oP6MzReXhbGGww2SKDztDsYS77Loup7JPkTlK-yywYq9vcntsp787pkyV-1Ep-5BjtYLGaZYmCre3yzzvKKDzf3Hfg6NhRwxR-tXfnqfcipzklyBRVU9eo22Tz_KA9m_LDs0bb1Vn17h0Y7YJSUTJ8cmU9uZ9WPap/s320/DeathSantis%20Political%20Cartoon.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="223" data-original-width="320" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKG9bVPPxO2Ow-Y4GTWKPMbRqq9v4oP6MzReXhbGGww2SKDztDsYS77Loup7JPkTlK-yywYq9vcntsp787pkyV-1Ep-5BjtYLGaZYmCre3yzzvKKDzf3Hfg6NhRwxR-tXfnqfcipzklyBRVU9eo22Tz_KA9m_LDs0bb1Vn17h0Y7YJSUTJ8cmU9uZ9WPap/s1600/DeathSantis%20Political%20Cartoon.jpg" width="320" /></a></div><br /><p></p><p><span face=""Calibri","sans-serif"" style="font-size: 16pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"><a href="https://lacunaemusing.blogspot.com/2021/08/freedom-for-few-at-expense-of-all.html">It was one of my better Op-eds, <i style="mso-bidi-font-style: normal;">“Freedom” for the Few at the Expense of All</i></a> (August, 2021)</span></p><p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">The impetus for writing it
almost exactly two years ago was DeSantis’ response to Covid at the time.<span style="mso-spacerun: yes;"> </span>It was when he retreated from his original
response (which was tempered by some sobering data), and he went rogue for
political reasons turning Dr. Fauci into the enemy of the “freedom loving”
people of Florida. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">I walk into restaurants,
theaters, or just down the street now and wonder, was it all just a bad
dream?<span style="mso-spacerun: yes;"> </span>Not really, the dream has morphed
into yet another bad dream.<span style="mso-spacerun: yes;"> </span>Maybe a
worse one? </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">We now have more reliable
data, but with the engine of conspiracy theories, abetted by social networking,
it filters into the self-serving grab for political power, and we fail to
learn from experience. The anti-intellectual vein of the American psyche goes
deep, and populists very effectively tap into that.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">One only has to read the July
22 <i style="mso-bidi-font-style: normal;">New York Times</i> article <a href="https://www.nytimes.com/2023/07/22/us/politics/ron-desantis-covid.html"><i style="mso-bidi-font-style: normal;">The Steep Cost of Ron DeSantis's Vaccine
Turnabout</i>,</a> and then the lead
editorial in the July 26 <i style="mso-bidi-font-style: normal;">Wall Street
Journal</i>, <i style="mso-bidi-font-style: normal;"><a href="https://www.wsj.com/articles/ron-desantis-covid-record-lockdowns-vaccines-donald-trump-florida-1a6dbda2">The Real DeSantis COVIDRecord</a></i></span></p>
<p class="MsoNoSpacing"></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">Nowadays, an alternative
reality is easy to “prove” and the <i style="mso-bidi-font-style: normal;">WSJ </i>does
a pretty good job at that.<span style="mso-spacerun: yes;"> </span>I’m not going
to dissect the two, but my article from two years ago makes some of the same
points as the <i style="mso-bidi-font-style: normal;">NYT</i>.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">I will however quote the
concluding paragraph of the <i style="mso-bidi-font-style: normal;">WSJ </i>article
as it is so emblematic of how we can choose to look at this horrible episode in
American history: “The lockdown damage continues, but progressives can’t admit
they were wrong.<span style="mso-spacerun: yes;"> </span>Nor can Mr. Trump.<span style="mso-spacerun: yes;"> </span>So they are trying to take down Mr. DeSantis
for being right.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">There was no “right” or
“wrong” when we went through the dark Covid tunnel.<span style="mso-spacerun: yes;"> </span>There was scientific advice about responding
to the rapidly moving target of the pandemic, and that advice was based on informed
experience. However, I don’t recall anyone claiming that it was a hard and fast
“truth.” It was thought to be the best advice at the time.<span style="mso-spacerun: yes;"> </span>Who was closer to the “truth”, Dr. Fauci or
Dr. MyPillowGuy?</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">Trump’s “Evita moment,”
ripping off his mask, after climbing the steps to the White House balcony (gasping
for air), following his Covid treatment at the Walter Reed National Military
Medical Center, was clearly a high point of his political narcissism.<span style="mso-spacerun: yes;"> </span>Look at me!<span style="mso-spacerun: yes;">
</span>Look at me! Mr. Tough Guy!<span style="mso-spacerun: yes;"> </span>But he
received the experimental monoclonal antibody treatment not available to most
of his fellow Americans who were dying from Covid.<span style="mso-spacerun: yes;"> </span>He did not opt for the "miracle
cures" he advocated (and probably killed some of his cult supplicants) such
as hydroxychloroquine or injecting disinfectants.<span style="mso-spacerun: yes;"> </span>No, he listened to health experts. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;">So would have DeSantis
with his own life on the line. Instead, he surrounded himself with hand-picked
health advisors who supported his views, all calculated to put him in the White
House in 2024.<span style="mso-spacerun: yes;"> </span>Lots of luck with that Governor;
you didn’t count on the increasing popularity of your indicted adversary.</span><!--[if gte mso 9]><xml>
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</xml><![endif]--><span style="font-size: 16pt;"> Trump or DeSantis: demagoguery
is their commonality.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16pt;"> </span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-88543533784245225642023-07-15T08:00:00.000-07:002023-07-15T08:00:21.059-07:00Evocative Literary Works -- Avid Reader and The Personal Librarian<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-8c6UilYOERBZepZJVzd1OaOWKAgH-hdTtCnA8pPsHFnMl8gz0nFt5miSbT2zsmtQ4jV0VVwqGXeO2LFw9pW33J7Ggq2F0fhYeDzutc6L86GA2z9JFCLrF9oml-wr2zCNgluBXTXyNVDO3daTJro9XtVYR1dAr_yxd6KV9oVTmfbJgAFxtsgDHDZfRA_/s1280/JPML%20III.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="1280" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK-8c6UilYOERBZepZJVzd1OaOWKAgH-hdTtCnA8pPsHFnMl8gz0nFt5miSbT2zsmtQ4jV0VVwqGXeO2LFw9pW33J7Ggq2F0fhYeDzutc6L86GA2z9JFCLrF9oml-wr2zCNgluBXTXyNVDO3daTJro9XtVYR1dAr_yxd6KV9oVTmfbJgAFxtsgDHDZfRA_/w400-h300/JPML%20III.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">JP Morgan Library<br /></td></tr></tbody></table><span style="font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">While recently traveling, I
read two different, interesting books: Robert Gottlieb’s <i style="mso-bidi-font-style: normal;">Avid Reader</i> and a historical novel, unusual as it was written by
two people, Marie Benedict and Victoria Christopher Murray, <i style="mso-bidi-font-style: normal;">The Personal Librarian</i>.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The former was recommended
to me in 2017 by a friend of my son Jonathan.<span style="mso-spacerun: yes;">
</span>He knew I’d find it particularly relevant as Gottlieb was a leading
trade publisher (very different than my publishing world though) and my
literary interests. <span style="mso-spacerun: yes;"> </span>Apparently, I put
the book on my Amazon wish list, and finally was able to find a used copy
through an Amazon partner.<span style="mso-spacerun: yes;"> </span>It turned out
to be a “withdrawn” copy from the Public Library District of Columbia, a
labyrinth path to languish on my shelves until recently. <span style="mso-spacerun: yes;"> </span>It’s also ironic as the protagonist of the
other book, <i style="mso-bidi-font-style: normal;">The Personal Librarian, </i>was
from the District of Columbia. At the core of each work are books and
publishing.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">My wife recommended the
latter, an unusual tale about the remarkable woman, Bella da Costa Greene a
person of color who passed for white and lived her life that way, dedicated to
building the J.P Morgan Library, in effect becoming a partner in that endeavor
with the most powerful man in the world at the time.<span style="mso-spacerun: yes;"> </span>Although historically accurate, many of the
personal details had to be imagined; hence, a work of historical fiction.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Both books were redolent
of aspects of my past.<span style="mso-spacerun: yes;"> </span>At one time I was
nearly enrolled in Pratt’s Master of Library Science program but life had
different plans for me, starting in publishing right out of college, which leads
me to the more personal work (for me) Gottlieb’s memoir, <i style="mso-bidi-font-style: normal;">Avid Reader.<span style="mso-spacerun: yes;"> </span></i></span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIHAVmSgviypzUXffRcU_y01kC_nhmaks1819G9cfnJFep3xU8_NGhtoDsOz4euqWVvXi5HpiW9IQcf3v2NQW3U-lNJ8n1SQ_DNjWSOtYNGC6foPx1UGH8XllGjN2FOwk1Dex6vIYNKgyfZgV3R6QLXh7J4qLfxFzBhb3uvSvldDfIl6A8aoEyZM8mS_Pp/s1802/Gottlieb%20Avid%20Reader.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1802" data-original-width="1236" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIHAVmSgviypzUXffRcU_y01kC_nhmaks1819G9cfnJFep3xU8_NGhtoDsOz4euqWVvXi5HpiW9IQcf3v2NQW3U-lNJ8n1SQ_DNjWSOtYNGC6foPx1UGH8XllGjN2FOwk1Dex6vIYNKgyfZgV3R6QLXh7J4qLfxFzBhb3uvSvldDfIl6A8aoEyZM8mS_Pp/w274-h400/Gottlieb%20Avid%20Reader.jpg" width="274" /></a></div><span style="font-size: 14.0pt;"> </span><p></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">His career in trade
publishing a little parallels mine in academic publishing, both of us compulsive
workers, both loving our jobs which we considered a way of life more than
working itself.<span style="mso-spacerun: yes;"> </span>He was ten years older
than I, quickly rising to Simon & Schuster’s editor-in-chief, then
occupying that same position becoming president of Alfred A. Knopf.<span style="mso-spacerun: yes;"> </span>He then served as the Editor of The New
Yorker returning to Knopf as “editor ex officio.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">If our paths crossed at
all it was at the American Bookseller’s Association or PEN.<span style="mso-spacerun: yes;"> </span>He did not bother attending the Frankfurt
Bookfair as I did.<span style="mso-spacerun: yes;"> </span>My kind of publishing
required me there to negotiate co-publishing rights with English publishers and
develop the international marketing of our own publications.<span style="mso-spacerun: yes;"> </span>Plenty of trade publishers sought out the
Frankfurt Bookfair (for the parties alone), but Gottlieb was dedicated to the
art of editing and had no time for the usual trade frivolities, such as those
parties and long two martini lunches, etc.<span style="mso-spacerun: yes;">
</span>He was an editor in the mold of Maxwell Perkins and Gordon Lish (with
whom he worked).<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Among the literary luminaries
he worked with was his own discovery (and Gottlieb was only 26 years old then),
Joseph Heller, and his then titled novel “Catch 18.”<span style="mso-spacerun: yes;"> </span>By the time it was being set in type, though,
the best- selling Leon Uris was coming out with <i style="mso-bidi-font-style: normal;">Mila 18 </i>so Gottlieb and team scrambled for a new title, and it was
suggested that “Catch-11”might be used but then there was the fear that it
would be confused with the film <i style="mso-bidi-font-style: normal;">Ocean’s
11</i>. Heller suggested 14 but Gottlieb considered it “flavorless” and with
time growing short, spent a sleepless night and finally came up with <i style="mso-bidi-font-style: normal;">Catch-22</i>.<span style="mso-spacerun: yes;"> </span>He called Heller: ‘”Joe, I’ve got it!
Twenty-two! It’s even funnier than eighteen!’ Obviously the notion that one
number was funnier than another number was a classic example of self-delusion,
but we wanted to be deluded.” </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span><span style="font-size: 14.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-jfYkxaQ0LjzznKCrnPtwmrNmKh-KN-VqA-p5uvrL00x5DD_phLlZSZUCN2IXvuzpZcEanxAB4X0ZRha1nWU8MJCMY8LOHsvPf_LM7-ohX0YWokGEXn8rLOKwqqXWYVYuyBfuPDLgM1spjgHR-D3Og2sKGymCHgY6A95ZFkdp5DwcYiFpbXN50MtpPLX/s1919/Heller%20Something%20Happened.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1919" data-original-width="1357" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW-jfYkxaQ0LjzznKCrnPtwmrNmKh-KN-VqA-p5uvrL00x5DD_phLlZSZUCN2IXvuzpZcEanxAB4X0ZRha1nWU8MJCMY8LOHsvPf_LM7-ohX0YWokGEXn8rLOKwqqXWYVYuyBfuPDLgM1spjgHR-D3Og2sKGymCHgY6A95ZFkdp5DwcYiFpbXN50MtpPLX/w226-h320/Heller%20Something%20Happened.jpg" width="226" /></a></div><p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">But when I read that he
considered Heller’s <i style="mso-bidi-font-style: normal;">Something Happened</i>
one of the greatest novels of its time (I agree), it was then I resolved to
write him upon completion of his autobiography to say how much I admired his
work and his work ethic. <span style="mso-spacerun: yes;"> </span>What are the
odds that a book I bought years ago, and just recently picked up to read,
should be written by someone who passed away while I was reading it?<span style="mso-spacerun: yes;"> </span>I was heartbroken about missing the
opportunity. He had an uncanny ability to communicate his life in such a
personal voice.<span style="mso-spacerun: yes;"> </span>I feel as if he was
talking to me.<span style="mso-spacerun: yes;"> </span>It is a rare
autobiography which lacks self-censorship (the greatest fault of my own memoir
in process), vital, a man who loved, <u>loved </u>what he did.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">My old, beaten clothbound
copy of <i style="mso-bidi-font-style: normal;">Something Happened</i> has
followed us from house to house in Connecticut and now Florida.<span style="mso-spacerun: yes;"> </span>Perhaps the time has come to put it on my “to
be read (again)” list, a list that simply is like the expanding universe.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">What a life and
career.<span style="mso-spacerun: yes;"> </span>He was indeed an avid reader as
a kid. It helps that he was brilliant, and a quintessential New Yorker, who
took advantage of all the cultural opportunities of the city. <span style="mso-spacerun: yes;"> </span>In fact, in his later years became involved in
the world of ballet, befriending Lincoln Kirstein and George Balanchine.<span style="mso-spacerun: yes;"> </span>He became a ballet critic and he thought his
attraction to the art was because it is all about movement, a world of
difference from his literary life.<span style="mso-spacerun: yes;"> </span>My
wife’s favorite ballet company of the last 20 years has been the Miami City
Ballet and its very continued existence was due to Gottlieb’s efforts and his
friendship with Edward Villella, the company’s founder (Gottlieb maintained a
home in Miami as well as an apartment in Paris).</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">He sometimes would pull
all-nighters on behalf of his authors to read their new works or to edit ones
submitted for publishing. He took no vacations and long holiday weekends meant
he could get more work done.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Again comparing my own
publishing life, I always felt that the more I got done, the more there was to
do.<span style="mso-spacerun: yes;"> </span>My family knew my favorite working
day of the week was Mondays.<span style="mso-spacerun: yes;"> </span>I wouldn’t
have it any other way.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Gottlieb said "I
hated dinners out. Restaurants didn’t appeal to me. I didn’t go to movies or
parties, play sports or watch sports. I literally didn’t know how to turn on
the TV."<span style="mso-spacerun: yes;"> </span>He saw himself in service
of the author; authors, coworkers and friends were all part of his extended
family.<span style="mso-spacerun: yes;"> </span>He did have a family, married
twice, the second marriage the charm (as was mine), to Maria Tucci the actress.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">As I was finishing the
book, he died at the age at 92.<span style="mso-spacerun: yes;"> </span>I
lamented his death and the lost opportunity of writing to him.<span style="mso-spacerun: yes;"> </span>In his own voice, he makes a good point though:
“I attempt not to think about death, but there’s no avoiding the fact that we
are all the pre-dead.<span style="mso-spacerun: yes;"> </span>I try not to brood
about my lessening, physical forces, and try to avoid what I’m sure is the
number one killer: stress. Luckily, I don’t use up psychic energy and living in
regret. What’s the point? Or in worrying about the future. Why encourage
anxiety ? The present is hard enough.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Speaking of anxiety, indeed,
can one imagine the day-to-day grind of living a life of self-imposed
duplicity, such as the one portrayed in <i style="mso-bidi-font-style: normal;">The
Personal Librarian?</i><span style="mso-spacerun: yes;"> </span></span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bryan daily eagle and pilot 28 Feb 1913</span></td></tr></tbody></table> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This work of historical
fiction by Marie Benedict and Victoria Christopher Murray is about Belle da
Costa Greene’s personal and professional life. As J. P. Morgan's “personal” librarian,
she helped build the incredible J.P. Morgan Library, JPM, many years her elder,
never realized she was black.<span style="mso-spacerun: yes;"> </span>She passed
for white and that's how she had to lead her life, to protect her position, one
of enormous responsibility as she represented JPM at auctions, operating
completely autonomously.<span style="mso-spacerun: yes;"> </span>It was a
disadvantage enough being a woman in that world of antiquarian collecting and
preservation.<span style="mso-spacerun: yes;"> </span>It was also the way she
protected her mother and siblings, who she supported throughout her life.<span style="mso-spacerun: yes;"> </span>One can imagine the ensuing complications and
her perpetual fear of being “outted.”<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Passing for white
estranged her from her father, Richard Theodore Greener, Harvard College's
first Black graduate.<span style="mso-spacerun: yes;"> </span>He became Dean of
Howard University’s Law School and a tireless advocate of equal rights during the
Reconstruction.<span style="mso-spacerun: yes;"> </span>This became a schism in
his family.<span style="mso-spacerun: yes;"> </span>His wife wanted her and her
children to have the benefits of being thought of as white, fabricating a tale
about Portuguese lineage and changing their name from Greener to Greene to
disassociate them from him.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Belle finally found a way
to embrace her father’s teachings and at the same time creating a research
library second to none when, after JP Morgan’s death, she convinced his son
Jack to make the library a gift to New York City.<span style="mso-spacerun: yes;"> </span>She thought he could approve, putting these
treasures indirectly in the hands of the people.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This gave her some closure
and it took the writing team of the experienced novelist, Marie Benedict, and a
bestselling writer, Victoria Christopher Murray to imagine the complete
tale.<span style="mso-spacerun: yes;"> </span>In the process, they became best
friends and the joy they shared researching and writing shows on every page.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">Avid Reader</span></i><span style="font-size: 14.0pt;">
and <i style="mso-bidi-font-style: normal;">The Personal Librarian,</i> as
different as they are, share that commonality, the joy of books. That was my
world and how lucky I was to be a small part of it.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> <br /><br /></span></p>
Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-70520912618296053532023-07-04T11:38:00.000-07:002023-07-04T11:38:54.447-07:00It's Summertime, Summertime, Sum Sum Summertime<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Oh, the sweet innocence of
The Jamies’ song, their one and only big hit from 1958, that opening line nicely
summing up my years as a high school somnambulist. I paid dearly for my penchant
to “to live and have some thrills,” as another part of the song goes.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Fast forward more than
sixty years. In one’s retirement one would think those halcyon thoughts of carefree
abandonment could be rekindled.<span style="mso-spacerun: yes;"> </span>Now, it’s
the new responsibility of merely staying healthy. “It's summertime (ba-bam-bam)”
so now we plan our brief trips around the realities of trying to see out kids,
both more than a thousand miles away with their spouses (we also have a
grand-dog who we will meet in August).<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Those plans now are
burdened by the overpopulated and digitized world of today.<span style="mso-spacerun: yes;"> </span>I need not go into all the details but
suffice it to say, being an octogenarian, competing for space in a world which
would not be recognizable in 1958, has its challenges. However, along with its
frustrations, there are some throwbacks to the civilized past. One young lady
noticing we were having trouble hearing the so called loudspeaker over the airport
din, volunteered to act as an interpreter.<span style="mso-spacerun: yes;">
</span>It’s not that my hearing is bad; it’s the audio-multitasking part.<span style="mso-spacerun: yes;"> </span>So, lest this entry becomes the sour grapes
that I could easily write, I publically say thank you to the people who
care.<span style="mso-spacerun: yes;"> </span>Still, it is a crazy world.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">We flew up to a regional
airport, HPN, from our regional airport, PBI, that in itself a delicate feat
given all sorts of possible delays, but managed to get there only an hour late
to pick up a car I had reserved with Avis/Budget (now merged for the greater
good of the shareholders) and after a half hour of waiting for my checked in
advance car, all license and payment information provided on line, an uncaring
employee, after clattering away at his computer, tossed me the keys to a Toyota
4-Runner although I had rented a mid-sized car, not a truck. “Take it or leave
it” he said.<span style="mso-spacerun: yes;"> </span>“It’s the only vehicles for
rent from anyone.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">So, we gathered our
luggage and pole vaulted into our truck after finally finding in a parking lot to
which we had to drag our suitcases and off we went on the old Merritt Parkway,
always under construction and always stop and go traffic finally arriving at
our hotel, one that is near our old boat now owned and beautifully maintained
by our son Jonathan and daughter-in-law Tracie. We’ve stayed at this Marriott
on and off for 25 years, seeking it out as a hurricane haven when we were
living on the boat ourselves each summer. But the hotel has regressed with smaller
rooms, no shelving and a refrigerator that never worked. Needless to say, it
was packed with no options.</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6q23DJhTjm5atajDWfZXcCJQ3pesBl0m8fMV9QpXiPyA2RoYr2AjVEvBUY_fiul4vKgEOtQ8uHLFUzv9F7TGmjNDEZb_PpGF8QKgE6T8R1ij0mqUN_OI4n8_xTWFSIAzLRPLffVdkwIwKNc2GIgnD4Zb_BPrUJd1F4OHDerqXqcA4-sRYv2tOCuwSSs01/s1632/Jon%20Tracie%20Bob%20Ann%20Megan%20Chris.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1042" data-original-width="1632" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6q23DJhTjm5atajDWfZXcCJQ3pesBl0m8fMV9QpXiPyA2RoYr2AjVEvBUY_fiul4vKgEOtQ8uHLFUzv9F7TGmjNDEZb_PpGF8QKgE6T8R1ij0mqUN_OI4n8_xTWFSIAzLRPLffVdkwIwKNc2GIgnD4Zb_BPrUJd1F4OHDerqXqcA4-sRYv2tOCuwSSs01/w400-h255/Jon%20Tracie%20Bob%20Ann%20Megan%20Chris.jpg" width="400" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Our older son Chris and his
significant other Megan drove down the next day from the Boston area to stay at
the same hotel and finally, our little family was able to get together, one of
the high points of the trip for us.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Captain Jonathan had a
nice surprise ready for us all the next day, engines revved for a cruise,
casting off the lines as soon as we all boarded.<span style="mso-spacerun: yes;"> </span>The weather had been threatening and we were
not expecting it.</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimMokm0utIGI8sb-OoUSOeUm-LbmRxocSpE0hxmCurpt2Eq6vGQr1uyPg2uKCf_kKJqo4nx3WpQz1TJv3rLG89o8gEoNs1lDqexy63m3TgJCuSqzc3ybaJ-l31Tzur13MFvXtvD3dRt0tch-BkTs6OchIociauff11rmaxPHuTpg7-qCAArxnRao8tuF3m/s1920/Capt%20Jon%20on%20Bridge.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimMokm0utIGI8sb-OoUSOeUm-LbmRxocSpE0hxmCurpt2Eq6vGQr1uyPg2uKCf_kKJqo4nx3WpQz1TJv3rLG89o8gEoNs1lDqexy63m3TgJCuSqzc3ybaJ-l31Tzur13MFvXtvD3dRt0tch-BkTs6OchIociauff11rmaxPHuTpg7-qCAArxnRao8tuF3m/s320/Capt%20Jon%20on%20Bridge.jpg" width="320" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> Here he is on the Bridge above.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">We passed the house in
which we lived before moving to Florida, exactly in the center of this
photograph, the two-story home.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdnGuU6_T2RiVK3cavxbdcEQPaR6KkWnyD0Z9KRBz2GdrBbHO9XJjjRciTkF69bVSAHxTdT1cgrZKRgFaJvBFRkGjtNia1Wb3ISBInnV7ppeto8Uah1ZqzklEcfhIbdsL51Bp_2pV01rMxqjilAJ8BUWhFtTsrZ_bl79jZyho8FhMtwGekqnFwMOsD2AeK/s1724/Former%20Norwalk%20House.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1074" data-original-width="1724" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdnGuU6_T2RiVK3cavxbdcEQPaR6KkWnyD0Z9KRBz2GdrBbHO9XJjjRciTkF69bVSAHxTdT1cgrZKRgFaJvBFRkGjtNia1Wb3ISBInnV7ppeto8Uah1ZqzklEcfhIbdsL51Bp_2pV01rMxqjilAJ8BUWhFtTsrZ_bl79jZyho8FhMtwGekqnFwMOsD2AeK/w400-h249/Former%20Norwalk%20House.jpg" width="400" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">After the weekend, all
took leave except for Jonathan who works remotely and ourselves who were hoping
to recapture more of our old boating life.<span style="mso-spacerun: yes;">
</span>Sitting on the boat in the harbor it was if no time had passed other
than we are now just visitors. Those thoughts went through me as I sat looking
out, Ann on the couch reading, her ponytail flowing over the cushion (the
refrains of The Big Bopper repeat in my head still, “Chantilly lace and a
pretty face / And a ponytail hangin' down / A wiggle in her walk and a giggle
in her talk / Make the world go 'round.”)<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnex5egO9hhObZ9GY_as8Thn6bkcsLd3mJlbBVXZcUsqXWZJuoCFw36S5lATiG8O3048_PapU50tJUhDF7XrwCBSpCE-mqVVFcrEJ1HFfPaFXTInl4-kJUg1zWnij19QX56kzD14Yq5VxqtrzpK-S2PB5Qi2d8jQQv5jk9WC317Ckcz9CK5p4R_DR-nms/s1745/Looking%20Out.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1214" data-original-width="1745" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnex5egO9hhObZ9GY_as8Thn6bkcsLd3mJlbBVXZcUsqXWZJuoCFw36S5lATiG8O3048_PapU50tJUhDF7XrwCBSpCE-mqVVFcrEJ1HFfPaFXTInl4-kJUg1zWnij19QX56kzD14Yq5VxqtrzpK-S2PB5Qi2d8jQQv5jk9WC317Ckcz9CK5p4R_DR-nms/w400-h279/Looking%20Out.jpg" width="400" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">With no one down at the
docks, it is eerily quiet. There is now a persistent east wind bringing in
clouds, some cool temperatures, and an occasional light shower.<span style="mso-spacerun: yes;"> </span>The door to the boat is open and I ingest the
cool humid flow.<span style="mso-spacerun: yes;"> </span>This easterly wind induces
random slapping of waves on the hull and the chines, the only sounds I hear,
continuous, and if I sat here forever, and the wind never shifted, that
slapping would be in a one to one relation with eternity.<span style="mso-spacerun: yes;"> </span>Reveries now shift to reality.</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQidc3tE42UnV5YpSqB_WUuDQ6rfbgWS4jLAm2fHD31RkKSb5nMeTbpwIs0z9_0uK85GHQvOPWlzEvLLkR2XWQPviAF3u4n5-2Lv8y1gBz4jY8n3SI947mudfap4cuqulMRQfeYJt4mrEpCLqfl9nub_mUzgeow86K-tc-K9m2zaPxrki__0Cn5HEjV4yn/s1163/Ray%20and%20Sue.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="805" data-original-width="1163" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQidc3tE42UnV5YpSqB_WUuDQ6rfbgWS4jLAm2fHD31RkKSb5nMeTbpwIs0z9_0uK85GHQvOPWlzEvLLkR2XWQPviAF3u4n5-2Lv8y1gBz4jY8n3SI947mudfap4cuqulMRQfeYJt4mrEpCLqfl9nub_mUzgeow86K-tc-K9m2zaPxrki__0Cn5HEjV4yn/s320/Ray%20and%20Sue.jpg" width="320" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> Aside from visiting our
family, having some excellent meals, we were able to see our old boating
friends, Ray and Sue.<span style="mso-spacerun: yes;"> </span>All of us in some
way have had our health issues, probably Ray and me with the most serious ones,
indebted to our wives for keeping us going.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQwJcuvLBq6uFqhhVdN0DglCSWYoaeCmtTnrfzpjAbTqfDJhxpcj1rMstaS9Ojz8qKvZeGIg0fHBL7RCB6tRXHgB8yay-nWTys9CqsrlgFY8iOe-K6ZAozTfc2hJpQ2qbqH_QQ5YTcR_MSlAO0qTPUGZoMhm7_5vYTSOL-LgPN_mrBfCBgEhlUu86vN1wW/s551/ann%20and%20betty.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="381" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQwJcuvLBq6uFqhhVdN0DglCSWYoaeCmtTnrfzpjAbTqfDJhxpcj1rMstaS9Ojz8qKvZeGIg0fHBL7RCB6tRXHgB8yay-nWTys9CqsrlgFY8iOe-K6ZAozTfc2hJpQ2qbqH_QQ5YTcR_MSlAO0qTPUGZoMhm7_5vYTSOL-LgPN_mrBfCBgEhlUu86vN1wW/s320/ann%20and%20betty.jpg" width="221" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">And Ann managed to see our
close friend, Betty, for lunch and reminisce about their 50 year friendship.<span style="mso-spacerun: yes;"> </span>I had hired Betty as a copyeditor way back in
the early 1970s but for the last twenty five years she has free lanced as one
of the leading and most sought after copy editors in scientific
publishing.<span style="mso-spacerun: yes;"> </span>That was not her academic
background, but it just came naturally to her. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The week flew by and
before we knew it, we were back on the jammed Merritt Parkway, returning to
White Plains Airport, and although I promised not to bitch, I must scratch this
one.<span style="mso-spacerun: yes;"> </span>Finally getting our truck back into
the lot, and having lunch at the airport (which used to have a very nice restaurant
but now catering to bar hoppers and fast foodians), we reluctantly went into
the “pen” to get through TSA.<span style="mso-spacerun: yes;"> </span>This
airport has a holding area, as if you are cattle, totally disorganized, and
dependent on prior connections / aircraft.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEzTNVJ3pJwxxnTe4J-PquRk1-63Foq3FNP7E2733QwsAP1uSNy5FoEwUGcWfljVwE1rSDRm-C-P_dv7UyHyrTq6s1k4R-Ub0xi3trIw3tbDs4hggsCug9yCAysqFeeraK5oCVbRpz69OwBBdJeK5EYEOjU79sKtaTvB0B8Igtj-d_qUJARk6j10F9EGgP/s1920/HPN%20June%2029.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEzTNVJ3pJwxxnTe4J-PquRk1-63Foq3FNP7E2733QwsAP1uSNy5FoEwUGcWfljVwE1rSDRm-C-P_dv7UyHyrTq6s1k4R-Ub0xi3trIw3tbDs4hggsCug9yCAysqFeeraK5oCVbRpz69OwBBdJeK5EYEOjU79sKtaTvB0B8Igtj-d_qUJARk6j10F9EGgP/s320/HPN%20June%2029.jpg" width="320" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Happily for us, our fully
booked JB A320 flight arrived on time from Orlando and, a miracle, they called
for boarding the aircraft on time. People were sitting or lying all over the
floor it was so packed.<span style="mso-spacerun: yes;"> </span>Grateful for
this little gift, we stood, and got on line.<span style="mso-spacerun: yes;">
</span>After committing ourselves, an announcement was made that they had no
pilot for the plane.<span style="mso-spacerun: yes;"> </span>But he was taking a
limousine from JFK to HPN so 175 people had to wait for his arrival and hope
his vehicle isn’t involved in a traffic issue. <span style="mso-spacerun: yes;"> </span>Altogether crazy but given other horror
stories of traveling post Covid, we are grateful, and, in particular, to see
our “kids” no matter what.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">So come on and change your ways</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">It's summertime (ba-bam-bam)</span></i></p><p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><br /><br /><br /><br /><br /><br /><br /> </span></i></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-50235146170023614802023-06-09T11:16:00.000-07:002023-06-09T11:16:02.031-07:00Whose Freedom is it Anyway?<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">I originally wrote this a
few weeks ago for the <i style="mso-bidi-font-style: normal;">Palm Beach Post</i>
as an Opinion Piece.<span style="mso-spacerun: yes;"> </span>The paper published
others of mine before, but they chose not to in this case.<span style="mso-spacerun: yes;"> </span>Perhaps it is because of the ennui of
thoughts and prayers on the subject.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Therefore I publish it
here as the dreaded date of July 1 approaches, when Florida House Bill (HB) 543
goes into effect. This was advocated by the Republican majority and Governor
DeSantis, further expanding the 2<sup>nd</sup> amendment to allow permit-less
carry of weapons in Florida. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">It will lead to more gun
deaths in the state.<span style="mso-spacerun: yes;"> </span>I’ve expressed my
views on the subject of gun control numerous times in this space and consider this
a summation and further expansion.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The very preamble to the
Constitution states it was to “insure domestic tranquility.” The proliferation
of modern weaponry instead has facilitated a form of domestic dread.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Whose Freedom
is it Anyway?</span></i></b></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Franklin D. Roosevelt’s 1941 State of the Union
address articulated four fundamental human rights that should be universally
protected. </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span>Freedom of
Speech</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span>Freedom of
Worship</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span>Freedom from
Want</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span>Freedom from
Fear</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">In 1943 Norman Rockwell immortalized those Freedoms in
paintings which were reproduced in “The Saturday Evening Post.” We saw the
originals when visiting the New York Historical Museum in 2018</span></i></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwPeBA9ceUsJ_7520zCu4bWbSrkVm6UJdW01203sLu1oTsmkHpnCXb3KQLqrx7UT0z8L_Vc4DLdXGgvd3J2VWPRJc4OctL9QItJHv7Sf1totEPWssRWzsQr3gr-lgB1J1hPzZvzPsnbimjeMAsowEpFMFj4OoyIpzraHksrcMDjvlfk-aI3XHsZxYztg/s2016/NYHS%20Rockwell%20Freedom%20from%20Fear.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2016" data-original-width="1512" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwPeBA9ceUsJ_7520zCu4bWbSrkVm6UJdW01203sLu1oTsmkHpnCXb3KQLqrx7UT0z8L_Vc4DLdXGgvd3J2VWPRJc4OctL9QItJHv7Sf1totEPWssRWzsQr3gr-lgB1J1hPzZvzPsnbimjeMAsowEpFMFj4OoyIpzraHksrcMDjvlfk-aI3XHsZxYztg/w300-h400/NYHS%20Rockwell%20Freedom%20from%20Fear.jpg" width="300" /></a></div><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i><p></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">The painting “Freedom from Fear” depicts two children
safely sleeping in their beds as their parents look on, the wife tucking them
in, and the husband holding a newspaper which partially reveals a headline
about the Blitz Bombings in London.<span style="mso-spacerun: yes;"> </span></span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">That primary freedom we all want for ourselves and
especially for our children, and our grandchildren, has mutated into the
“freedom” to own and even carry military style weapons.<span style="mso-spacerun: yes;"> </span>We now have two “competing” freedoms and a
culture that celebrates weapons.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">In Texas the sound of gunfire, just for the “fun” is
so pervasive it is accepted as the norm in rural areas.<span style="mso-spacerun: yes;"> </span>The recent Texas Mall shooting was the 199th
Mass shooting of this year in the United States.<span style="mso-spacerun: yes;"> </span>Next month it will be lawful to carry a
concealed weapon in Florida, without a permit and without training.<span style="mso-spacerun: yes;"> </span>Expect more gun violence here.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">This is not the first time that we’ve had “freedoms”
square off against one another. </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">At one time smoking was the accepted norm. It was part
of our culture, as firmly entrenched as guns are today. <span style="mso-spacerun: yes;"> </span>It took decades to remove the Marlboro Man
from the popular American Mind. <span style="mso-spacerun: yes;"> </span>The
tobacco industry’s relentless ads subliminally communicated tough American
independence.<span style="mso-spacerun: yes;"> </span>Science proved that the
ubiquity of 2<sup>nd</sup> hand smoke has a detrimental impact on non-smokers.
Living in a smoke free environment transcends the freedom of smokers to deny
that fundamental right.<span style="mso-spacerun: yes;"> </span>Laws were finally
changed.<span style="mso-spacerun: yes;"> </span></span></i></p><p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"><span style="mso-spacerun: yes;"> </span></span></i></p><div class="separator" style="clear: both; text-align: center;"><i style="mso-bidi-font-style: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtbvdKyVIQT5OqDFOC-tBNxvAEix5XLxcsvsKlrSDPd8O4Z4uIMt_21O51yGqGFQGPesrPoOsrr1NkJYW-IaJhAlIHTUkhgdjZcXcZDM2UOA_P-1WlDNXzDp3byGUlCCQilPwxnM9J7qpvpz371-IgpUOcTMWoIEwnfh54UHDMYOQMUbumkB-NaJNfQ/s502/Marlboro%20Man.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="469" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtbvdKyVIQT5OqDFOC-tBNxvAEix5XLxcsvsKlrSDPd8O4Z4uIMt_21O51yGqGFQGPesrPoOsrr1NkJYW-IaJhAlIHTUkhgdjZcXcZDM2UOA_P-1WlDNXzDp3byGUlCCQilPwxnM9J7qpvpz371-IgpUOcTMWoIEwnfh54UHDMYOQMUbumkB-NaJNfQ/s320/Marlboro%20Man.jpg" width="299" /></a></i></div><p></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Similarly, we have a gun culture representing so
called American independence.<span style="mso-spacerun: yes;"> </span>Some of
our elected representatives even “celebrate” that “freedom” with social network
pictures of themselves posing with weapons of war, even with their young
children.<span style="mso-spacerun: yes;"> </span>This form of indoctrination is
not much different than the wide-spread smoking advertising which permeated the
media of the past.<span style="mso-spacerun: yes;"> </span>We genuflected to the
tobacco industry as we now do to the NRA.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">The time has come for our representatives to recognize
that their constituents’ freedom to live in relative safety transcends the
rights of gun owners to embrace AR-15s and to legislate against the deadly
mixture of “stand your ground” and “permit-less carry” laws.<span style="mso-spacerun: yes;"> </span>Recently we’ve seen anecdotal evidence of the
consequences of the former, innocent people being shot because they mistakenly
rang a doorbell or drove into the wrong driveway.<span style="mso-spacerun: yes;"> </span>The gun owner simply felt “threatened.”</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Furthermore, “permit-less carry” puts impossible
demands on our police who now may have to go into a public place where a shot
has been fired and suddenly scores of untrained citizens are there with their
guns drawn.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">The widespread carrying of guns simply leads to more
deadly gun consequences.<span style="mso-spacerun: yes;"> </span>The United
States has more guns than citizens; it also has an exponentially higher rate of
gun deaths and accidents.<span style="mso-spacerun: yes;"> </span>It is a statistical
inevitability.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">One of the standard arguments against doing anything,
even by those who agree that something must be done, is that there are so many
weapons “out there” it is hopeless.<span style="mso-spacerun: yes;"> </span>In
the early 1980s we also thought that regulating smoking was hopeless.<span style="mso-spacerun: yes;"> </span>It took years, but a civilized solution
finally prevailed.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">It has to start somewhere, sometime.<span style="mso-spacerun: yes;"> </span>We need to change the gun culture; our
representatives have to either agree or be voted out.<span style="mso-spacerun: yes;"> </span>Weapons of war need to be outlawed.<span style="mso-spacerun: yes;"> </span></span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">As in New Zealand, Congress needs to provide
meaningful dollars for an amnesty period for turning in such weapons of war,
paying fair market price for them.<span style="mso-spacerun: yes;"> </span>After
that period, anyone who is discovered with one (no door-to-door seizures,
another fabricated action gun-mongers caution) would be subject to legal
recourse.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Weapons would have to be registered, just like motor
vehicles (the unregulated use of which would make them even be more
dangerous).<span style="mso-spacerun: yes;"> </span>As with automobiles, those
with more than a certain number would be considered a dealer and subjected to
another level of registration and scrutiny.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">“Stand your ground” “permit-less carry” laws must be
changed. The freedom to live in relative safety must prevail over the freedom to
own (and carry) military style weapons</span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> <br /><br /></span></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-54926967525518930572023-05-28T08:27:00.000-07:002023-05-28T08:27:28.463-07:00Topdog / Underdog Encapsulates Brotherly Love, Rivalry and Despair<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqyexlCPTYMGc-1gxSQrkdQHrvAGdyrjZ1QbefleXunfjj-Nz9AZ8nmEFC6Zqy9-MxP3YF5jLHvwUYIpdK952NxHXMG7y1c5ZCAwD-uK1c7gH80YJxumM2lXx3HUgBRybuuKFDfn1VKsVRst9AAG73PAqjI4BIj5gLwuiOywTZpO68je7BkitEHZPOgg/s1685/Program%20Illustration.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1685" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqyexlCPTYMGc-1gxSQrkdQHrvAGdyrjZ1QbefleXunfjj-Nz9AZ8nmEFC6Zqy9-MxP3YF5jLHvwUYIpdK952NxHXMG7y1c5ZCAwD-uK1c7gH80YJxumM2lXx3HUgBRybuuKFDfn1VKsVRst9AAG73PAqjI4BIj5gLwuiOywTZpO68je7BkitEHZPOgg/s320/Program%20Illustration.jpg" width="205" /></a></div><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Palm
Beach Dramaworks concludes its outstanding 2022/23 season with Suzan-Lori
Parks’ Pulitzer Prize-Winning</span><span style="font-size: 14.0pt;"> <i style="mso-bidi-font-style: normal;">Topdog / Underdog</i></span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">.<span style="mso-spacerun: yes;"> </span></span><span style="font-size: 14.0pt;">When </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">it</span><span style="font-size: 14.0pt;"> premiered some twenty years ago it had an absurdist slant,
but it has now moved closer to stark realism.<span style="mso-spacerun: yes;">
</span>Director Be Boyd further bends this stunning new PBD production toward
the dystopian reality of today. <span style="mso-spacerun: yes;"> </span>It is a
tragic-comedy, an ode to black men and their estrangement from the American
Dream.<span style="mso-spacerun: yes;"> </span></span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The three-card Monte leitmotif of the play
is steeped in metaphor and symbolism characterizing the America of today, a
zero-sum game of being either a winner or loser, frequently merely by the
nature of one’s birth.</span><p></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This production evokes a
deep emotional resonance on many different thematic levels, a family drama, a
cautionary tale of racially based economic inequality, and the consequences of dealing
with mental illness, guns and violence.<span style="mso-spacerun: yes;">
</span>It is a perfect two-hander play that nonetheless comes across as big
drama in the hands of Director Be Boyd and the Palm Beach Dramaworks team.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
rhythmic street language of the play is mesmerizing, an incantation drawing you
into the lives of two </span><span style="font-size: 14.0pt;">black brothers who
were given the names of “Lincoln” and “Booth” a great cosmic joke perpetrated
by their boozy, philandering father who, along with their mother, long ago
abandoned both when they were just youngsters, both boys unformed and
uneducated.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Now in their 30s, they share
Booth’s rundown cramped boarding room, a place where b</span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">rotherly love and rivalry
abound as well as the hardships of being dealt a bad hand in life.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Director
Be Boyd and the PBD technical crew bring the outside chaos inside the brothers’
lives where mere survival is the bottom line.<span style="mso-spacerun: yes;">
</span>The toilet is down the hall.<span style="mso-spacerun: yes;">
</span>Lincoln even pees into a cup on stage.</span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">George Anthony
Richardson and Jovon Jacobs Photo by Alicia Donelan</span></td></tr></tbody></table></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Lincoln was </span><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">once a highly successful three-card-Monte
hustler which he walked away from after his partner was shot.<span style="mso-spacerun: yes;"> </span>He now has a “real” job, as honest Abe
Lincoln, wearing a stovepipe hat and whiteface, at an arcade attraction.<span style="mso-spacerun: yes;"> </span>Like Franz Kafka’s “Hunger Artist,” he now
strives for perfection playing his namesake so customers can line up to
“assassinate” him.<span style="mso-spacerun: yes;"> </span>He is always working
on his skills as a performance artist (or during slow moments, composing songs
in his head), Booth even making suggestions for his improvement on the one hand
while really wanting him to go back to “the game.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Booth
is ferociously performed by Jovon Jacobs who is appearing in his third PBD
production. <span style="mso-spacerun: yes;"> </span>He just gets better as an
actor each time and now is at the top of his game.<span style="mso-spacerun: yes;">
</span>Booth can only dream of being a three-card Monte hustler as he lacks the
artistry of his older brother.<span style="mso-spacerun: yes;"> </span>His are
dreams of money and women, obsessed with making his girlfriend Grace love and
have sex with him.<span style="mso-spacerun: yes;"> </span>His expertise is
being a crook, a shoplifter.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> <br /></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Jacobs’
internal energy seems infinite, explosive, attacking the words, seething from
within.<span style="mso-spacerun: yes;"> </span>His character’s fantasies drive
the physicality of his performance, his magnetism frenetic, with exuberant
mannerisms.<span style="mso-spacerun: yes;"> </span>It is a bravura
performance.<span style="mso-spacerun: yes;"> </span>The striptease of his
stolen goods shows great comic chops.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> <br /></span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">George Anthony
Richardson and Jovon Jacobs Photo by Alicia Donelan</span></td></tr></tbody></table><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Lincoln
is played with a quiet dignity, befitting his namesake, by George Anthony
Richardson (PBD debut), remarkably a last-minute replacement for the actor
originally cast.<span style="mso-spacerun: yes;"> </span>Serendipitously Richardson
was the understudy for the recent Tony Nominated revival of the play, so he hits the ground
running, although future performances will build upon the chemistry between these
two fine actors who have had so little time together.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Richardson’s
role as the sometimes more than tolerant, submissive older brother, resigned to
his job and performance, does finally give in to the draw of “the game”...…..like
the alcoholism that runs in his family, a compulsive generational hopelessness.
<span style="mso-spacerun: yes;"> </span>Richardson effectively portrays his
character with docile resignation, but transforms into an animated actor with
smooth hands and mesmerizing voice when he deals the cards.<span style="mso-spacerun: yes;"> </span>This is his milieu. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">He
has one steady customer who whispers in his ear, <i style="mso-bidi-font-style: normal;">does the show go on when no one is looking</i>? <span style="mso-spacerun: yes;"> </span>The monologue leading up to this frequent
visitor has particular relevance in today’s times, where everyday violence and
shootings are endemic to our lives. <span style="mso-spacerun: yes;"> </span>What
might have been unimaginable not long ago, a carnival attraction for the mock
assassination of a President such as Lincoln, impersonated not only by someone
named Lincoln, but a black man as well, could be ordinary in today’s sideshow.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">He
says he can see his arcade customers in the reflection of a silver metal fuse
box in the partial darkness, the image being upside down, remarking about his
usual customer:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">And there he is.<span style="mso-spacerun: yes;"> </span>Standing behind
me.<span style="mso-spacerun: yes;"> </span>Standing in position.<span style="mso-spacerun: yes;"> </span>Standing upside down.<span style="mso-spacerun: yes;"> </span>Theres some feet shapes on the floor so he
knows just where he oughta stand.<span style="mso-spacerun: yes;"> </span>So he
wont miss.<span style="mso-spacerun: yes;"> </span>Thuh gun is always cold…..And
when the gun touches me he can feel that Im warm and he knows Im alive.<span style="mso-spacerun: yes;"> </span>And if Im alive then he can shoot me
dead.<span style="mso-spacerun: yes;"> </span>And for a minute, with him hanging
back there behind me, its real. <span style="mso-spacerun: yes;"> </span>Me
looking at him upside down and him looking at me looking like Lincoln. <span style="mso-spacerun: yes;"> </span>Then he shoots I slump down and close my eyes.<span style="mso-spacerun: yes;"> </span>And he goes out thuh other way. <span style="mso-spacerun: yes;"> </span>More come in. <span style="mso-spacerun: yes;"> </span>Uh whole day full.<span style="mso-spacerun: yes;"> </span>Bunches of kids, little good for nothings, in
they school uniforms.<span style="mso-spacerun: yes;"> </span>Businessmen
smelling like two for one martinis.<span style="mso-spacerun: yes;">
</span>Tourists in they theme park t-shirts to catch it all on film.<span style="mso-spacerun: yes;"> </span>Housewives with they mouths closed tight,
shooting more than once.<span style="mso-spacerun: yes;"> </span>They all get so
into it.<span style="mso-spacerun: yes;"> </span>I do my best for them.<span style="mso-spacerun: yes;"> </span>And now they talking bout cutting me,
replacing me with uh wax dummy</i>.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Booth
wants his brother to return to “the game,” being hustlers together. <span style="mso-spacerun: yes;"> </span>BOOTH<i style="mso-bidi-font-style: normal;">:
It was you and me against the world, Link.<span style="mso-spacerun: yes;">
</span>It could be that way again.</i><span style="mso-spacerun: yes;">
</span>Lincoln though doubts Booth would even have the skills to be the
“sideman” playing along with the dealer, suckering people in.<span style="mso-spacerun: yes;"> </span>LINCOLN: <i style="mso-bidi-font-style: normal;">First
thing you learn is what is.<span style="mso-spacerun: yes;"> </span>Next thing
you learn is what aint.<span style="mso-spacerun: yes;"> </span>You don’t know
what is you don’t know what aint, you don’t know shit</i>.<span style="mso-spacerun: yes;"> </span>Dark humor abounds in the play. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Offstage
characters of Lincoln’s former wife Cookie, and Booth’s fixation on his on and
off girlfriend Grace, give rise to anther central theme, masculinity and
sexuality, a story of domination of women, or more pathetically, not having
one, certainly not like their father who use to have them, leaving leftovers
for Lincoln when he was just a young boy. <span style="mso-spacerun: yes;"> </span>These relationships give further rise to their
rivalry and trash talking.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Given
their names and their love/enmity relationship, we all know this is going to
end badly, but in leading to the how, why, and when, Director Be Boyd builds on
the intrinsic conflict and tension. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7O6nFc5FRY-z1WNksZGiBEdba-kWt-nipZkgCyN_VAKOf3HIa8oY-Qgzg_Hixu10y30YFPgEw1vwWvJlnSmYntfQejcCY-6h3vMxa-yYHU6hmiQz0ujUHpQO4jObr0_8bIQfBGw9r2ge_8yUAK4SFKmrtfo6r4xuk0B2i8zrNN7jAsEarlyr9QFWSZA/s1920/Topdog%20Stage%20Palm%20Beach%20Dramaworks.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7O6nFc5FRY-z1WNksZGiBEdba-kWt-nipZkgCyN_VAKOf3HIa8oY-Qgzg_Hixu10y30YFPgEw1vwWvJlnSmYntfQejcCY-6h3vMxa-yYHU6hmiQz0ujUHpQO4jObr0_8bIQfBGw9r2ge_8yUAK4SFKmrtfo6r4xuk0B2i8zrNN7jAsEarlyr9QFWSZA/w400-h300/Topdog%20Stage%20Palm%20Beach%20Dramaworks.jpg" width="400" /></a></div><br /><p></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">As
important as the text, is the look and feel of the production which starts with
the scenic design by Seth Howard, his PBD debut, depicting their small claustrophobic
room, built on a cold concrete slab, elevated at an angle, the squalor and
chaos of the outside discernible. <span style="mso-spacerun: yes;"> </span>It is like
a price fighting ring, but without the ropes, where blood will be split as the
rivalry for “topdog” is never ending.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Kirk
Bookman, lighting designer, floods the dingy dark space with light from the
outside, and during transitional moments projects images of the black
experience bringing in an element of their world in the form of a documentary.<span style="mso-spacerun: yes;"> </span>This is well done from a lighting perspective
but was a directorial choice and I wonder whether just the musical
rap transitions would have sufficed. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
sound design by Roger Arnold contributes to the pulse of the play, with those
of the city noises rising to a roar at times like an incoming freight train
underscoring their victimization.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">Brian
O’Keefe’s costume designs reinforce their disheveled, poverty plagued world, interpreting
their personalities without creating archetypical characters.<span style="mso-spacerun: yes;"> </span>Booth’s stolen suits, ties and shoes are
redolent of off the rack circa Target. <span style="mso-spacerun: yes;"> </span>Lincoln’s
“work attire” which we only fully see at the beginning of the play captures the
absurdist quality of the play, his hand-me-down clothes from the previous
performer, stovepipe hat, dime store beard, and his white face, a triumph for
both O’Keefe’s clothing design and Bookman’s lighting. This creepy image of honest
Abe will stay with you long after you leave the theater.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;">The
final con brings out the ultimate fury of Booth, returning us to the futility
of their lives, their lost sense of purpose and the ultimate price of mental
illness. <span style="mso-spacerun: yes;"> </span>The tragic ending is
gut-wrenching.<span style="mso-spacerun: yes;"> </span>This production is yet
another testament to Palm Beach Dramaworks’ commitment to "theatre to think
about."</span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt; mso-bidi-font-family: Calibri;"> </span></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-33514410957588464682023-05-03T08:50:00.000-07:002023-05-03T08:50:47.883-07:00NY, NY, In the Cold Rain<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Every year we try to get
to NYC for a stay on the Upper West Side, go to theatre, and see our “kids”
(Jon and Tracie, Megan and Chris).<span style="mso-spacerun: yes;"> </span>I
usually write lots of details about the numerous sites and high points, but
alas, weather at the end of April did not cooperate and instead an intense and
raw rain made some of our plans obsolete.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">But first upon our
arrival, when the weather was still good, dinner at Jon and Tracie's apartment
which overlooks the Hudson River.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdW1s2URl1DOPr-XVLG63NzRbzAajZx3BX5zD3Ly9nvPmbCM6_yLJRbrxMUTs3IQOSvTCZ3vtNX6KY-vRbvXazSZhaWSgn8Zd18SuNN3Cyb31Gxbj6whwku5oUk0_S2LvK2mHsF33qbaRJEylVxFGQ16MXMnwI65pj57ojQbNgjiLrfynamnvAwjUOXA/s1280/Arrival%20at%20UWS%20apartment.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="1280" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdW1s2URl1DOPr-XVLG63NzRbzAajZx3BX5zD3Ly9nvPmbCM6_yLJRbrxMUTs3IQOSvTCZ3vtNX6KY-vRbvXazSZhaWSgn8Zd18SuNN3Cyb31Gxbj6whwku5oUk0_S2LvK2mHsF33qbaRJEylVxFGQ16MXMnwI65pj57ojQbNgjiLrfynamnvAwjUOXA/w400-h300/Arrival%20at%20UWS%20apartment.jpg" width="400" /></a></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">As luck would have it,
though, our son booked us into a boutique UWS hotel, <a href="https://thewallace.com/">the Wallace</a>, and in spite
of the construction across the street, the requisite NYC street
sounds, fire engines, police, early morning garbage trucks, it was a wonderful
choice as we had a separate living area to hunker down with family or just
ourselves to “duck out” of the weather, mostly a cold blustery rain.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The weather spoiled some
of our plans but we managed to enjoy, not only all six of us being together,
but being able to get to most of the shows and performances we had booked,
special restaurants too such as the Boulud Sud where it looks like we arrived
from the frozen tundra.<span style="mso-spacerun: yes;"> </span>(The photo, left
to right, Megan, Ann, Bob, Chris, Tracie, Jon.)</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaQ-IUVVpd05Sj64HIRNOpC5QikCJROooVQFDUv7JOwS7lt87PsgbHgc3iYdtJ71XXcxDNuv5erhyDSA4iTMx3wSf8ABUw3gL5SEN6v7FHQx9JWvMfTcx91k80nQ_XOSPGN9XwmNxXY430nSBTcueRkX-1ngWrylmew9IDto9razLNdiCL_cuVr27qDw/s1280/At%20Boulud%20Sud%20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="589" data-original-width="1280" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaQ-IUVVpd05Sj64HIRNOpC5QikCJROooVQFDUv7JOwS7lt87PsgbHgc3iYdtJ71XXcxDNuv5erhyDSA4iTMx3wSf8ABUw3gL5SEN6v7FHQx9JWvMfTcx91k80nQ_XOSPGN9XwmNxXY430nSBTcueRkX-1ngWrylmew9IDto9razLNdiCL_cuVr27qDw/w400-h184/At%20Boulud%20Sud%20.jpg" width="400" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The highlight for me,
though, was going back in time to the Village Vanguard, remembering I was there
in the early 1960s for a performance by Oscar Peterson.<span style="mso-spacerun: yes;"> </span>I was in college and sat at the bar with one
of my college or HS buddies. Doesn’t look like they changed much.<span style="mso-spacerun: yes;"> </span>This time the rising luminary was Samara Joy,
just in her early 20s.<span style="mso-spacerun: yes;"> </span>We saw her first
perform at<a href="https://lacunaemusing.blogspot.com/2020/07/emmets-place.html"> Emmet’s Place</a> before she even graduated
from college and then again on <a href="https://lacunaemusing.blogspot.com/2023/01/2023-jazz-cruise-music-unites-us-again.html">the Jazz Cruise.<span style="mso-spacerun: yes;">
</span></a></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqstpDXTyAX2IkCJjbrvA_7hnEIkr3xHj7xrMp99T7Ea9W8i7SHg9cWHxliXNfrrCGwe-oqBShjH4d_EGLVbqShU0S05rrV-6K-DGh4EuBhyT5g2Zs5duGwj2UwvL2-mtVU91Ea5eWcMvfnXvkXYfJosRb97OTvDHJRSPqN-cF2D2SffHn4UnjEs5B8Q/s1240/At%20the%20Village%20Vanguard.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="927" data-original-width="1240" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqstpDXTyAX2IkCJjbrvA_7hnEIkr3xHj7xrMp99T7Ea9W8i7SHg9cWHxliXNfrrCGwe-oqBShjH4d_EGLVbqShU0S05rrV-6K-DGh4EuBhyT5g2Zs5duGwj2UwvL2-mtVU91Ea5eWcMvfnXvkXYfJosRb97OTvDHJRSPqN-cF2D2SffHn4UnjEs5B8Q/w400-h299/At%20the%20Village%20Vanguard.jpg" width="400" /></a></div><p></p>
<p class="MsoNoSpacing"><a href="https://lacunaemusing.blogspot.com/2023/01/2023-jazz-cruise-music-unites-us-again.html"><span style="font-size: 16.0pt;"></span></a></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Unfortunately, I was
unable to get a good photograph of her because of the crowd and lighting so
this will have to do.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi092GzvkU-jTrFDDtSeuIqqnXfK9W6tqF3s2ScDWLRsP3_NCy3IVin1VmhcltoTRNEFVjTFD1fGBx-Jiz19yl2LcBVZ5QUXdCJFcKlw0q3wtbnbBsujh1ifq_mj962TfeFjzi_enxLtDOPsAOzgWLfXAZV726fT9iMJY4VuJFgP32GagM8ORJ2yUKseQ/s1050/Samara%20Joy%20and%20Trio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="751" data-original-width="1050" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi092GzvkU-jTrFDDtSeuIqqnXfK9W6tqF3s2ScDWLRsP3_NCy3IVin1VmhcltoTRNEFVjTFD1fGBx-Jiz19yl2LcBVZ5QUXdCJFcKlw0q3wtbnbBsujh1ifq_mj962TfeFjzi_enxLtDOPsAOzgWLfXAZV726fT9iMJY4VuJFgP32GagM8ORJ2yUKseQ/s320/Samara%20Joy%20and%20Trio.jpg" width="320" /></a></div><span style="font-size: 16.0pt;"> </span><p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Nonetheless,<a href="https://www.samarajoy.com/"> her Web Site</a>
has all the pix and information one might need. Her team has swung into
high gear with performances scheduled all over the world and to see her emergence
as a top jazz performer in such a short time is remarkable.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">She is the real deal, a
natural, titanic talent, often compared to Ella Fitzgerald and Sarah Vaughan,
you might even say having Ella’s range and Sarah’s smoky quality. But she is
herself, her own style.<span style="mso-spacerun: yes;"> </span>We once heard
her sing <i style="mso-bidi-font-style: normal;">Guess Who I Saw Today</i>,
perhaps it was on Emmet’s Place, exactly as the song was written, with the
unforgettable final verse, </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Guess who I saw today, my dear!</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">I've never been so shocked before.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">I headed blindly for the door.</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">They didn't see me passing through,</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Guess who I saw today? [Repeat: x3]</span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">I saw you!</span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Instead at the Vanguard she inter-spaced lyrics from another song, affecting in some ways but lacking that
three word axe that falls at the end.<span style="mso-spacerun: yes;">
</span>Many singers have made “”Guess” a signature song.<span style="mso-spacerun: yes;"> </span>We love the one by Edie Gorme and hope that
Samantha stays with at least some of the standard lyrics.<span style="mso-spacerun: yes;"> </span>But she could sing the telephone book, and
we’d be there.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;">The two shows that we
managed to get to in spite of the weather were like the bookends to one
another.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaKB-8XSf24MNOV7IH-2s4gKMEFcuOzlsu5NSJ-Zpxsd7iNKVgnfixrD6dXIxaaHIwI_lIqB8Kibb2b1pWD8WLkQAxwmc-Y9Aqfl_t1xZu1W6fjcSXizvD7gHYl2rRtQAcxG0qw8btnGX75G9m5qAx-LEjWx4qv68IBsa_AM4O1zWQa2UpyIcwRR0fIg/s1149/Some%20Like%20It%20Hot%20Playbill.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1149" data-original-width="770" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaKB-8XSf24MNOV7IH-2s4gKMEFcuOzlsu5NSJ-Zpxsd7iNKVgnfixrD6dXIxaaHIwI_lIqB8Kibb2b1pWD8WLkQAxwmc-Y9Aqfl_t1xZu1W6fjcSXizvD7gHYl2rRtQAcxG0qw8btnGX75G9m5qAx-LEjWx4qv68IBsa_AM4O1zWQa2UpyIcwRR0fIg/w134-h200/Some%20Like%20It%20Hot%20Playbill.jpg" width="134" /></a></div><p></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt;">Some Like It Hot</span></i><span style="font-size: 16.0pt;"> is loosely based on the movie and it is traditional Broadway energy
with fabulous performances and clever, complicated staging, tap dancing galore
too.<span style="mso-spacerun: yes;"> </span>I thought it had all the best
elements that a Broadway production had to offer plus farce with the moving
doors, not knowing what characters would dance, or sneak out of each one.<span style="mso-spacerun: yes;"> </span>Huge cast.<span style="mso-spacerun: yes;">
</span>While the music was enjoyable, maybe only one or two songs were
memorable in some way, yet no wonder it has just been nominated for 13 Tony
awards.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7kd-gI-X17q-Ihvrke_8uBs0hjIM_xmPSDJ9NJJLvSkbRcP6GBFKUTLS_jtIerP8duWyGkF2CYMIiftwPFqCupr2bTdDeSojhM--pj0aFK-RkIm9U4CR2fPmEHikpoDX-NqtJgGCrtY3L1c-F7GItFkXDXhOL8X8C5uubzz5bWZS9WtQ3ACmA6rOghw/s1168/Camelot%20Playbill.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1168" data-original-width="734" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7kd-gI-X17q-Ihvrke_8uBs0hjIM_xmPSDJ9NJJLvSkbRcP6GBFKUTLS_jtIerP8duWyGkF2CYMIiftwPFqCupr2bTdDeSojhM--pj0aFK-RkIm9U4CR2fPmEHikpoDX-NqtJgGCrtY3L1c-F7GItFkXDXhOL8X8C5uubzz5bWZS9WtQ3ACmA6rOghw/w126-h200/Camelot%20Playbill.jpg" width="126" /></a></div><span style="font-size: 16.0pt;">Then there was the Lincoln
Center production of <i style="mso-bidi-font-style: normal;">Camelot</i>, reimagined
by Aaron Sorkin.<span style="mso-spacerun: yes;"> </span>This production is
minimalist, with lighting being particularly important (almost like a Greek
Tragedy), and although the “book” has been revised they have essentially
retained the glorious Lerner and Lowe songs and orchestrations with a 30 piece
orchestra.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Ironically, who should we see there for that
performance, but none other than Lin-Manuel Miranda, a special collaborator for
<i style="mso-bidi-font-style: normal;">New York, New York,</i> with John Kander
which we were unable to get to (although we had tickets) because of torrential
cold rain and the inability to get a cab or Uber.<span style="mso-spacerun: yes;"> </span>So that was the one major plan that fell
through.</span><p></p>
<p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p class="MsoNoSpacing"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPFQM6IEIbV1ExmOeMqofPTrNcnoSe_Eu9bmFexR2dFF9ZT2uCci3-iNWxHHpndTEH3XNs3UyN_l9GwVCIc-6kiPB371_ZVHJvNtxrspmSJkGHdgZe1F3wj0i_JsLE6xADgeWcs49ZdGMue880SPYrUvUZLrIEZXuiceJv849OsjDzKPJl95Ik_oF9VA/s972/Camelot%20Stage.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="764" data-original-width="972" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPFQM6IEIbV1ExmOeMqofPTrNcnoSe_Eu9bmFexR2dFF9ZT2uCci3-iNWxHHpndTEH3XNs3UyN_l9GwVCIc-6kiPB371_ZVHJvNtxrspmSJkGHdgZe1F3wj0i_JsLE6xADgeWcs49ZdGMue880SPYrUvUZLrIEZXuiceJv849OsjDzKPJl95Ik_oF9VA/s320/Camelot%20Stage.jpg" width="320" /></a><span style="font-size: 16.0pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwaiUY2epywibvEEKJMFHnXLvsfyS0s4ielbqOgZip86hT6peNZwNMaRMLCFJET2BVZtq5kK8cf0loo--VTiBYldhIG7KIJ-XMHC8QPWSo8seO26y4dTSn7iwJl_Xuf0czpeWShRUQzeMpwsm5SnVnZ5tgZXj8Y5nSvC8dnymPbxfO9qBVqOcLSQOhuQ/s999/Lin-Manuel%20Miranda%20attending%20Camelot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="630" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwaiUY2epywibvEEKJMFHnXLvsfyS0s4ielbqOgZip86hT6peNZwNMaRMLCFJET2BVZtq5kK8cf0loo--VTiBYldhIG7KIJ-XMHC8QPWSo8seO26y4dTSn7iwJl_Xuf0czpeWShRUQzeMpwsm5SnVnZ5tgZXj8Y5nSvC8dnymPbxfO9qBVqOcLSQOhuQ/w253-h400/Lin-Manuel%20Miranda%20attending%20Camelot.jpg" width="253" /></a></div></div> <p></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;">Nonetheless, being in NY,
and at a hotel where we had some separate living space during the storms, made
it another wonderful visit to the past.<span style="mso-spacerun: yes;">
</span>Maybe we will have to avoid future April showers and storms and visit
during the lusty month of May, “that lovely month when ev'ryone goes / Blissfully
astray.”</span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"><br /><br /><br /><br /><br /><br /><br /><br /> </span></p><p class="MsoNoSpacing"><span style="font-size: 16.0pt;"> </span></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-17644623537441493272023-04-02T09:30:00.000-07:002023-04-02T09:30:13.443-07:00August: Osage County -- an Epic Production of a Flawed Family and a Failed Dream<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglkCYO-OwSk_GgnoS_lFlanjTKYCCb-9GPgx2A91v3tJ024Q247_ozCD9R4FClQjlma7J803QLNbD46vmAiqbeYpcOyR8y57QQNbsi9rBNdF6b64FbYHgdtKvRkaxVYdtiXz16dmTUbsCMU4NOEFM_iRqvweM3xYXJ0cxU79gXJ7nResmA20QxTAIpyg/s1141/Program.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1141" data-original-width="712" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglkCYO-OwSk_GgnoS_lFlanjTKYCCb-9GPgx2A91v3tJ024Q247_ozCD9R4FClQjlma7J803QLNbD46vmAiqbeYpcOyR8y57QQNbsi9rBNdF6b64FbYHgdtKvRkaxVYdtiXz16dmTUbsCMU4NOEFM_iRqvweM3xYXJ0cxU79gXJ7nResmA20QxTAIpyg/w125-h200/Program.jpg" width="125" /></a></div> <!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">This is the dead land / This is cactus land</span></i><span style="font-size: 14.0pt;">….T.S. Eliot</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">It is hot; the setting is
dark. <span style="mso-spacerun: yes;"> </span>Welcome to the maelstrom of the
“Weston” family, Tracy Letts’ spellbinding play <i style="mso-bidi-font-style: normal;">August: Osage County</i>, among the best American plays ever written.<span style="mso-spacerun: yes;"> </span>Palm Beach Dramaworks’ production is a riveting,
gut-wrenching, fast-paced 3 plus hours with as much emotional impact as can be
wrought on stage. <span style="mso-spacerun: yes;"> </span>The disintegrating
Weston family is a metaphor for American civilization itself.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The setting and the
characters are very personal to the playwright, having grown up in Oklahoma,
not far from Osage County.<span style="mso-spacerun: yes;"> </span>Director
William Hays perfectly renders Letts’ disturbing story, encouraging the actors
to find their own sense of realism in delivering this unforgettable performance.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Letts deals with big bold
multi-layered themes even prophetic ones given what has transpired since the
play was first staged in 2007. <span style="mso-spacerun: yes;"> </span>Oklahoma
was the destination of the infamous Trail of Tears, the result of Andrew
Jackson’s “Indian Removal “policy.<span style="mso-spacerun: yes;"> </span>Letts
conflates this original American sin with the decline (and with his latest
play, <i style="mso-bidi-font-style: normal;">The Minutes</i>, the destruction)
of the American Dream.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">In a Prologue, we meet
Beverly, a disillusioned, aging, one-published-volume poet, and the patriarch
of the Weston family with its generational dysfunctional maladies of
infidelity, alcoholism, and drug dependency.<span style="mso-spacerun: yes;">
</span>He is interviewing a housekeeper, Johnna, a young Cheyenne woman.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Beverly alludes to poets T.S.
Elliot and John Berryman. <span style="mso-spacerun: yes;"> </span>Born in
Oklahoma, Berryman suffered from alcoholism and depression. <span style="mso-spacerun: yes;"> </span>In 1972 he committed suicide. <span style="mso-spacerun: yes;"> </span>Not coincidentally, the worn Weston family
home in the play is vintage 1972, although set in 2007.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">He commends a T.S. Eliot
work to Johnna, citing perplexing, disillusioned lines from the poet’s <i style="mso-bidi-font-style: normal;">The Hollow Men</i> beginning a framing
device for the play, a portrait of the corrupted soul of the Weston family. <span style="mso-spacerun: yes;"> </span>And so, the audience too, is drawn into their
story.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
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<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Family Dinner at the
Weston Home Photo by Alicia Donelan</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
</td></tr></tbody></table><br /></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This production features
Sara Morsey in an impressive PBD debut as Violet Weston, Beverly’s bitter and
manipulative pain pill addicted wife.<span style="mso-spacerun: yes;"> </span>Her
performance is electric, capable of rising from appearing nearly normal to being
completely delusional, but even in her drug impaired state (or especially) she
is capable of masterfully hurling the slings and arrows of invectives and
recriminations, brandishing a sword of guilt, a textbook rageaholic. <span style="mso-spacerun: yes;"> </span>It is her form of truth-telling. <span style="mso-spacerun: yes;"> </span>She was carefully taught, admitting to her
daughters during one calm moment in the play <i style="mso-bidi-font-style: normal;">my mama was a nasty, mean old lady. I suppose that’s where I get it
from. </i><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Beverly is inured to her,
and counters with his long-time addiction: alcoholism. There are so many
memorable scenes featuring Sara Morsey but her cathartic, abandoned and
seductive dance to "Lay Down Sally," is a view into Violet’s primordial
inner character and youth.<span style="mso-spacerun: yes;"> </span>It is a role
which rivals Mary Tyrone’s in <i style="mso-bidi-font-style: normal;">Long Day’s
Journey into Night</i>. <span style="mso-spacerun: yes;"> </span>Morsey’s explosive
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Ryffin Phoenix, Sara Morsey, Kathy McCafferty Photo by
Alicia Donelan</span></td></tr></tbody></table></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Beverly Weston is played
by Dennis Creaghan, a long-time PBD veteran, with a resigned miasma of defeat.<span style="mso-spacerun: yes;"> </span>He has gone missing after hiring the Cheyenne
housekeeper Johnna who is played by Ryffin Phoenix, her PBD debut, with a quiet
dignity and steadfastness lacking in the other characters. <span style="mso-spacerun: yes;"> </span>Beverly quotes Eliot to her, “Life is long”,
and then leaves for his date with oblivion.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Beverly’s sudden,
inexplicable disappearance brings together the three Weston daughters, all
bearing family scars.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Kathy McCafferty is the eldest
daughter Barbara Fordham, the other leading role in the play.<span style="mso-spacerun: yes;"> </span>McCafferty is no stranger to iconic PBD
productions, having played Blanche in <i style="mso-bidi-font-style: normal;">Streetcar
Named Desire</i>, Regina, in <i style="mso-bidi-font-style: normal;">The Little
Foxes</i>, and Rosemary, in <i style="mso-bidi-font-style: normal;">Outside
Mullingar</i>. <span style="mso-spacerun: yes;"> </span>It is another McCafferty bravura
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interview with Johnna, and then a demoralized exit, not understanding her ineffectiveness.<span style="mso-spacerun: yes;"> </span>It is yet another
leading role which McCafferty makes her own with her astounding command of a
wide range of emotions.</span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4PrQPJtnGeiz0Yt26E1lVlvyMbb3KKO0lTxdiKde5TWxD01mMq1EDmzNGWDHm7K7HKwOKs_oK2_D76yK1ZrbbRaHHyyM7jJ2W8UHIesOhVKAsSpDqDfNVLOQ2CK-QQCnHxVNM_we1L0GbUeZ9XJr2exRVP_jvtnQtZaHM7K4-uV5yj_nmudqrhYx79g/s4743/Kathy%20McCafferty,%20Sara%20Morsey.%20Bruce%20Linser.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3162" data-original-width="4743" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4PrQPJtnGeiz0Yt26E1lVlvyMbb3KKO0lTxdiKde5TWxD01mMq1EDmzNGWDHm7K7HKwOKs_oK2_D76yK1ZrbbRaHHyyM7jJ2W8UHIesOhVKAsSpDqDfNVLOQ2CK-QQCnHxVNM_we1L0GbUeZ9XJr2exRVP_jvtnQtZaHM7K4-uV5yj_nmudqrhYx79g/w400-h266/Kathy%20McCafferty,%20Sara%20Morsey.%20Bruce%20Linser.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Kathy McCafferty, , Sara Morsey. Bruce Linser Photo by
Alicia Donelan</span></td></tr></tbody></table></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">She has brought her 14
year old daughter, Jean, deftly played by Allie Beltran, back to the family
home.<span style="mso-spacerun: yes;"> </span>Jean is struggling with her parents’
separation, as well as the normal angst of a teen thrown into a strange
environment.<span style="mso-spacerun: yes;"> </span>Barbara’s estranged
husband, Bill, has come to support his soon to be ex-wife. <span style="mso-spacerun: yes;"> </span>Bill, compassionately performed by Bruce
Linser, is a university professor who is having an affair with one of his students.
<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Margery Lowe, another long
time acclaimed veteran of the Dramaworks stage is Ivy Weston, the fragile
middle daughter, who carries the load of having spent years living near her
childhood home and dysfunctional parents. <span style="mso-spacerun: yes;"> </span>She is now carrying on a clandestine
relationship with “Little Charles” (Iain Batchelor, his mainstage PBD debut) who
she thinks is her cousin, and has a fantastical hope of moving to New York with
him in the near future.<span style="mso-spacerun: yes;"> </span>However this
dream is as potentially stillborn as her two other sister’s expectations are
for happiness in their own lives.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The youngest daughter,
Karen Weston, is gregariously performed by Niki Fridh, who is constantly trying
to find validation.<span style="mso-spacerun: yes;"> </span>She moved far away
to Florida in an effort to ultimately find Mr. Right after a long string of Mr.
Wrongs.<span style="mso-spacerun: yes;"> </span>She brings home her fiancé, a
thrice married, pot smoking, sleaze, Steve, played to perfection by Christopher
Daftsios, another PBD newcomer. <span style="mso-spacerun: yes;"> </span>All she
can focus on is a long fantasized honeymoon in Belize. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Further complicating the
combustible plot, as secrets are exposed, is Violet’s overbearing sister,
Mattie Fae Aiken, masterfully played by PBD veteran Laura Turnbull, a difficult role as she
is mostly loathsome. <span style="mso-spacerun: yes;"> </span>She arrives with
her henpecked husband, Charlie, to provide the obligatory support to her
sister, while displaying an atavistic viciousness towards her adult son "Little"
Charles, more understandable as a dark secret is revealed at the end of the
play.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Her husband, Charlie, is skillfully
performed by Stephen Trovillion, his PBD debut.<span style="mso-spacerun: yes;">
</span>His acting chops are equal to his comic ones as he demonstrates when
asked to say grace before the disastrous family dinner. <span style="mso-spacerun: yes;"> </span>Although he (like the other men in the play)
is ineffectual, in the end he and Bill have their stand-up-to-their-wives
moments.<span style="mso-spacerun: yes;"> </span>They are unfortunately both
failed peacemakers. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">That same dinner scene displays
Iain Batchelor’s fine acting, struggling, as “Little” Charles, to rise above
humiliation to make, unsuccessfully, an announcement concerning his love for
much put-upon Ivy.<span style="mso-spacerun: yes;"> </span>It is painful to watch although a skillful
and affecting performance. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">As family scars and
secrets are peeled away, and old worn dysfunctional roads are traveled, the
play finally devolves into a hopeless whimper, completing the T.S. Eliot
framing for the play. <span style="mso-spacerun: yes;"> </span>The sole survivor,
indeed the caretaker for this defeated family, is the noble Johnna, who we can
see in the attic, calmly reading T.S. Eliot as the family erupts and
disintegrates below. <span style="mso-spacerun: yes;"> </span>In a pouch she
wears her umbilical cord around her neck, a Cheyenne tradition of her soul
having a destination when she dies.<span style="mso-spacerun: yes;"> </span>And
where do the Weston family souls go?<span style="mso-spacerun: yes;"> </span>Or
Western Civilization for that matter?</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"><span style="mso-spacerun: yes;"> </span>It is not only the destruction of a single
family but symbolically of “the dream,” the American Dream of success,
happiness, the next generation being better off than the last, of equal
opportunity. But Manifest Destiny was a corrupt foundation.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Kathy McCafferty ruminatively
delivers Barbara’s monologue that encapsulates the play:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">One of
the last times I spoke with my father, we were talking about ... I don't know,
the state of the world, something ... and he said, "You know, this country
was always pretty much a whorehouse, but at least it used to have some promise.
Now it’s just a shithole." And I think now maybe he was talking about
something else, something more specific, something more personal to him ...
this house? This family? His marriage? Himself? I don't know. But there was
something sad in his voice--or no, not sad, he always sounded sad-something
more hopeless than that. As if it had already happened. As if whatever was
disappearing had already disappeared. As if it was too late. As if it was
already over. And no one saw it go. This country, this experiment, America,
this hubris: what a lament, if no one saw it go. Here today, gone tomorrow.---
Dissipation is actually much worse than cataclysm</i>. <span style="mso-spacerun: yes;"> </span>(Or as T.S. Eliot wrote “Not with a bang but
with a whimper.”)<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Offsetting these heavy
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sudden laugh out loud moments, unusual in a great American tragedy. <span style="mso-spacerun: yes;"> </span>No other drama can compare, although <i style="mso-bidi-font-style: normal;">August </i>has other similarities to the
works by Tennessee Williams, Edward Albee, Eugene O’Neil, Arthur Miller and Sam
Shepard (works of all have been produced at PBD). <span style="mso-spacerun: yes;"> </span>Letts provides subtle hat tips to the great American
playwrights, including the pivotal role of a safe deposit box, awakening
memories of Lillian Hellman’s <i style="mso-bidi-font-style: normal;">Little
Foxes.<span style="mso-spacerun: yes;"> </span></i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 14.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Multiple Scenes in the Weston Home Photo by Alicia
Donelan</span></td></tr></tbody></table> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The production
successfully stages those difficult scenes where multiple conversations are going
on. <span style="mso-spacerun: yes;"> </span>This is especially true of the post
funeral family dinner where Violet of all people reprimands the group that this
is <i style="mso-bidi-font-style: normal;">a funeral dinner not a cock fight</i>.<span style="mso-spacerun: yes;"> </span>It is a prelude to a down and dirty family
wrestle-mania match: disturbing and realistically staged. <span style="mso-spacerun: yes;"> </span>Hayes had the assistance of David Hyland who
not only admirably played the part of Sheriff Gilbeau, but served as Fight
Choreographer as well.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This may be Hayes’
directorial masterpiece, his passion for the play becoming part of the fabric,
the staging so organic.<span style="mso-spacerun: yes;"> </span>He has created
Letts’ vision of a window into which, we, the audience, can view these
sometimes oh so uncomfortable truths.<span style="mso-spacerun: yes;">
</span>Some will relate more than others to these flawed characters.<span style="mso-spacerun: yes;"> </span>All will leave the theater, somewhat stunned
and emotionally drained and yet entertained.<span style="mso-spacerun: yes;">
</span>He cast the play perfectly and led the actors to places rarely seen.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">The technical crew of PBD has
created the right ambiance for this epic play. <span style="mso-spacerun: yes;"> </span>The scenic design is by Michael Amico who has
designed scores of previous PBD productions.<span style="mso-spacerun: yes;">
</span>The multiple locations of the moody, dark prairie house are on full
display. <span style="mso-spacerun: yes;"> </span>The windows are covered so
there is no differentiation between night and day.<span style="mso-spacerun: yes;"> </span>They live in the shadows as T.S. Eliot’s <i style="mso-bidi-font-style: normal;">Hollow Men</i>.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVpvXgVRf70Q-M2igaSSSVC1rEGuhE-4-MhhvkZpzFoyrpgwqvoTnZHuCWsCcVn1xM58i4Why0iRgV7FVfIAwoTIjhIlfFYBuv6b3pEES2d8VZQZy4rtXJZT9-TCCY7qJstTTXB5-C0RKW8BhP4t6GTthCiZiXAMykXm0N85IFkDhan_VMb8INX8rk0g/s2017/Stage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="862" data-original-width="2017" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVpvXgVRf70Q-M2igaSSSVC1rEGuhE-4-MhhvkZpzFoyrpgwqvoTnZHuCWsCcVn1xM58i4Why0iRgV7FVfIAwoTIjhIlfFYBuv6b3pEES2d8VZQZy4rtXJZT9-TCCY7qJstTTXB5-C0RKW8BhP4t6GTthCiZiXAMykXm0N85IFkDhan_VMb8INX8rk0g/w400-h171/Stage.jpg" width="400" /></a></div><span style="font-size: 14.0pt;"> </span><p></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Lighting atmosphere by
Kirk Bookman enhances the realism and keeps the audience focused.<span style="mso-spacerun: yes;"> </span>There are exceptional lighting moments such
as the one on Violet in her first drug induced appearance at the top of the
stairs and the flickering TV light drawing in Charlie, Little Charlie, and Jean.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Resident Costume Designer
Brian O’Keefe has created everyday clothing emphasizing the distinctive
characters in the play.<span style="mso-spacerun: yes;"> </span>Funeral attire
is black, the women in dresses except for Ivy’s pants suit to which Violet
cuttingly says <i style="mso-bidi-font-style: normal;">You look like a magician’s
assistant</i>.<span style="mso-spacerun: yes;"> </span>And O’Keefe’s costume
does. <span style="mso-spacerun: yes;"> </span>Violet's stunning funeral dress fits her to perfection. O’Keefe, can build any wardrobe piece single-handedly. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Roger Arnold’s sound
design embeds microphones in the walls to capture actors speaking with their
backs to us, and ones to carry the sounds of overlapping conversations.<span style="mso-spacerun: yes;"> </span>It is a cacophony of family factions arguing
at different points on the set as you can see Jean with her hands on her ears. <span style="mso-spacerun: yes;"> </span>The western sounds of the harmonica fill the
brief transitional scenes.</span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">This is a high energy, passionate production of one of the great American plays. The experience of seeing it on the intimate Palm Beach Dramaworks stage in West Palm Beach is extraordinary. </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span><br /></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> <br /></span></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-69643872478430908952023-03-22T07:28:00.000-07:002023-03-22T07:28:56.960-07:00Deconstructing Paul Newman<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1a_3gNfaEZ5_HMY1QJyipFdNui9Y83RbJAKao05I_FQawAkb_eXoSOnPMw-yw_5dNveRa9dTZcR4cfoQ0Hh9wXrbLH0C68SInaMhoJpgqW50oEzJWntW4o5RbRz1EUdwIvrGtLJtKAQe2_HrOYj-VzGBkvxJKQxxgzkyWT7O5VE0XJX6eA8jbPcoXEg/s1280/Newman%20Memoir.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1280" data-original-width="844" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1a_3gNfaEZ5_HMY1QJyipFdNui9Y83RbJAKao05I_FQawAkb_eXoSOnPMw-yw_5dNveRa9dTZcR4cfoQ0Hh9wXrbLH0C68SInaMhoJpgqW50oEzJWntW4o5RbRz1EUdwIvrGtLJtKAQe2_HrOYj-VzGBkvxJKQxxgzkyWT7O5VE0XJX6eA8jbPcoXEg/s320/Newman%20Memoir.jpg" width="211" /></a></div> <!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">There is a growing place
for sadness as we age.<span style="mso-spacerun: yes;"> </span>The illnesses and
the passing of family members, friends and acquaintances plumb its depth.<span style="mso-spacerun: yes;"> </span>Perhaps one reason I’m drawn to the movies on
TCM, even if I’ve seen them, is the actors are frozen in time.<span style="mso-spacerun: yes;"> </span>There is a sense of comfort and familiarity.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">I am not a star-struck
person, although during my lifetime I’ve casually met some Hollywood
luminaries, such as Yul Brenner who was my seat mate on an Eastern Airlines shuttle
flight, and once we attended the Academy Awards as my company published their
annual index to those awards.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">But my more substantial
casual meeting was with Joanne Woodward when we published <i style="mso-bidi-font-style: normal;">Westport, Connecticut: The Story of a New England Town's Rise to
Prominence.</i><span style="mso-spacerun: yes;"> </span>In addition to her being
a prominent actress (and wife of Paul Newman), she was very active in the
Westport Country Playhouse and the Westport Historical Society and wrote the
Forward for the book.<span style="mso-spacerun: yes;"> </span>We had a publication
party and I spent part of an afternoon in May 2000 with her, and toured the
Historical Society with her as a guide, chatting about their early years in
Westport and the coincidence that we were once neighbors, both with homes along
the Saugatuck River, separated by Weston Road.<span style="mso-spacerun: yes;">
</span>(Ann used to collect for United Fund in our immediate neighborhood and
was assigned the Newman property, being warmly received by Joanne’s mother who
lived in an adjacent house.)</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">During our three decades
in Westport / Weston we saw Paul Newman in various venues, mostly restaurants. <span style="mso-spacerun: yes;"> </span>Ann once selected apples across a large bin with
him at a local farm.<span style="mso-spacerun: yes;"> </span>We never bothered
him.<span style="mso-spacerun: yes;"> </span>All we knew was the guy on the
screen.<span style="mso-spacerun: yes;"> </span>Once he drove into our office
parking lot in his modified VW Beetle with a Porsche engine.<span style="mso-spacerun: yes;"> </span>Unfortunately, one of the women who worked
for us spotted him from our second-floor office window.<span style="mso-spacerun: yes;"> </span>And waited, along with others in the office
for his return, and when he did, Ruthie (as I recall her name harking back to
1975 or so), <span style="mso-spacerun: yes;"> </span>ran out the door as he got
into his car and said something to the effect “Oh, Mr. Newman, won’t you wave
to the others standing at the windows?” I understand he actually got out of the
car and with a forced grin, waved.<span style="mso-spacerun: yes;"> </span></span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;"><span style="mso-spacerun: yes;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu3LJvfTvxc2PTl-dYB4CzkDskQfqDF1N2FXCK-HmEnHLqF_zpNWseOE-1r1jXmWARqoONoY-9iBfeDG9yybTVujnAH6JFjGWYhdjv4CxKk24_xj-YbB7vKnV9m-J98NlqwaedOmP6SdtS3aejhElkmmtWS9Bgnz0qlEPjfkk9DzULLk_FoImtKQ47w/s958/Newman%20Westport.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="750" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu3LJvfTvxc2PTl-dYB4CzkDskQfqDF1N2FXCK-HmEnHLqF_zpNWseOE-1r1jXmWARqoONoY-9iBfeDG9yybTVujnAH6JFjGWYhdjv4CxKk24_xj-YbB7vKnV9m-J98NlqwaedOmP6SdtS3aejhElkmmtWS9Bgnz0qlEPjfkk9DzULLk_FoImtKQ47w/w314-h400/Newman%20Westport.jpg" width="314" /></a></div><p></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-size: 14.0pt;">When he died, I wrote the
following in this space:<span style="mso-spacerun: yes;"> </span>“The town
treated him pretty much like anyone else and that is the way he wanted it. He
was just there, around town, and of course larger than life on the screen, and
because of his extensive charity work, even on bottles of salad dressing. He
was such a part of the fabric of all of our lives. I feel a profound sense of
loss whenever I think of him, or see him on the screen or on those bottles of
“Newman’s Own” which he funded to last into perpetuity for the benefit of
progressive causes. He was iconic and an iconoclast at the same time, a true
maverick who lived his life the way he wanted, not the way Hollywood normally
dictates.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">But the point of writing
this present essay is that I just finished reading his memoir <i style="mso-bidi-font-style: normal;">Paul Newman; The Extraordinary Life of an
Ordinary Man</i>.<span style="mso-spacerun: yes;"> </span>Also, I recently
learned that <a href="https://www.sothebys.com/en/articles/the-world-of-joanne-woodward-and-paul-newman">Sotheby’s is set to auction “more than 300 individual items that the legendary actors assembled and enjoyed throughout their 50-year marriage.”</a><span style="mso-spacerun: yes;"> </span>All of those items apparently come from their
Connecticut home, the one Joanne and I talked about that afternoon. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Tragically, Joanne was diagnosed
with Alzheimer’s sometime in 2007 and only a few days later Paul was diagnosed
with terminal cancer; he died in 2008.<span style="mso-spacerun: yes;">
</span>Since then Ethan Hawke’s “The Last Movie Stars,” a six-part documentary about
them was featured on HBO, and Newman’s memoir was published.<span style="mso-spacerun: yes;"> </span>The Sotheby’s auction is the last step in deconstructing
lives which heretofore have been an enigma.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Paul Newman agreed to be
interviewed by his friend Stewart Stern for the memoir and a substantial amount
of oral history was transcribed, but Newman did not publish it during his
lifetime and destroyed some and when Stern passed in 2015 some duplicate notes came
in possession of the Newman Woodward family.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Their father wanted his
children and grandchildren to understand his remoteness in his early years, his
alcoholism, and to separate the man from the myth of a movie actor who had
swagger and startling blue eyes.<span style="mso-spacerun: yes;"> </span>That
demeanor was overcompensation for feelings of inadequacy, as he always felt his
acting skills were suspect in getting parts – that it was his good looks alone
that counted for his early success..</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">In compiling the memoir,
the editor David Rosenthal relied as much on friends, family, and colleagues as
he does on the transcript of Newman’s recollections. <span style="mso-spacerun: yes;"> </span>Nonetheless, the sense of the man comes through.<span style="mso-spacerun: yes;"> </span>What I quote below are Newman’s own
recollections.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">He recognized (and to some
degree lamented) that “Newman’s luck” contributed to his success, being born
white, with those baby blues, and the fact that when James Dean died, he got
more opportunities to play roles that would have gone to Dean.<span style="mso-spacerun: yes;"> </span>He self-effacingly admits <i style="mso-bidi-font-style: normal;">I never got the sense that anything I did on
stage was spectacular or even something very exciting. It may have been
workmanlike or OK, but was I really a highly highly knowledgeable actor? <span style="mso-spacerun: yes;"> </span>I was a kid with an attractive exterior, had a
tremendous amount of energy and a lot of personality.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Corroborating what Joanne
told me about their early years, some of it was a struggle.<span style="mso-spacerun: yes;"> </span>She didn’t go into specifics but Newman
does.<span style="mso-spacerun: yes;"> </span>He and Joanne met on the set of
the Broadway production of <i style="mso-bidi-font-style: normal;">Picnic </i>and
their affair began while Paul was still married to his first wife.<span style="mso-spacerun: yes;"> </span>As he recalls, <i style="mso-bidi-font-style: normal;">when I first got the job in Picnic, I had a wife and child (with
another one on the way), and only $250 in the bank.<span style="mso-spacerun: yes;"> </span>I don’t know how long I would have been able
to stay afloat without some financial cushion or if the play didn’t have a long
run. I had even applied for a job at the Hillside Avenue branch of the US post
office in Queens. </i>Ironically, at the time that was my own neighborhood post
office. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Newman’s life and my own emotionally
intersect in the behavior of our mothers, his nicknamed Tress and mine,
Penny.<span style="mso-spacerun: yes;"> </span>When his father was dying in a
hospital <i style="mso-bidi-font-style: normal;">he just needed to get Tress’
agreement to his estate plan, but she refused to sign anything; Tress kept
yelling at him on his deathbed, accusing him and vilifying him. She wouldn’t
let him fucking die!</i><span style="mso-spacerun: yes;"> </span>Although not
exactly the same, that was essentially my mother’s reaction as my father died.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Another similarity was
that his mother turned on his wife, as mine did on my wife.<span style="mso-spacerun: yes;"> </span>Tress was convinced that Joanne hated her and
sought evidence.<span style="mso-spacerun: yes;"> </span>Joanne would
occasionally go out with Gore Vidal (who was gay) to the theatre as Newman’s
and Woodward’s relationship was still clandestine.<span style="mso-spacerun: yes;"> </span>At the opening of Ben Hur which Vidal co
wrote, <i style="mso-bidi-font-style: normal;">Tress noticed Gore and Joanne
holding hands, chatting. Tress came to visit us in New York when I was on Broadway.
We were driving one evening in my Volkswagen when suddenly my mother said to me
“I know why your wife hates me! It’s because she’s having an affair with Gore
Vidal.“ I slammed on the brakes and said “get out of the fucking car.” There
were tears and apologies, but I still dropped her at the corner of 18th St.,
5th Avenue. </i></span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;"> </span></i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">My mother was quite a dame. She had an internal drummer,
and that drummer was not affected by other reasons; there was a song going on
with her and she stuck to it; if she thought something was going on in a
certain way that’s the way it was it didn’t make any difference what actually
happened; to her it wouldn’t change. And I didn’t speak to my mother again for
15 years.<span style="mso-spacerun: yes;"> </span></span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt;">Was it all because of what she said about Joanne? No,
not really; but it was such a relief to use that as an excuse to escape from
her. She represented all my leaden baggage, the parts of myself that I didn’t
like, that sense of subservience, uncertainty, not knowing where the next
attack was coming from or what the reason for it might be.</span></i></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">We too hardly spoke to my
own mother for ten years, for similar reasons, the only way to protect my family.<span style="mso-spacerun: yes;"> </span>I know that feeling of relief as well.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Their marriage went
through some rocky times, the drug overdose of his son, Scott, Newman’s own
alcoholism and feeling like a fraud.<span style="mso-spacerun: yes;"> </span>But
at his side, mostly always was Joanne, and he (they) battled through it and I
think that with his 1982 film, <i style="mso-bidi-font-style: normal;">The
Verdict</i>, in which he plays an alcoholic attorney, he finally got in touch
with Paul Newman, the real person and real actor and his films and stage work
from there on came from a different place.<span style="mso-spacerun: yes;">
</span>He also became a passionate and competent race car driver, and that
swagger became more self-confidence.<span style="mso-spacerun: yes;">
</span>Then there was the development of his philanthropy, most prominent, his
food enterprises, the profit from which goes to worthy causes and The Hole in
the Wall Gang.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">But even in his charitable
endeavors he is self-effacing<i style="mso-bidi-font-style: normal;">.<span style="mso-spacerun: yes;"> </span>I can afford to be charitable; I’m not going
to be that really affected. Why will I suffer when I give away $10 million?
That won’t change the way I live. I won’t eat less well. I can still stick a
Buick engine in a Volvo.<span style="mso-spacerun: yes;"> </span>I’ve had the
luck of the draw, living in a democracy, being of the majority color, having an
opportunity for education, enjoying the Bill of Rights, the four freedoms, and
everything else.<span style="mso-spacerun: yes;"> </span>The easiest thing I can
do, frankly, is to give away money.</i></span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">Yet he did it in a substantive
way, more than most of his colleagues, and the endowment he created will live
on.</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">We shared some of the same
places and times and after all those years of living nearby the famous film
legend, I too have finally gotten to know him. They were a unique couple but,
in many ways, had ordinary lives and heartbreaks like the rest of us. </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;">As the Woodward Newman
Family state about the forthcoming auction, “Our parents have dedicated their
lives to pursuing the things that inspired them, whether personally,
professionally, or as collectors. We hope the public takes as much pleasure from
this collection that our family has cherished for decades, which offers further
insight into who they were beyond their glamorous Hollywood personas.”</span></p>
<p class="MsoNoSpacing"><span style="font-size: 14.0pt;"> <br /><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDuN4KGzJ_YP4L57GB7avMBZ1lTr_gnL9TFo21AsjGZms-p8dREE4UAF_s4Ovf-TW1LYFhZ8yWnGGDprwaQfOF7LJ_cB8kA0gdboqObha5JZs_gPkatW5moHk6myU6NUDBcXcYqXYmfMSzBcnw5v7SLwXa_fuXBaOi7iDOtjvlitzpPdeOKvbTl3P3Kw/s1280/Newman%20Auction.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="1162" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDuN4KGzJ_YP4L57GB7avMBZ1lTr_gnL9TFo21AsjGZms-p8dREE4UAF_s4Ovf-TW1LYFhZ8yWnGGDprwaQfOF7LJ_cB8kA0gdboqObha5JZs_gPkatW5moHk6myU6NUDBcXcYqXYmfMSzBcnw5v7SLwXa_fuXBaOi7iDOtjvlitzpPdeOKvbTl3P3Kw/w364-h400/Newman%20Auction.jpg" width="364" /></a></div><br /><p></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-6793809316175256632023-02-11T08:52:00.000-08:002023-02-11T08:52:29.293-08:00Remembering ‘Rabbit Remembered’<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7m6mzh4PZ06_yXIuKWDq7OZj-W7UXIOMPIS7bXXAu3wIVcTL1Dn2MoB2xsnPY-u9CKS2_cvQK2nzT_ijkNcgOnH0GhDifcDH3Sx1BieAyJciHputPTgSUUAsyHI3MLgjx3-88GdHt32mNU9b2D6f-Q6jiuHMBtAfJrCdwKyDXoc1DHWDf0DlujzP0QA/s1092/licks%201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1092" data-original-width="738" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7m6mzh4PZ06_yXIuKWDq7OZj-W7UXIOMPIS7bXXAu3wIVcTL1Dn2MoB2xsnPY-u9CKS2_cvQK2nzT_ijkNcgOnH0GhDifcDH3Sx1BieAyJciHputPTgSUUAsyHI3MLgjx3-88GdHt32mNU9b2D6f-Q6jiuHMBtAfJrCdwKyDXoc1DHWDf0DlujzP0QA/w270-h400/licks%201.jpg" width="270" /></a></div> <!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing">Why reread <i style="mso-bidi-font-style: normal;">Rabbit
Remembered</i>, Updike’s unexpected coda to his Rabbit Trilogy (included in his
collection <i style="mso-bidi-font-style: normal;">Licks of Love</i>, 2000)?<span style="mso-spacerun: yes;"> </span>Perhaps to seek refuge from the extreme
craziness of today’s world. His writing remains as relevant today as when it
was written 25 years ago.<span style="mso-spacerun: yes;"> </span>Family dramas
endure. Here we revisit the vestiges of Rabbit’s family, as Y2K is approaching.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Janice, Rabbit’s wife, is now remarried to Ronnie, a
glad-handing ex insurance guy, with still some clients around, but basically he
golfs with the boys at the Club.<span style="mso-spacerun: yes;"> </span>He used
to be Rabbit’s rival, for women particularly. Other than Janice, they’ve shared
the sleep-around Ruth and Thelma, Ronnie’s now deceased wife with whom Rabbit
had an affair as well.<span style="mso-spacerun: yes;"> </span>These two guys
have crossed metaphysical swords before and Ronnie’s antipathy to Rabbit lives
on.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Rabbit’s son, Nelson is now divorced from Teresa who has
moved to Ohio with his two emotionally damaged children.<span style="mso-spacerun: yes;"> </span>He has an email relationship with the 14-year-old
Roy, while his 19-year-old daughter Judy has withdrawn into a Walkman headset
(if written today, she’d be a TikTok dependent). Nelson now lives in his
childhood home with Ronnie and his mother.<span style="mso-spacerun: yes;">
</span>He has recovered from his cocaine addiction and fiscal irresponsibility and
Nelson now ironically has a job as a mental health counselor at the Fresh Start
Day Treatment Center.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Suddenly Janice is visited by a woman in her 30s,
Annabelle, who claims to be Rabbit’s child. Her true father’s identity was
revealed to her by her mother, Ruth, on her death bed. Nelson now has a half-sister.<span style="mso-spacerun: yes;"> </span>He is elated and sees a path to his own
“fresh start,” for him and his family.<span style="mso-spacerun: yes;">
</span>Updike deflates such delusions and retains his gift for observing
minutia, making it an important part of setting the emotional story:</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">[A] cloud passes
overhead, and the shadow is almost chilling: that’s how you feel the new
season, the shadows are sharper, and darker and the crickets sing under
everything. With the terrible drought this summer, the leaves are turning
early, those of the horse chestnuts curling brown at the edges, and the front
yards were no one has watered have turned to flattened straw, a look Janice
remembers from childhood, when you are closer to the ground and summer is
endless</i>.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Janice still thinks, even lovingly, about Rabbit in one
of her reveries: <i style="mso-bidi-font-style: normal;">how beautiful he had
been…. in those high school halls– the height of him, the fine Viking hair
slicked back in a ducktail, but trailing off in like sexy strands like Alan
Ladd’s across his forehead, the way he would flick it back with his big,
graceful, white hands while kidding with the other seniors, like that tall
girlfriend of his called Mary Ann, his lids at cocky sleepy half-mast, the
world of those halls his, him paying no attention, of course, to her, a ninth
grader, a runt</i>.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Nostalgically she also remembers the town of Brewer driving
through it: <i style="mso-bidi-font-style: normal;">Brewer pours by in her Le Baron,
a river of bricks and signage….Janice can scarcely believe so much is gone and
she is still is here to remember it…. She navigates without thinking under the
Norway maples that she can remember half the size they are now, small enough
that a child could reach the lowest branches with a jump…. Now the maples are
grown so big, the sidewalks in some sections of town are buckling.</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">There is no end to the speculation about what Annabelle
wants. <i style="mso-bidi-font-style: normal;">“Ronnie,” Nelson almost never uses
his stepfather‘s name, and says it now, swiftly, “This may be my SISTER. Dad
used to hint sometimes there might be a sister. Here she has come to us,
putting herself at our mercy.” “But what does she want, Nelson?” Janice asks.
She feels better, cleaner in her mind, finding herself now on her husband’s
side. “She wants money,” Ronnie, insists. “Why, she wants,” Nelson says,
getting wild-eyed and high-voiced, defensive and, to his mother, touching, “she
wants what everybody wants. She wants love.”</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Nelson’s job as a mental health counselor gives Updike
the opportunity for extensive social commentary about his modern world (what
would he think and write of today’s?).<span style="mso-spacerun: yes;">
</span>The inner voice of Nelson speaks: <i style="mso-bidi-font-style: normal;">Schizophrenics
don’t get wholly better…. they don’t relate. They don’t follow up. They can’t
hold it together. It makes you marvel that most people hold it together, as
well as they do: what a massive feat of neutron coordination just getting
through the day involves. These dysfunctionals make him aware of how functional
he is. They don’t bother him as normal people do. There are boundaries. There
are forms to fill out, reports to write and file, a healing order. Each set of
woes can be left behind in a folder in a drawer at the end of the day. Whereas
in the outside world, there is no end of obligation, no protection from the
needs and grief of others…. [B]ut it may be that his ear is jaded, hearing all
day about families, dealing with all the variations of dependency and
resentment, love, and its opposite, all the sickly interned can’t-get-away-from-itness
of close relations...If society is the prison, families are the cells with no
time off for good behavior good behavior…..</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Janice is not the only character with Rabbit reveries.<span style="mso-spacerun: yes;"> </span>Nelson is frequently thinks about the larger-than
life Rabbit, Updike continuing his portrait of a man lost in America: <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">his
father, had been a rebel of a sort, and a daredevil, but as he got older and
tame he radiated happiness, at just the simplest American things, driving along
in an automobile, the radio giving off music, the heater, giving off heat,
delivering his son somewhere in this urban area that he knew block by block,
intersection by intersection. At night, in the underlit ghostliness of the
front seat their two shadows were linked it seem forever by blood. To Nelson as
a child his own death seemed possible in so perilous a world, but he didn’t
believe his father would ever die</i>. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Nelson takes Annabel for lunch at a “new green”
restaurant that he’s gone to for years and becomes hyperaware of his half
sister – and Updike even dangles a question mark of the nature of this new
found love – and in watching her he has an epiphany of where they are, swathed
with symbolism<i style="mso-bidi-font-style: normal;">:<span style="mso-spacerun: yes;"> </span>[S]he still has, after living 20 years in the
city, a country girl innocence that, if she has taken as his date, embarrasses
Nelson. In his embarrassment, he studies the wall above the booths, whose theme
is greenery -- ferns and bushes and overhanging branches, brushed on in many
Forest shades. What he has never noticed before, all those years grabbing a
bite at the corner, is that a pair of children are in the mural, in the middle
distance with their back turned, a boy and a girl wearing old fashion, German
outfits, pigtails and lederhosen, holding hands, lost</i>.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">At the heart of the novel is a family still in turmoil,
the remaining wake of the passing ship of Rabbit:<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">[F]amily
occasions have always given Janice some pain, assembling like a grim jury these
people to whom we owe something, first, our parents and elders, and then our
children and their children</i>…Nelson thinks about Rabbit’s sister, Aunt Mim<i style="mso-bidi-font-style: normal;">: [A]t<span style="mso-spacerun: yes;">
</span>Dad‘s funeral, Aunt Mim seemed an animated, a irreverent slash of black
among the dowdy mourners, but Dad had loved her, and she him, with the heavy
helplessness of blood, that casts us into a family as if into a doom</i>.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">And that sense of doom hangs deeply in the novel: <i style="mso-bidi-font-style: normal;">Nelson wonders why, no matter how cheerful
and blameless the day’s activities have been, when you wake up in the middle of
the night there is guilt in the air, a gnawing feeling of everything being
slightly off, wrong — you in the wrong, and the world, too, as if darkness is a
kind of light that shows us the depth we are about to fall into</i>. <span style="mso-spacerun: yes;"> </span>But Nelson is on his own to deal with his
angst.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">His mother loved Nelson for all they had been through together, but she
was past the age where she could oblige his neediness. She and Ronnie left
alone tended to each other’ needs one of which, never stated, was getting ready
for death, which could start anytime now.</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The ghost of Rabbit wanders throughout the novel.<span style="mso-spacerun: yes;"> </span>In spite of Ronnie and Nelson’s adversarial
relationship, Nelson turns to him and says<i style="mso-bidi-font-style: normal;">,
“Another reason I like you, Ronnie,” Nelson rushes on, the insight having just
come to him with a force that needs to be vented, “is that you and I are about
the last people left on the earth my father still bugs. He bugs us because we
wanted his good opinion, and didn’t get it. He was worse than we are, but also
better. He beat us out.”</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The Rabbit tetralogy by John Updike still has the
relevancy of a great family drama, no matter what the times.</p>
<p class="MsoNoSpacing"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiguNMHNvHeb_Mw9pXxic9HGYTgvuz9oXzwvIYSzkZJ_DdoUxLJg6unJaeApodNJ9bTK_30aYE46Qtb4Rz_sW52hGBV2TljBnV5pVtmlcLEeGgCDLzQjIqcRgqlZVvIJHvRFcae5TGi3wYG8oLwwc2zcmaLCWfaT1xoRpSHaptG0ZicDFD4qC9D8ccrSA/s969/licks%202.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="969" data-original-width="762" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiguNMHNvHeb_Mw9pXxic9HGYTgvuz9oXzwvIYSzkZJ_DdoUxLJg6unJaeApodNJ9bTK_30aYE46Qtb4Rz_sW52hGBV2TljBnV5pVtmlcLEeGgCDLzQjIqcRgqlZVvIJHvRFcae5TGi3wYG8oLwwc2zcmaLCWfaT1xoRpSHaptG0ZicDFD4qC9D8ccrSA/w315-h400/licks%202.jpg" width="315" /></a></div><br /><br /><p></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-47938043190756125332023-02-04T13:17:00.000-08:002023-02-04T13:17:06.682-08:00Palm Beach Dramaworks Debuts the Hyperrealistic ‘The Science of Leaving Omaha’<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgITAw3nQlSYJps15bHnj-WqBVB9ew0V-il026cgDDyi-oDUsDNGRPOmesi7LVzGZgEmo1-6iZ67G5jZAC2kLV1TukTSHoOabN3f0wiSm9Z_RpY5uFDreq0owUwMZHNfhNXOadGog4eFa7J04Mgno9fky-6rTLhRRhepx0dffaP4qGPh38DL0IxJW0x_w/s1164/Science%20of%20Leaving%20Omaha%20Program.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1164" data-original-width="717" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgITAw3nQlSYJps15bHnj-WqBVB9ew0V-il026cgDDyi-oDUsDNGRPOmesi7LVzGZgEmo1-6iZ67G5jZAC2kLV1TukTSHoOabN3f0wiSm9Z_RpY5uFDreq0owUwMZHNfhNXOadGog4eFa7J04Mgno9fky-6rTLhRRhepx0dffaP4qGPh38DL0IxJW0x_w/w123-h200/Science%20of%20Leaving%20Omaha%20Program.jpg" width="123" /></a></div> <p></p><p class="MsoNoSpacing">If <i style="mso-bidi-font-style: normal;">The Science of
Leaving Omaha</i> makes you feel uncomfortable then this World Premiere
succeeds.<span style="mso-spacerun: yes;"> </span>It is a deeply affecting but
frequently disheartening social commentary. <span style="mso-spacerun: yes;"> </span>Playwright Carter W. Lewis explores so many
themes in this tightly developed work: death, love, violence, and
in particular the marginalization of a segment of our society.<span style="mso-spacerun: yes;"> </span>It is a rare play that can convey
philosophical weight, drama, and black comedy at the same time, concluding with
a breathtaking scene of magical realism. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Science of Leaving Omaha</i> has been under development at the PB Dramaworkshop.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Lewis’ play is brought to life by a cast making their PBD
debuts.<span style="mso-spacerun: yes;"> </span>The director Bruce Linser, who
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<p class="MsoNoSpacing">There is a heightened sense of realism with an eerie
dream-like deterministic inevitability as the play unfolds in front of a retort
or cremation oven.<span style="mso-spacerun: yes;"> </span>The “Science”
includes details about the cremation process, as the occasional strange sounds from
the retort seem to call out (as amusingly noted by the off-stage character “Mrs.
B” in the play) “ask not for whom the cremator clunks it clunks for thee.”<span style="mso-spacerun: yes;"> </span>The action takes place in real time late one
night in this macabre setting.<span style="mso-spacerun: yes;"> </span>The
retort becomes a looming character onto itself and the technical details of its
operation a metaphor for getting out of Omaha.</p>
<p class="MsoNoSpacing"> </p>
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Stephien</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Two young people, each with issues of finding a place in
a society that seems to offer them little hope or opportunity, are thrown
together by chance.<span style="mso-spacerun: yes;"> </span>There is no shortage
of adversity in their lives, simply because of parents and birthplace. <span style="mso-spacerun: yes;"> </span>Iris, played by Georgi James, is minding the
nighttime basement office of a crematorium as the owner, “Mrs. B is super
religious, and she thinks no one should crossover alone.”<span style="mso-spacerun: yes;"> </span>James channels her character’s frustration, as
she sits there working on an essay which she needs to qualify for her GED, but
clearly this is a discouraging struggle for her and she feels marooned in Omaha.<span style="mso-spacerun: yes;"> </span>James’ outstanding performance captures the
anxiety of her character, along with her kookiness. <span style="mso-spacerun: yes;"> </span>It is a particularly difficult part as her
halting speech and erratic, fragile personality are purposely abstruse and she is on stage for the entire play. <br /></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"></p><p class="MsoNoSpacing">There is a body bag there that night holding Ruth Ellen
who was shot while on the back of a motorcycle driven by Baker, played by
Nicholas-Tyler Corbin, as they were escaping from a bar. <span style="mso-spacerun: yes;"> </span>Ruth Ellen was Baker’s wife for only one day.<span style="mso-spacerun: yes;"> </span>He breaks into the crematorium to see her and
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to know about the details of her impending cremation.<span style="mso-spacerun: yes;"> </span>Corbin flawlessly plays the volatile yet
sensitive Baker, who also has been looking for answers to an amorphic future. <span style="mso-spacerun: yes;"> </span>The actor projects a palpable sense of grief
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<p class="MsoNoSpacing">What begins as, possibly, a set up for more violence develops
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<p class="MsoNoSpacing"> </p><p class="MsoNoSpacing">Baker has been on the run ever since his last job as a
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Stephien</span></td></tr></tbody></table></p>
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<p class="MsoNoSpacing">Into the mix comes the night watchperson, “Security Sally”
poignantly performed by Merrina Millsapp, who has never imagined she would ever
actually have to draw her gun in her part time job.<span style="mso-spacerun: yes;"> </span>She is yet another victim of society, raising
children as a single parent, having to take this night job to survive.<span style="mso-spacerun: yes;"> </span>But she is yet another “protector” of Iris
and was assigned to a mall where Iris once had a melt-down and whose shame was
captured on social media which went viral.<span style="mso-spacerun: yes;">
</span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The building tension is palpable and foreboding, the
resolution surprising but fated as Iris – tearfully and plaintively delivered
by James -- beseeches advice from the remote, offstage Mrs. B: “I mean, damn.
Damn Mrs. B, I don’t know what to do, I just–Oh Mrs. B, I’m so scared.” <span style="mso-spacerun: yes;"> </span>The best advice Mrs. B can give is to allow
her to put on one of her opera records, which has been off limits, the music
soaring at the conclusion.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Mrs. B clearly has aided Iris, given her a job
(actually created one for her), and wants to help her succeed.<span style="mso-spacerun: yes;"> </span>Could Mrs. B be a surrogate for a compassionate
but powerless god? </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIgFNh6ZrENkrBg1XgsVQfDZfoZ0wZe6unhIRDezgrruzbiAdxWzoI5guIG4FPPsVcgdJKKa_gRDjGYUEF7bpNepWHMGsQ3TBtyS6YS8NmnzCZ9hxfqiGWuVYA7iPsXjN3GJ5bHms-XakQOtDnTyvHbnAww-VR-HcR_j_P_yvgkCbFp2jzQ4yUifuq3g/s2471/Omaha%20Stage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="920" data-original-width="2471" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIgFNh6ZrENkrBg1XgsVQfDZfoZ0wZe6unhIRDezgrruzbiAdxWzoI5guIG4FPPsVcgdJKKa_gRDjGYUEF7bpNepWHMGsQ3TBtyS6YS8NmnzCZ9hxfqiGWuVYA7iPsXjN3GJ5bHms-XakQOtDnTyvHbnAww-VR-HcR_j_P_yvgkCbFp2jzQ4yUifuq3g/w400-h149/Omaha%20Stage.jpg" width="400" /></a></div> <p></p><p class="MsoNoSpacing">The Scenic design by Michael Amico reflects the morose
nature of the play, the basement of a funeral home owned by a Catholic Italian
American family.<span style="mso-spacerun: yes;"> </span>There is a replica of a
cremation oven almost front-and-center and “a gurney garage” or what Iris amusingly
calls “the wine cellar,” a place to temporarily put a body behind velvet red
curtains. <span style="mso-spacerun: yes;"> </span>Family pictures are scattered
about (Amico uses ones of his own family), as well as a portrait of Jesus.<span style="mso-spacerun: yes;"> </span>A sign hangs prominently, “Fire is the most
tolerable third party,” which Henry David Thoreau meant for two people huddling
around a campfire.<span style="mso-spacerun: yes;"> </span>It has a more profound
meaning here.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Kirk Bookman’s lighting design is critical, insightful,
full flat light in the middle of the night in a basement balanced with spots
following the actors, but breathtaking when red hot lighting emanates from the
open retort.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Sound design by Roger Arnold cleverly captures the
strange clunking sounds of the retort, some unexpected, helping to build the tension.<span style="mso-spacerun: yes;"> </span>There are sounds of metal expanding and
flames heating up as well as the creak of the opening door.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Brian O’Keefe, the indefatigable costume designer captures
the everyday dress of two unmoored contemporary young people, naturalistic and
appropriate.<span style="mso-spacerun: yes;"> </span>Iris is in jeans and a
plaid shirt, poor serviceable clothing while Baker has that worn LL Bean look
with ripped-knee jeans. </p>
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<p class="MsoNoSpacing">Director Bruce Linser pours his heart and soul into this
piece, the action flowing and pausing where appropriate, the tension rising and
falling like waves in an agitated ocean.<span style="mso-spacerun: yes;">
</span>Both characters have their quiet contemplative moments and outbursts as
well. <span style="mso-spacerun: yes;"> </span>He succeeds but be prepared for an
intentionally bumpy ride.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">So many plays are about the pursuit of the American
Dream.<span style="mso-spacerun: yes;"> </span>This one deals with the struggle
for mere survival; there are no aspirations other than escape. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Science of Omaha</i> dramatically illustrates what happens when we abandon a
large swath of our society, deprive them of opportunity and education, subject
them to the microscope of endless bullying on social media, and corporate
America adopts them as their servants at low-paying fast food or superstore jobs.<span style="mso-spacerun: yes;"> </span>Such as the extreme classes of H.G. Well’s <i style="mso-bidi-font-style: normal;">Time Machine</i> where the underground
Morlocks do the menial work to benefit the privileged, hedonistic Eloi, two
classes of people that have become almost different species.<span style="mso-spacerun: yes;"> </span>This is America today and the playwright
perfectly captures the essence and the tragedy of the consequences.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNRRr8OxBoRxZ5aQMNl2gQHXPpxtWUNpRCth56E8YWYQz2E5tOrAjTf4ps-9Hw6nwHdFbtxeXD0QXzuCkXkD8IPTf14LE--T5VYx5zcbMWrp8xZf18vrn6aHoIl6EsQiN3v6S9J9GFvJN6CQufpwuI5FLATfuuNijHfslNHMcKUjXmgTK9n_HUavXZbg/s4381/Nicholas-Tyler%20Corbin%20and%20Georgi%20James.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3278" data-original-width="4381" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNRRr8OxBoRxZ5aQMNl2gQHXPpxtWUNpRCth56E8YWYQz2E5tOrAjTf4ps-9Hw6nwHdFbtxeXD0QXzuCkXkD8IPTf14LE--T5VYx5zcbMWrp8xZf18vrn6aHoIl6EsQiN3v6S9J9GFvJN6CQufpwuI5FLATfuuNijHfslNHMcKUjXmgTK9n_HUavXZbg/w400-h299/Nicholas-Tyler%20Corbin%20and%20Georgi%20James.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-88913382098465178972023-01-15T06:31:00.000-08:002023-01-15T06:31:54.209-08:002023 Jazz Cruise – Music Unites Us Again<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj928FtjERi_qGUMIRakEbEiddlz020s9C1KuRdc-IZRbh_gKWuKOWHmCEfCG1ej0BNU9w0gNgn0ZAzZBaACIa-PSuNcmxpLGzhqi_3Xz6TpyNJu6rVmQes5m9FAglpU8EiBMqeCqxDZ-E5Q6dEagwcT3bGS1YDnCJCrgJwmuhjVIR1OyLap1w0cIABcg/s915/The%20Jazz%20Cruise%202023.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="915" data-original-width="714" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj928FtjERi_qGUMIRakEbEiddlz020s9C1KuRdc-IZRbh_gKWuKOWHmCEfCG1ej0BNU9w0gNgn0ZAzZBaACIa-PSuNcmxpLGzhqi_3Xz6TpyNJu6rVmQes5m9FAglpU8EiBMqeCqxDZ-E5Q6dEagwcT3bGS1YDnCJCrgJwmuhjVIR1OyLap1w0cIABcg/s320/The%20Jazz%20Cruise%202023.jpg" width="250" /></a></div> <!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing">The Jazz Cruise vintage 2023 blew away the blues of years
of Covid dormancy.<span style="mso-spacerun: yes;"> </span><a href="https://lacunaemusing.blogspot.com/2020/02/20th-anniversary-jazz-cruise.html">We had attended the
20<sup>th</sup> anniversary cruise in early 2020</a> right before Covid upended all
of our lives and booked it for the following year which never came (or the
following year). </p>
<p class="MsoNoSpacing"><br /></p>
<p class="MsoNoSpacing">The 2023 happening was extraordinary as one could feel a singular
energy between the performers and the appreciative audience, an energy which
has always been unique to the Jazz world but was enhanced by the long interval and
a deep appreciation of what music means to these extraordinary artists and
their audience.<span style="mso-spacerun: yes;"> </span>We went from one venue
to the next, lining up our day of sometimes as many as five different performances.<span style="mso-spacerun: yes;"> </span>This sometimes meant skipping a meal (shocking
on a nice ship!).</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Speaking of the ship, I might as well mention that we
were on the newly upgraded Celebrity Millennium, but it is a charted vessel
through the Jazz Cruise, so everyone on board is there for the jazz only, with
Celebrity merely operating the ship.<span style="mso-spacerun: yes;">
</span>Even the destinations are secondary, many people (such as us) preferring
to stay on board, passing up Costa Maya, Cozumel, and Nassau, places we have
previously visited. </p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bill Charlap, Ann, Bob</span></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">It is impossible to summarize all the wonderful artists
we heard, saw, and frequently met and chatted with.<span style="mso-spacerun: yes;"> </span>It is probably the only venue where the
latter is possible.<span style="mso-spacerun: yes;"> </span>Nothing like talking
to a piano God such as Bill Charlap as we were both in the solarium in shorts!<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhI7wFLZOKsGkgxeKf12rpEQF58LCRAzDt4rY72m9Ib7vdO9mPajhkxbI0nQUEuGhfr8spH5COdAjNuf4Hl3kI9Ndom9gL-4fNMTic8rAFj4kX2OBosPIKwviamIV4WKIR-7n0K_6Z5Vhk0ItEnYVGCe2deX_WqJ3tA2J0cuSdbRjfuCIQE79-G9dEUw/s1254/The%20first%206%20days%20of%20the%20Jazz%20Cruise.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1254" data-original-width="871" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhI7wFLZOKsGkgxeKf12rpEQF58LCRAzDt4rY72m9Ib7vdO9mPajhkxbI0nQUEuGhfr8spH5COdAjNuf4Hl3kI9Ndom9gL-4fNMTic8rAFj4kX2OBosPIKwviamIV4WKIR-7n0K_6Z5Vhk0ItEnYVGCe2deX_WqJ3tA2J0cuSdbRjfuCIQE79-G9dEUw/w278-h400/The%20first%206%20days%20of%20the%20Jazz%20Cruise.jpg" width="278" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">The first six intensive days</span></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">This photo of the first 6 days of activities summarizes
(the 7<sup>th</sup> did not fit in the photograph) the frenzied pace and
the extent of the artists on board.<span style="mso-spacerun: yes;"> </span>Some
of our little notations sketched out our “strategy” for making the most of our
days, focusing on some of our favorites, although it does not show the
serendipitous performances we caught as well, musicians who were new to us.<span style="mso-spacerun: yes;"> </span>I’m certain we enjoyed a full eight to ten hours each day of music and talk with the musicians and other devoted fans.</p>
<p class="MsoNoSpacing"> </p>
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<p class="MsoNoSpacing">Ann, Bob, Emmet Cohen</p>
</td></tr></tbody></table> </p><p class="MsoNoSpacing">Here were some of the high points for us.<span style="mso-spacerun: yes;"> </span>It is remarkable to witness the maturation of
Emmet Cohen, who we first saw as a 28 year old at Dizzy’s (but has been
involved in the Jazz Cruise practically right out of college).<span style="mso-spacerun: yes;"> </span>His progression as a jazz pianist now places
him near the top of such musicians, technically, soulfully, and multifaceted,
eager and capable to play all forms of jazz, with a deep reverence for jazz
history. <span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><a href="https://lacunaemusing.blogspot.com/2020/07/emmets-place.html">Emmet made lemonade of the lemons Covid delivered, making more than 100 Monday night jazz performances from his Harlem apartment</a>. <span style="mso-spacerun: yes;"></span>Live at “Emmet’s Place” frequently showcased
many of his neighboring musicians, particularly his talented sidemen, bassist
Russell Hall, and drummer, Kyle Poole.<span style="mso-spacerun: yes;">
</span>Kyle is still his drummer, a talented recording artist and arranger in
his own right, but his new bassist, on board the cruise as well, is Yasushi
Nakamura.<span style="mso-spacerun: yes;"> </span>Those Monday night shows were
the highlight of the week for his fans during our quarantine.</p>
<p class="MsoNoSpacing"> </p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Emmet Cohen, Yasushi Nakamura, Kyle Poole</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Emmet has become a “rock star” at the age of 33 and an
important part of the jazz cruise, as well as now touring the world.<span style="mso-spacerun: yes;"> </span>We knew him when.<span style="mso-spacerun: yes;"> </span>He organizes the popular Keyboard Capers
towards the end of the cruise, all the talented pianists on board performing, with
a camera cam projecting their keyboard strokes and then all of them lining up
to take their turns with as many as 10 hands on the keyboard, such
improvisional genius and pure love of the music and respect for one another. <br /></p><p class="MsoNoSpacing"> </p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Ann, Emmet Cohen</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">With “Emmet’s Place” Cohen has reimagined the music business
model.<span style="mso-spacerun: yes;"> </span>Forget about selling CDs.<span style="mso-spacerun: yes;"> </span>Instead, go back to the days of Hayden and
Mozart and seek patrons, but in this Internet world, smaller contributions from
members of “Emmet Cohen Exclusive,” with four different levels of contributions.<span style="mso-spacerun: yes;"> </span>We’ve been members from the get-go.<span style="mso-spacerun: yes;"> </span>This allows such talented artists to free
themselves from the music label, dependent on selling CDs (which have suffered
in the Internet world), and to tour and to develop their unique styles (his CDs
are part of the benefit of being a member, but the main one is knowing we along
with hundreds (or thousands now) of others are helping an artist to reach his
fullest potential). <br /></p><p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">For me, his popularity has a downside.<span style="mso-spacerun: yes;"> </span>There was once a time I could email him about
a Johnny Mandel song, as an example, and he’d eventually answer.<span style="mso-spacerun: yes;"> </span>Now due to his enormous popularity he has a
staff, a technical crew; he’s gone big time, but that’s fine.<span style="mso-spacerun: yes;"> </span>It’s wonderful to watch him grow.</p><p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1UqAI-0dRb2X6iUzFMmWieuGna_Qm5Of79Vnw3mvqiBsnHIi8YsOWLvdwfC728-8nmTinKdTZUreI9cArBJDT6mlk1X8re6YApjTcBaqiJoc2wTdSuqr0q18FdzPT5lHEPKEPZQN0y4uUV_-oau1CWnotMhMsAhlk1ane0kYgyIr4u1Au67X4FqGOQ/s1280/Bill%20Charlap.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1UqAI-0dRb2X6iUzFMmWieuGna_Qm5Of79Vnw3mvqiBsnHIi8YsOWLvdwfC728-8nmTinKdTZUreI9cArBJDT6mlk1X8re6YApjTcBaqiJoc2wTdSuqr0q18FdzPT5lHEPKEPZQN0y4uUV_-oau1CWnotMhMsAhlk1ane0kYgyIr4u1Au67X4FqGOQ/s320/Bill%20Charlap.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bill Charlap </span></td></tr></tbody></table></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The other pianist whose performances we never missed was
the incomparable Bill Charlap.<span style="mso-spacerun: yes;"> </span>The other
pianists on board have the same reverence.<span style="mso-spacerun: yes;">
</span>With the exception of Oscar Peterson – and Emmet – my favorite ones are
all named Bill: Bill Charlap, Bill Mays, and the late great Bill Evans.<span style="mso-spacerun: yes;"> </span>As I mentioned, we happened to chat with
Charlap as he passed through the Spa.<span style="mso-spacerun: yes;"> </span>We
were having a “health” breakfast.<span style="mso-spacerun: yes;"> </span>I think he was a little perplexed when we told him that we have
breakfast with him every morning.<span style="mso-spacerun: yes;"> </span>Huh?<span style="mso-spacerun: yes;"> </span>And we do.<span style="mso-spacerun: yes;">
</span>We turn to Alexa and ask “her” to play the Bill Charlap trio.<span style="mso-spacerun: yes;"> </span>He was amused and friendly.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">All the “Bills” I mentioned, I think play with a similar
sensibility.<span style="mso-spacerun: yes;"> </span>I made that observation to
him and, small world that music is, he said that Bill Mays is a close friend
and he just spoke to him the day before.<span style="mso-spacerun: yes;">
</span>Makes sense.<span style="mso-spacerun: yes;"> </span>No wonder I am drawn
so personally to their music.<span style="mso-spacerun: yes;"> </span>The songs
they prefer, and their styles are ones that I’m most familiar with, not that I
can play anywhere at that level, but most of the songs they play are the same
ones I play from the Great American songbook and Broadway.<span style="mso-spacerun: yes;"> </span>At one of Charlap’s performances he played a
song I’m intimately familiar with, a classic ballad I’ve tried to master, Alan
Jay Lerner and Burton Lane’s “Too Late Now,” from the 1951 movie musical <i style="mso-bidi-font-style: normal;">Royal Wedding</i>. <span style="mso-spacerun: yes;"> </span>As he was playing, I found the fake book version
on my phone and was able to follow his unique style which he applied to the
song, thinking maybe, just maybe, a little will rub off on me.</p>
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<p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRmqe3z1cc1t80bTk5e8owTjQruAx3OGDu-hTsThBmwR2uq5-TF0a0R1DzT8gudNWKpYMDr1LJP2J4sCeHmh-p5I4Gyi6rO_nlu0wJrsdenlmv5Pikk9BjTsbicoqPqZ0Gs9D_TQiga7Zw-Kdw9KAO8MN_9SSXv-45dwwnZQCSfqPO6Tptj8Q5wLDsdg/s960/Bill%20Charlap,%20Peter%20Washington,%20Kenny%20Washington.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="879" data-original-width="960" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRmqe3z1cc1t80bTk5e8owTjQruAx3OGDu-hTsThBmwR2uq5-TF0a0R1DzT8gudNWKpYMDr1LJP2J4sCeHmh-p5I4Gyi6rO_nlu0wJrsdenlmv5Pikk9BjTsbicoqPqZ0Gs9D_TQiga7Zw-Kdw9KAO8MN_9SSXv-45dwwnZQCSfqPO6Tptj8Q5wLDsdg/s320/Bill%20Charlap,%20Peter%20Washington,%20Kenny%20Washington.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bill Charlap, Peter Washington, Kenny Washington</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Surprising to me was at times Charlap exhibited a sudden
physicality in his performances along with his lyricism.<span style="mso-spacerun: yes;"> </span>He seems like such a mild mannered person, a
piano style which relies on a melancholy feel and suddenly an explosion of
sound.<span style="mso-spacerun: yes;"> </span>We sat close to him in each of
his performances as he prefers the more intimate lounges (which were
nonetheless packed to SRO).</p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bill Charlap Keyboard Capers</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">The piano pyrotechnics of the younger pianists in
Keyboard Capers was handed to Charlap to conclude, a salute to his stature by
his contemporary greats.<span style="mso-spacerun: yes;"> </span>Brilliantly,
and in contrast, he concluded with the wistful “You Are My Sunshine” which I
would put in the same category as two songs I like to sometimes conclude
concerts with, “Smile” or ”Bye Bye Blackbird.”<span style="mso-spacerun: yes;">
</span>Then all the other great pianists on board lined up for an extravaganza
of multiple hands on the piano.<span style="mso-spacerun: yes;"> </span>Just
phenomenal.</p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Jeff Hamilton, Tamir Handleman, Jon Hamar</span></td></tr></tbody></table><br /></p>
<p class="MsoNoSpacing">One of the pianists who we saw on the last cruise is Renee
Rosnes, coincidentally Bill Charlap’s wife, who is a master in her own right,
and I just have to wonder how it must be to grow up in such a talented
family.<span style="mso-spacerun: yes;"> </span>And then there is the
incomparable Benny Green who we saw in several venues, once being interviewed
with Tamir Handleman both of whom have their own distinctive styles.<span style="mso-spacerun: yes;"> </span>Handleman is the pianist for the world class
drummer, Jeff Hamilton Trio, along with the bassist Jon Hamar and we went to as
many of their gigs as we could.<span style="mso-spacerun: yes;"> </span>Jeff
Hamilton is a drummer in his own elite league and has a rich history of playing
with some of the great bands. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Benny Green accompanied Nicki Parrott who plays the bass
and is a wonderful jazz vocalist (a little reminiscent of our favorite Doris
Day).<span style="mso-spacerun: yes;"> </span>Unbelievably she said it was the
first time she has ever performed with Benny Green and the looks they were
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respect.<span style="mso-spacerun: yes;"> </span>It is something special in jazz
as artists hand the melody back and forth for improvisation and then come
together, almost like magic to me.<span style="mso-spacerun: yes;"> </span> <br /></p><p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie1n8dNVa-FOe7R3TB8SfuAOH1X4YrXJ6aej5VGavQ1BJ-xu-LGJn_sKkyeOiY4rUpcQ10nDLmSEIft1-wSWOD_bNBM_kyqV3B62YLQSwxjWkuZlucdOm7BRGETcEE39bXvgRqboxck3J8OifQo1NtgBgI7rPuCAO1V8VyMqJGxNHPgBhZQzPZeNFXTg/s1080/Greg%20Hutchinson,%20Christian%20McBride,%20Benny%20Green.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="760" data-original-width="1080" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie1n8dNVa-FOe7R3TB8SfuAOH1X4YrXJ6aej5VGavQ1BJ-xu-LGJn_sKkyeOiY4rUpcQ10nDLmSEIft1-wSWOD_bNBM_kyqV3B62YLQSwxjWkuZlucdOm7BRGETcEE39bXvgRqboxck3J8OifQo1NtgBgI7rPuCAO1V8VyMqJGxNHPgBhZQzPZeNFXTg/s320/Greg%20Hutchinson,%20Christian%20McBride,%20Benny%20Green.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Greg Hutchinson, Christian McBride, Benny Green</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Green also was the pianist for the Jazz Hall
of Fame bassist Christian McBride which honored the great bassist Ray Brown.</p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Tamir Hendelman, Leroy Downs, Benny Green </span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Benny Green and Tamir Hendelman were interviewed by Leroy
Downs, talking about their own histories, approach to jazz piano.<span style="mso-spacerun: yes;"> </span>Every word was fascinating.<span style="mso-spacerun: yes;"> </span>But there was a certain body language and
enthusiasm expressed by Green which Ann read as his being in a very different
place in life than where he was when we saw him three years earlier, so she
went up to him after the interview and made the observation.<span style="mso-spacerun: yes;"> </span>Green was stunned.<span style="mso-spacerun: yes;"> </span>He is such a soulful individual and he
admitted that there was a woman in his life now and that he’s found a new level
of contentment.<span style="mso-spacerun: yes;"> </span>It showed in all his
performances, with McBride, Parrott, and whenever he was called to play.<span style="mso-spacerun: yes;"> </span>He is one of the greats in jazz piano,
technically and emotionally. <span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Also on board were established elder jazz greats, Monty
Alexander, who we first heard in the early 1970s, a Caribbean pianist whose
early work had that driving Caribbean rhythm.<span style="mso-spacerun: yes;">
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Huston Person, Emmet Cohen, John Pizzarelli</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Then the senior saxophonist, playing
all the classics, Houston Person, now in his late 80s wowed every age in the
audience. <span style="mso-spacerun: yes;"> </span>He still has the heart and
strength of a younger person (and had the courage to climb the five flights to
Emmet Cohen’s apartment one night to perform with him).<span style="mso-spacerun: yes;"> </span>We actually met Person three years ago at the
2020 cruise, sitting with he and his family on board in the restaurant waiting
for our respective rooms to open, easily talking back and forth about music but
our not knowing who he was.<span style="mso-spacerun: yes;"> </span>He never
said; we never asked and then we learned the legend we were honored to be sitting
next to!<span style="mso-spacerun: yes;"> </span>Then, although not an
octogenarian like Alexander and Person is Wynton Marsalis who is almost synonymous
with the word ‘jazz’ itself.<span style="mso-spacerun: yes;"> </span>He’s won
Grammy awards in five consecutive years.<span style="mso-spacerun: yes;">
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also memorable, honoring the induction of the late Joey DeFrancesco into the
Jazz Cruise Hall of Fame.<span style="mso-spacerun: yes;"> </span>Emmet Cohen
also was part of the ceremony, playing Joey’s vintage Hammond along with Huston
Person.</p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Ann Hampton Callaway, Ann</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">Ann Hampton Callaway and Niki Haris were in an elevator
when we got on one day and as we pushed the button for the 7<sup>th</sup> floor
they broke out into an impromptu song about riding to the 7<sup>th</sup>! (Nice
chord in music.). We’ve seen Callaway many years ago at the Arts Garage and had
a photo of that performance to show her later when she too was interviewed by
Downs.<span style="mso-spacerun: yes;"> </span>Talk about a soulful performer, a
singer who knows how to sell a song.<span style="mso-spacerun: yes;"> </span>And
what a sense of humor, her standup routine being to pick on some guy as being
her ex-husband, so I was determined to stay out of the first row!<span style="mso-spacerun: yes;"> </span></p><p class="MsoNoSpacing"><span style="mso-spacerun: yes;"> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPmkZ-KgFUkOdFXGjz6NM10pibEpHMmJCc4Nv8e6Kbfx-AjgFKutJKcNXibCtmBU-sNSLJvftgZopg77ZMOPeg4Em-Wnz5okoBmYau3uV1guazEVMuuqm6jaBBgOz0pN36py2gYrrEiNihj7Acjh-t8pLO29y85XSVD71WU5_KFa2n-uB4nXk7YyIR1A/s1124/Tamir%20Hendelman,%20Tierney%20Sutton,%20Serge%20Merland.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="876" data-original-width="1124" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPmkZ-KgFUkOdFXGjz6NM10pibEpHMmJCc4Nv8e6Kbfx-AjgFKutJKcNXibCtmBU-sNSLJvftgZopg77ZMOPeg4Em-Wnz5okoBmYau3uV1guazEVMuuqm6jaBBgOz0pN36py2gYrrEiNihj7Acjh-t8pLO29y85XSVD71WU5_KFa2n-uB4nXk7YyIR1A/s320/Tamir%20Hendelman,%20Tierney%20Sutton,%20Serge%20Merland.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing">Tierney Sutton’s arrangements were memorable, one more
great vocalist on board with so many others. She was accompanied by Tamir
Hendelman, and her husband, guitarist Serge Merland.</p>
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<p class="MsoNoSpacing">Shelly Berg another pianist and educator of renown, who
is one of the two directors of the shows, the other composer, bassist, and
arranger, John Clayton, was omnipresent, playing and interviewing.<span style="mso-spacerun: yes;"> </span>As with the last cruise, I loved attending Berg’s
“Jazz University” lectures, this one covering a brief history of jazz
juxtaposed to American history and what distinguishes a great jazz piano
solo.<span style="mso-spacerun: yes;"> </span>Imagine fitting that into an
hour?<span style="mso-spacerun: yes;"> </span>He did and played some selections
as well.<span style="mso-spacerun: yes;"> </span>I enjoyed watching Berg
watching his many students perform, such as Emmet Cohen.</p>
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<p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr4E5vYiUUJQMSuzeq829k6oRI6cAlepiQjVF4_f4D9KSLUM-epM22mn2Jt9RK9OmylbeAzxFi_PJn9w9mBC8pPBuUeTHVXSL7aJKEewObMJeOEU4czoURkzBCDwP_c9DsTy8PpB7RJ_E5VbCW19a3UDIIZ-d65zNRmucrxXpeL2KyKgzNFY6irks6yQ/s1280/Shelly%20Berg,%20Samara%20Joy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="1280" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr4E5vYiUUJQMSuzeq829k6oRI6cAlepiQjVF4_f4D9KSLUM-epM22mn2Jt9RK9OmylbeAzxFi_PJn9w9mBC8pPBuUeTHVXSL7aJKEewObMJeOEU4czoURkzBCDwP_c9DsTy8PpB7RJ_E5VbCW19a3UDIIZ-d65zNRmucrxXpeL2KyKgzNFY6irks6yQ/w400-h300/Shelly%20Berg,%20Samara%20Joy.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Shelly Berg, Samara Joy</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">One of his interviews though was with the “overnight”
sensation, the 21-year-old Samara Joy.<span style="mso-spacerun: yes;">
</span>He recorded it for XM radio as well.<span style="mso-spacerun: yes;">
</span>We first took note of Joy, then a shy vocalist, about two years ago on
Emmet’s Place.<span style="mso-spacerun: yes;"> </span>She was just a senior in
college as I recall then.<span style="mso-spacerun: yes;"> </span>But by then
she had already won the Sarah Vaughan International Jazz Competition, the range
and control of her voice reminiscent of both Sara Vaughan, Ella Fitzgerald, and
as we learned in the interview, perhaps her greatest influence, Carmen McRae,
who we saw in the late 1970s in an upper East side club.<span style="mso-spacerun: yes;"> </span>We heard Joy sing one of our favorites, “Guess
Who I Saw Today,” her range and intonation remarkable.<span style="mso-spacerun: yes;"> </span>21 years old.<span style="mso-spacerun: yes;">
</span>Imagine? <span style="mso-spacerun: yes;"> </span>(BTW, I think Eydie
Gorme’s version of that song, although a very different style, equally
excellent.)</p>
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<p class="MsoNoSpacing">Berg asked her that if she could have a wish granted to
sing a song with a pianist who has never accompanied her, she responded Sullivan
Fortner who of course was on board and then with a little hesitation, her eyes
opening wide, Bill Charlap.<span style="mso-spacerun: yes;"> </span>That’s jazz,
a circle of respect.</p><p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihBCXXN2aiUv_SirYT1uHXVa_V470_YhXnhXfxDWH88_9ZNQrtbjY1XCL37m9-G3weyNtvuDK8IruXNHl3eqwvLHuKami1RoGhi56VWyFdKccT3KXpI1FYCNZAXcvWN0LW8n8rMSyr-Raf0TE6k--JVuoHBF3CodqjhJlAbfM6vHxrQArwPFRVKGwdig/s1280/Bria%20Skonberg.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihBCXXN2aiUv_SirYT1uHXVa_V470_YhXnhXfxDWH88_9ZNQrtbjY1XCL37m9-G3weyNtvuDK8IruXNHl3eqwvLHuKami1RoGhi56VWyFdKccT3KXpI1FYCNZAXcvWN0LW8n8rMSyr-Raf0TE6k--JVuoHBF3CodqjhJlAbfM6vHxrQArwPFRVKGwdig/s320/Bria%20Skonberg.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Bria Skonberg</span></td></tr></tbody></table></p>
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<p class="MsoNoSpacing">Then, there is the unexpected.<span style="mso-spacerun: yes;"> </span>A trumpet player, Bria Skonberg, played a
song she wrote, “So Is The Day” and then broke out into song.<span style="mso-spacerun: yes;"> </span>Extraordinary to have such a voice and
presentation. <span style="mso-spacerun: yes;"> </span>The rule on board is no
videos are allowed.<span style="mso-spacerun: yes;"> </span>I did take a few
brief ones, those that are very personal to me, but will not post them.<span style="mso-spacerun: yes;"> </span><a href="https://youtu.be/EUUPvnSafQY">There is a YouTube version of her song, so here is a link</a>.<span style="mso-spacerun: yes;"> </span>It starts with the
vocals rather than the trumpet.<span style="mso-spacerun: yes;"> </span>I think
it is more effective the other way around as we heard it, a remarkable and
unexpected moment.</p>
<p class="MsoNoSpacing"> </p><p class="MsoNoSpacing">As I mentioned, Emmet's Keyboard Capers is the concluding show in the main theater. It is so special to me as all the great pianists on board come together, individually playing and then jamming together. It is a particularly joyous moment as these photographs attest.</p><p class="MsoNoSpacing"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6RKTWHDCoDO095_rVB9wzk2GbBYkwCxiaranS3ygYbsOUaxmS3J_nyXHu6fGEpVUnQm58yowV8NslJojlNSTAzYBB5SEOpMlg7KLGN0mPg9FlVMKi6feJLnb_rILsC9eYRj7F-N_vWlp4YnOVO8psHUhYjrCw851I_j2hSNt599s0_n_6cOkRq51Lng/s960/Emmet%20Cohen%20Keyboard%20Capers.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="771" data-original-width="960" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6RKTWHDCoDO095_rVB9wzk2GbBYkwCxiaranS3ygYbsOUaxmS3J_nyXHu6fGEpVUnQm58yowV8NslJojlNSTAzYBB5SEOpMlg7KLGN0mPg9FlVMKi6feJLnb_rILsC9eYRj7F-N_vWlp4YnOVO8psHUhYjrCw851I_j2hSNt599s0_n_6cOkRq51Lng/s320/Emmet%20Cohen%20Keyboard%20Capers.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing">Emmet Cohen Keyboard Capers</p>
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<p class="MsoNoSpacing">Emmet Cohen, Bill Charlap, Tamir Hendelman, Benny Green</p>
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<p class="MsoNoSpacing">Keyboard Capers Pianists</p>
</td></tr></tbody></table></a></div><p></p><p class="MsoNoSpacing">I’m leaving out so many of the greatest jazz artists we
have seen in one place, ever, but I’m hoping my unrestrained enthusiasm makes
up for the voids.<span style="mso-spacerun: yes;"> </span>My apologies to all
who I failed to mention.<span style="mso-spacerun: yes;"> </span>So many of
them.<span style="mso-spacerun: yes;"> </span>But to Michael Lazaroff, the Executive
Director of The Jazz Cruise (this being the first of four weeks of jazz on the
ship, but this was Straight Ahead Jazz, our favorite, particularly the classic
piano, bass, drum trio), our thanks for bringing us all together and to help us
forget politics, Covid, and so many of the ills of the world.<span style="mso-spacerun: yes;"> </span>United in music we stand.<span style="mso-spacerun: yes;"> </span>And it’s all there, in one place.<span style="mso-spacerun: yes;"> </span>Congratulations Michael!</p><p class="MsoNoSpacing">The last night at sea... <br /></p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiheL9oVYJXOVs507YkA5bp10QGyMEjZM6TPO0jIjqB2fTd7Sfi6t5J2p42R9yEmdsSCfseSzEdWXERF8YxRDduxPxb3fBftB9hFT8abUHo_awhsatVckLHTF0aVndMwZ_gsNSh5oQq10m15iTWkglhTUdErvYgIux6kTyEJhvPHriDvzpcaWlBg1eCaw/s1020/Ann%20and%20Bob%20at%20Sunset.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiheL9oVYJXOVs507YkA5bp10QGyMEjZM6TPO0jIjqB2fTd7Sfi6t5J2p42R9yEmdsSCfseSzEdWXERF8YxRDduxPxb3fBftB9hFT8abUHo_awhsatVckLHTF0aVndMwZ_gsNSh5oQq10m15iTWkglhTUdErvYgIux6kTyEJhvPHriDvzpcaWlBg1eCaw/s1020/Ann%20and%20Bob%20at%20Sunset.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqO6UymmWCViY_KyXq3KRii-MtYvbtA8fA7M8GwsV71tTcRCTu9-MRzIvNf0chmSM_mj5t4WdvZAaYrB2zej7lFpg-5aVTz-hmN6Hk07PyzXFilXdGi0Aff89sMhJJ8e23E7Kdd6PN_fH9JL_gPpDWCZ-UhXAdoL8saHMr-FGG_WZ0Nd940AzwNMfnfQ/s1280/Ann%20at%20Sunset.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqO6UymmWCViY_KyXq3KRii-MtYvbtA8fA7M8GwsV71tTcRCTu9-MRzIvNf0chmSM_mj5t4WdvZAaYrB2zej7lFpg-5aVTz-hmN6Hk07PyzXFilXdGi0Aff89sMhJJ8e23E7Kdd6PN_fH9JL_gPpDWCZ-UhXAdoL8saHMr-FGG_WZ0Nd940AzwNMfnfQ/s320/Ann%20at%20Sunset.jpg" width="240" /></a></div><img border="0" data-original-height="1020" data-original-width="981" height="335" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiheL9oVYJXOVs507YkA5bp10QGyMEjZM6TPO0jIjqB2fTd7Sfi6t5J2p42R9yEmdsSCfseSzEdWXERF8YxRDduxPxb3fBftB9hFT8abUHo_awhsatVckLHTF0aVndMwZ_gsNSh5oQq10m15iTWkglhTUdErvYgIux6kTyEJhvPHriDvzpcaWlBg1eCaw/w330-h335/Ann%20and%20Bob%20at%20Sunset.jpg" width="330" /></div><br /><br /><br /><br /><br /><br /> <p></p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-3919992713696603762023-01-04T13:58:00.000-08:002023-01-04T13:58:12.560-08:0080B<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9eMYHZWsnOhWRfPzoKxbyDWfWHAoFWz3mvQWMNAJRwelDxMaCw18bvTGRcDAQBsb_1DeHUFBqsBwBfH3O59pLtzbOxT3txZ3zqu7AmsBM7TLhc6X43DUKtV7JvCw8C8pj-fOyzERrQs1_Q_h2D7lslkLygypATP5UxnwJAJPaF0Pt_HMUgRGhxZtlBQ/s936/80B%20Charney.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="936" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9eMYHZWsnOhWRfPzoKxbyDWfWHAoFWz3mvQWMNAJRwelDxMaCw18bvTGRcDAQBsb_1DeHUFBqsBwBfH3O59pLtzbOxT3txZ3zqu7AmsBM7TLhc6X43DUKtV7JvCw8C8pj-fOyzERrQs1_Q_h2D7lslkLygypATP5UxnwJAJPaF0Pt_HMUgRGhxZtlBQ/w400-h288/80B%20Charney.jpg" width="400" /></a></div> <!--[if gte mso 9]><xml>
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<p class="MsoNoSpacing">“80B” was the imaginative salutation of a homemade card
from our friends, Art and Sydelle, to mark my 80<sup>th</sup> birthday, an
alphanumeric version of the short version of my name. <span style="mso-spacerun: yes;"> </span>The card was rendered with an original water
color drawn by Art. <span style="mso-spacerun: yes;"> </span>Beautiful.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">I normally don’t obsess over milestone birthdays.<span style="mso-spacerun: yes;"> </span>There was always a future in my mind.<span style="mso-spacerun: yes;"> </span>When I was much younger, future and infinity
seemed to be in a one-to-one correlation.<span style="mso-spacerun: yes;">
</span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Beginning an octogenarian decade comes with the knowledge
that unlike other decades, there is a different feeling about the future as the
body goes beyond its expiration date.<span style="mso-spacerun: yes;"> </span>So,
the point is to make each day count.<span style="mso-spacerun: yes;">
</span>Writing has always been important to me and I’m now turning to something
I hope to finish.<span style="mso-spacerun: yes;"> </span>You might call it
Volume Three of my “explaining” series, this one “Explaining It to Me.”<span style="mso-spacerun: yes;"> </span>It will be a personal memoir of a not very
extraordinary person.<span style="mso-spacerun: yes;"> </span>Now, there’s a
blurb for the book! <span style="mso-spacerun: yes;"> </span>Nonetheless, as I
said in my first volume, getting thoughts down, working, focusing, is an end in
itself.<span style="mso-spacerun: yes;"> </span>Satisfying.<span style="mso-spacerun: yes;"> </span>I’ll even incorporate the short stories I’ve
written, ones I always feel are unfinished as every time I open those, I make
revisions.<span style="mso-spacerun: yes;"> </span>In print I’ll have to call
them finished.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Time, time, time is now the main issue.<span style="mso-spacerun: yes;"> </span>A race to a finish line.<span style="mso-spacerun: yes;"> </span>Perhaps that may mean my writing in this
space will be more limited, and if a review of a play or a book, more
truncated.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUo9vr868TzzB4GyRIwYEf1SwB3HAWvmE4d16lnPXd1wuvukQewO6ArNKiZoncagkmoLXMRakkw9hNOw4LC3Gix9YFn7VFF8sefYdAQRFCq8BQPbyGSxskXQ9_6yB4BYjkwxcphvHOO-1tmaGUHERlz3xPVR0Wc2VPY0cvI5-ALskUtE7CmcLKRYo_Eg/s1233/80B%20Begley.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1233" data-original-width="837" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUo9vr868TzzB4GyRIwYEf1SwB3HAWvmE4d16lnPXd1wuvukQewO6ArNKiZoncagkmoLXMRakkw9hNOw4LC3Gix9YFn7VFF8sefYdAQRFCq8BQPbyGSxskXQ9_6yB4BYjkwxcphvHOO-1tmaGUHERlz3xPVR0Wc2VPY0cvI5-ALskUtE7CmcLKRYo_Eg/s320/80B%20Begley.jpg" width="217" /></a></div> <p></p>
<p class="MsoNoSpacing">Speaking of which, is it coincidental that over my
birthday I happened to pick up a book I’ve had in my-to-be -read pile for some
time, Louis Begley’s last novel, <i style="mso-bidi-font-style: normal;">The New
Life of Hugo Gardner</i>?<span style="mso-spacerun: yes;"> </span>I wrote
extensively about Begley, t<a href="https://lacunaemusing.blogspot.com/2012/11/schmidtie.html">he author of the Schmidt trilogy, in my November 2012entry, “Schmidtie.”</a><span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"><br /></p>
<p class="MsoNoSpacing">Among other details, I pointed out that Begley was at a
stage in life when he wrote those novels that was a little ahead of my own
stage, and <i style="mso-bidi-font-style: normal;">The New Life of Hugo Gardner</i>
seems to capture that again for me.<span style="mso-spacerun: yes;"> </span>It
is about the protagonist’s sense of a life well lived now in summation, a
looking back, the outcomes of actions he either knowingly or by chance took in
his life. He, as do I, is trying to retain a sense of control, living his remaining
years on his terms.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Is this Begley’s final fictional statement?<span style="mso-spacerun: yes;"> </span>Time will tell.<span style="mso-spacerun: yes;"> </span>A brief summation without even naming
characters explains why I ask that question.<span style="mso-spacerun: yes;">
</span>Hugo Gardner concluded a career as a highly successful and influential journalist,
assigned to the Paris office, happily married, two children.<span style="mso-spacerun: yes;"> </span>Here he is in his 80s and is told he has
prostate cancer and finds his wife has left him for a younger man.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">His doctor wants to aggressively treat the condition.<span style="mso-spacerun: yes;"> </span>Gardner instead prefers to watch and wait and
if the waiting does not turn out well, take care of the business in Switzerland.<span style="mso-spacerun: yes;"> </span>Like Schmitie, Gardner moves in wealthy, well
connected society.<span style="mso-spacerun: yes;"> </span>Ultimately we all have
these existential dilemmas in common.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">He is estranged from his daughter and uses his son as a
go between in trying to understand his daughter, but they are not close as
well.<span style="mso-spacerun: yes;"> </span>He also has an ex-lover in Paris,
and they get together again, Gardner thinking that there is a possibility of a
long term relationship.<span style="mso-spacerun: yes;"> </span>But the lover is
caring for her invalid husband and wants Gardner simply nearby as a companion
and occasional lover.<span style="mso-spacerun: yes;"> </span>That has its
starts and stops until the boom is lowered by her that she has reconciled with
another, younger love, leaving Gardner in a state of limbo, mostly alienated
from his family, and having to contend alone with his prostate decision.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">He explains his big decision to refuse radiation to his long-time
Doctor.<span style="mso-spacerun: yes;"> </span>As Begley is prone to do, his
dialogue does not carry quotation marks.<span style="mso-spacerun: yes;">
</span>It works well in his narrative.<span style="mso-spacerun: yes;">
</span>And his writing is precise, befitting Begley’s former profession as an
attorney: </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">You have explained
it all very clearly, I said, and I’m very grateful, but I really don’t want to
do the radiation. Your cure may turn out to be a prelude to other illnesses and
new dilemmas. Let’s roll the dice. We both know how it will end whatever we do –
in exactly the same place.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Excuse me, Hugo,
but this is nihilistic crap. Why don’t you say straight out that you were tired
of life and want to commit suicide?</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">I could have shaken
my head thank him and gone home but I felt the need to explain myself. I really
didn’t want him to think I was nuts and lacking in respect.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Because that’s
simply not true, I replied. Please don’t feel concerned. I’m not tired of life.
I love life even though I’m lonely and often unhappy. But I want to live on my
own terms. That means being capable of making my own decisions, of moving
around without a walker or wheelchair. I’m accustomed to chronic pain in my
lower back and the aches and pains in this and other joints that come and go but
I wouldn’t want to live with great pain. Doesn’t that make sense to you?</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">He didn’t bother to
answer.</i> </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Knowing I might have a similar discussion in my future
makes this novel especially poignant.<span style="mso-spacerun: yes;"> </span>So
does the fact that I share many of the writer’s feelings. <span style="mso-spacerun: yes;"> </span>Gardner not only has a NYC apartment, but a
home close to Sag Harbor, another of my favorite places from my past, and after
seeing his Doctor, he calls his housekeeper there and says get ready, I’m returning.<span style="mso-spacerun: yes;"> </span>As fate would have it a younger (female)
cousin lives nearby, now a widow, also remote from her children, and they’ve always
had a fond relationship and I’ll leave it at that without revealing the denouement.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">If this is indeed Begley’s final fictional statement (he
turns 90 later this year), it is a fine, thoughtful, perhaps cathartic work,
and certainly, for me, relevant and moving.</p><p class="MsoNoSpacing"><br /><br /> </p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-41136828370815892752022-12-21T12:06:00.000-08:002022-12-21T12:06:51.123-08:00‘If Only In My Dreams’ Redux<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing">A few years ago I wrote one of my most heartfelt entries
about Christmas.<span style="mso-spacerun: yes;"> </span>I am not a religious
person, but one does not experience a lifetime of Christmases and not be moved
by its mere secular presence.<span style="mso-spacerun: yes;"> </span>My
feelings about the holiday have not changed and therefore <a href="https://lacunaemusing.blogspot.com/2018/12/if-only-in-my-dreams.html">I am copying that piece without the photographs it contained</a>, and but embedding the performances
of all four songs mentioned, my favorites of the holiday season.<span style="mso-spacerun: yes;"> </span></p><p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"> <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">If Only In My Dreams</i></b></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And so the classic
song "I'll Be Home For Christmas" ends with that memorable line “if
only in my dreams.”</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">And that is sort of
the way I feel at this stage of my life.<span style="mso-spacerun: yes;">
</span>Christmases are now dreams of the past, anticipating the holiday as a
child and then the pleasures Ann and I had in creating memorable holiday
moments for our children as they grew up.<span style="mso-spacerun: yes;">
</span>The classic song itself is particularly evocative of the distant past
popularized by Bing Crosby and so many others, first recorded at the peak of WW
II. </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Undoubtedly it was
played frequently by my mother and my grandparents with whom we lived while my
father was in Germany at the conclusion of the War, wanting to get home, but he
was part of the occupying force and didn’t make it home until right after
Christmas 1945.<span style="mso-spacerun: yes;"> </span>"I'll Be Home For
Christmas" is probably implanted in the recesses in my mind as every time
I hear it I feel a sudden melancholy. </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">When my father came
home he brought a wooden replica of the Jeep he drove in Germany for me.<span style="mso-spacerun: yes;"> </span>I don’t remember his return, or getting the
Jeep, but somehow that 70 year old Jeep has accompanied me wherever I
lived.<span style="mso-spacerun: yes;"> </span>Sometimes when I look at it, I
can hear "I'll Be Home For Christmas."</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">In some past blog
entries I’ve posted videos of other Christmas songs I like to play, in
particular the following:<span style="mso-spacerun: yes;"> </span>“It's Love --
It's Christmas,”<span style="mso-spacerun: yes;"> </span>a seldom performed
Christmas song, written by none other than the great jazz pianist Bill Evans.
And, then, “Christmas Time Is Here” is by Vince Guaraldi, a great jazz musician
too but his music will always be associated with the Peanuts Christmas
specials.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">Finally, there is
“Christmas Lullaby,” probably the most unknown Christmas song. It was written
for Cary Grant by none other than Peggy Lee (Lyrics) and Cy Coleman (Music). It
is the simplest of tunes and lyrics but therein is its beauty.</i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;"> </i></p>
<p class="MsoNoSpacing"><i style="mso-bidi-font-style: normal;">So, on the eve of
this Christmas I post my piano rendition of “I’ll Be Home For Christmas” with
fond memories of my Dad and Christmases past .</i></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;">I’ll Be Home For
Christmas</b></p>
<p class="MsoNoSpacing"> </p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Dvg7emh01mg" title="YouTube video player" width="560"></iframe>
<p class="MsoNoSpacing"><br /></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;">It's Love -- It's
Christmas</b></p>
<p class="MsoNoSpacing"> </p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/jxSgodJocxU" title="YouTube video player" width="560"></iframe>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;">Christmas Time Is
Here</b> <br /></p>
<p class="MsoNoSpacing"> </p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/sxnb_rVHNUM" title="YouTube video player" width="560"></iframe>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;">Christmas Lullaby</b></p>
<p class="MsoNoSpacing"> </p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/hA1zU39aSNU" title="YouTube video player" width="560"></iframe>
<p class="MsoNoSpacing"> </p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.comtag:blogger.com,1999:blog-3017523997450690533.post-7489129401727389402022-12-11T08:58:00.000-08:002022-12-11T08:58:08.621-08:00A Must-See Rendition of the Timeless ‘Twelve Angry Men’ at Palm Beach Dramaworks<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuHMKgQQNSM1oeFAl6r9YeTV8Uy78ORSCL4fYMfrOiq2NoT89_iam2HB5PpL_MI8PCftdj3r9lBFGY9RXRRUyJBRSuaByp1kXepco_2LeqS_SnvKwVkknBjgW0X8GfFwIvgqHtAQWcJLrpSpcEOIR4DXtCssA3s1kVPMStESAQYH2P8g1od77BeM8Gcg/s1179/Program.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1179" data-original-width="753" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuHMKgQQNSM1oeFAl6r9YeTV8Uy78ORSCL4fYMfrOiq2NoT89_iam2HB5PpL_MI8PCftdj3r9lBFGY9RXRRUyJBRSuaByp1kXepco_2LeqS_SnvKwVkknBjgW0X8GfFwIvgqHtAQWcJLrpSpcEOIR4DXtCssA3s1kVPMStESAQYH2P8g1od77BeM8Gcg/w127-h200/Program.jpg" width="127" /></a></div> <p></p><p class="MsoNoSpacing">This is one of the finest productions in Dramawork’s long
history of excellent offerings.<span style="mso-spacerun: yes;"> </span>Here is
a true ensemble effort, a PBD reunion of a group of the finest male actors who
have graced their stage over the years.<span style="mso-spacerun: yes;"> </span>Maybe
it’s the times, or the intensity of this play with it’s realistic, fast paced
dialogue, or the size and brilliance of the cast playing off one another, or
the inspired direction, but the gestalt is a passionate, stunning production, which
would hold up to accolades on Broadway.<span style="mso-spacerun: yes;">
</span>It is an emphatic statement that live theatre is back.</p><p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"> Seen against our present time when democracy itself has
been under siege, this production takes flight with new meaning and relevancy,
perhaps even more relevant today than when it was written by Reginald Rose as a
teleplay in 1954, then adapted for the stage, and ultimately becoming the well
known 1957 film.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">As a courtroom drama <i style="mso-bidi-font-style: normal;">12
Angry Men</i> is unique as it does not take place in the courtroom, it unfolds
during the deliberations of the jury, the courtroom details becoming clearer to
the audience through the eyes of the 12 men charged with the responsibility of
possibly condemning a 16 year old boy to death for the accused killing of his
father. <span style="mso-spacerun: yes;"> </span>The lapidary character
performances by this all star cast exposes the jurors’ personality traits and
deep held prejudices in this gripping nearly two hour performance.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">A jury is supposed to be composed of one’s peers, but the
all white, male jury of the play was Rose’s statement that the jury pools of NYC
in the 1950’s were typically not gender or racially inclusive. <span style="mso-spacerun: yes;"> </span>This production again raises the issue whether
an accused today can receive a trial by an impartial jury of one’s peers. <span style="mso-spacerun: yes;"> </span>Although today we have greater inclusiveness
there is now heightened political divisiveness.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">As the house lights go down we see the empty, neglected
courtroom and then hear a steady one note drone musical tone and the off stage
judge ominously charging the jury: “I urge you to deliberate honestly and
thoughtfully. If there is a reasonable doubt—then you must bring me a verdict
of not guilty. If, however, there is no reasonable doubt—then you must, in good
conscience, find the accused guilty.”--Then as the door to the jury room is
opened by the guard, played by Cliff Goulet, the jurors file in from the
courtroom.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">At first, just informal chatter as they find seats, and
then the first show of hands reflect an initial rush to judgement.<span style="mso-spacerun: yes;"> </span>The jurors have other things to do and as the
defendant is “one of those people,” he’s probably guilty. <span style="mso-spacerun: yes;"> </span>But it takes just one stalwart level-headed
juror, the play’s protagonist, #8, faultlessly played by Tom Wahl who stands
alone not rushing to judgement, embracing his character’s profound
responsibility, assimilating what the Judge dispassionately said offstage.</p>
<p class="MsoNoSpacing"> </p>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Tom Wahl (#8), William Hayes (#3) Photo by Tim Stepien</span></td></tr></tbody></table> </p><p class="MsoNoSpacing">He is the fulcrum ultimately bringing all the other jurors
into his orbit of questioning a guilty verdict with “reasonable doubt” hanging in
the stale hot air of the jury room. <span style="mso-spacerun: yes;"> </span>Wahl’s
performance is driven by his character’s patience and sense of
impartiality.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The Foreman, Juror #1 played by Tim Altmeyer, struggles to
keep peace in the jury room while trying to count and recount votes, finally angrily
(everyone gets his turn<span style="mso-spacerun: yes;"> </span>to turn to
anger) throwing down the gauntlet challenging someone else to take his place as
Foreman.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">A formidable antagonist to #8 is Juror #10, portrayed by an
explosive Rob Donohoe. <span style="mso-spacerun: yes;"> </span>He delivers a
powerhouse performance displaying his inbred racial prejudices with increasing ferocity
throughout the play. At first he is just perplexed that Juror #8 is the only
one voting not guilty in the initial round <span style="mso-spacerun: yes;"> </span>exclaiming, “Boy oh boy! There’s always one!”<span style="mso-spacerun: yes;"> </span>(The irony is not lost on the audience that
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other antics bring needed humor into the jury room. </p>
<p class="MsoNoSpacing"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE9CzoCtUknC_ZzPzTddJjL4Uwa69X5kXktdDGWVqCPjnHa4KosaEKxcHU9IoMnIET8JTfXRlIN_aK_g-SJzTIEPXd-krFPlnahKWx3kMv_OxTfm3XSYYnRW5AtcaU19vBGdNgl8eYSUBB-0Cxad5K3uTMQEY6jsHO5sy2VTVd6MBkM5WCi1Ak7W6w8A/s2826/Rob%20Donohoe%20(%2310),Tim%20Altmeyer%20(%231)%20Photo%20by%20Tim%20Stepien.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2271" data-original-width="2826" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE9CzoCtUknC_ZzPzTddJjL4Uwa69X5kXktdDGWVqCPjnHa4KosaEKxcHU9IoMnIET8JTfXRlIN_aK_g-SJzTIEPXd-krFPlnahKWx3kMv_OxTfm3XSYYnRW5AtcaU19vBGdNgl8eYSUBB-0Cxad5K3uTMQEY6jsHO5sy2VTVd6MBkM5WCi1Ak7W6w8A/s320/Rob%20Donohoe%20(%2310),Tim%20Altmeyer%20(%231)%20Photo%20by%20Tim%20Stepien.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Rob Donohoe (#10),Tim Altmeyer (#1) Photo by Tim
Stepien</span></td></tr></tbody></table></p>
<p class="MsoNoSpacing">Wahl (#8) has another implacable opponent, Juror #3 who has
a sad back story of estrangement from his son.<span style="mso-spacerun: yes;">
</span>This challenging part is played by the Producing Artistic Director of PBD,
William Hayes, his first time on stage in almost 20 years.<span style="mso-spacerun: yes;"> </span>What must that have been like returning to
his roots as an actor?<span style="mso-spacerun: yes;"> </span>Hayes
demonstrates he still has the right stuff to perform the strong-willed, one
track minded juror who again and again swears he can never be convinced of the
defendant’s innocence.<span style="mso-spacerun: yes;"> </span>He is a bully and
his personal history drives his thinking. <span style="mso-spacerun: yes;"> </span>Hayes seethes, consumed by his belief in the
boy’s guilt, pitiable in his final capitulation.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">John Leonard Thompson deftly plays the impatient,
wise-cracking and opinionated Juror #7. <span style="mso-spacerun: yes;"> </span>His
attitude could be summed up ‘Guilty, I got a ball game to get to! The whole
deal is a waste of time!’<span style="mso-spacerun: yes;"> </span>This contrasts
to the 11<sup>th</sup> Juror, a European refuge played by David Kwiat with dignity.
<span style="mso-spacerun: yes;"> </span>It is #11 who later ironically (as an immigrant)
reminds his fellow jurors of their sacred responsibility, derived from the
Constitution. </p>
<p class="MsoNoSpacing"> </p>
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<p class="MsoNoSpacing">David Kwiat (#11), Jim Ballard (#5), John Leonard
Thompson (#7) Photo by Tim Stepien</p>
</td></tr></tbody></table> </p><p class="MsoNoSpacing">Dennis Creaghan (# 9) does not say much at first, astutely
playing the elder statesman, one who notices things and brings the wisdom of
his years to the jury room.<span style="mso-spacerun: yes;"> </span>Those
observations are also a form of introspection as he heartrendingly comments on
one of the elderly witnesses: “Nobody knows him, nobody quotes him, nobody
seeks his advice after seventy-five years. That’s a very sad thing, to be
nothing. A man like this needs to be recognized, to be listened to, to be
quoted just once.” <span style="mso-spacerun: yes;"> </span>His brand of wisdom
comes in conflict with the robotic rationality of Juror #4, Gary Cadwallader
who meticulously portrays a man of wealth, someone who thinks he sees things clearly.<span style="mso-spacerun: yes;"> </span>His is yet another pivotal role played with
great skill. </p>
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<p class="MsoNoSpacing">David Kwiat (#11), Rob Donohoe (#10), William Hayes (#3),
Gary Cadwallader (#4), Jim Ballard (#5) Photo by Tim Stepien</p>
</td></tr></tbody></table> </p><p class="MsoNoSpacing">Even the more minor parts have critical roles in the slow
sway from guilty to not guilty. <span style="mso-spacerun: yes;"> </span>Michael
McKeever (#2) is a timid man whose opinion is easily impacted by the others,
but is always adeptly in character as is Jim Ballard (#5) who hangs back for a
while and finally comes forth with insight into the likely use of a switch
blade knife, having come from the slums himself, which influences others in the
group. <span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Matthew W. Korinko (#6) carefully listens to his fellow
jurors, but provides no particular insight, yet is among the first to change
his vote and to defend other jurors who are verbally or even physically threatened.<span style="mso-spacerun: yes;"> </span>Bruce Linser (#12) convincingly plays a
supercilious advertising executive, imbued with his self importance but who
will easily follow others’ lead.<span style="mso-spacerun: yes;"> </span>Yet,
it’s a key role as his vote waivers back and forth, almost a stand-in for the
audience.<span style="mso-spacerun: yes;"> </span>After all, as Juror #8 himself
often infers, the conjectures being made are not necessarily “true” and it’s
even possible they will be setting a murderer free, but the evidence doesn’t
“seem” to rise beyond a reasonable doubt.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">The fast paced action, highly influenced by the range of
the characters’ personalities, exposes truths about them that quickly become more
central than the details of the case itself. <span style="mso-spacerun: yes;"> </span>Step by step they go from only one “not guilty”
to the necessary unanimous not guilty as inbred prejudices, obduracy, and
uncertainty yield to reason or merely exhaustion.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">J. Barry Lewis superbly directs this production and takes
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onto sidebars between certain jurors while the others are not involved. <span style="mso-spacerun: yes;"> </span>He finely tunes the performances so all the
jurors stay in character – even when not speaking – body language and looks
revealing inner personas, also capitalizing on what humor there is in the play
for relief.<span style="mso-spacerun: yes;"> </span>Mainly though, he draws the
audience into this self contained bubble of a courtroom, on the hottest day in
August, with the rising temperature and emotions visibly palpable.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">There are physical threats and confrontations which
almost lead to violence as the play intensifies and Lewis, with the help of
David A. Hyland, the Fight Choreographer, makes the most of impending physical
confrontations and a few frightening moments in which a switch blade knife is
ominously brandished. <span style="mso-spacerun: yes;"> </span>All this takes
place in real time, a working clock hanging on the wall, and although the
jurors make reference to time, to the audience it flies by.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZyjxHLC6iN3jMiFd6rBdWIb_fz_di0nDrTH8tL-LNWSXbz2gwPHUCV4vkfQI9z_8tMnLT3Xy0yT9dTLiiNp3mt-IvE-C7M-ttHYiGuWcP6pdr9LgyMAfbCZTnb5zH00YPxq7NA5P7FKVwFECqIFEMuZ90irJruBvDt0uXg2CQpM-AOQcGCZrpSfRrkA/s1252/Set.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="1252" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZyjxHLC6iN3jMiFd6rBdWIb_fz_di0nDrTH8tL-LNWSXbz2gwPHUCV4vkfQI9z_8tMnLT3Xy0yT9dTLiiNp3mt-IvE-C7M-ttHYiGuWcP6pdr9LgyMAfbCZTnb5zH00YPxq7NA5P7FKVwFECqIFEMuZ90irJruBvDt0uXg2CQpM-AOQcGCZrpSfRrkA/s320/Set.jpg" width="320" /></a></div> <p></p><p class="MsoNoSpacing">Scenic design is by Victor A. Becker who has created a
metaphor for the justice system.<span style="mso-spacerun: yes;"> </span>The
courtroom is tired, one of the “12” overhead lights is out, the chairs don’t
match, the floor is worn.<span style="mso-spacerun: yes;"> </span>There are
three large double hung windows outside of which one can see the Woolworth
Building and other buildings of that time in seemingly 3 dimensional distant
relief against an angry sky.<span style="mso-spacerun: yes;"> </span>It is the
ideal pressure cooker into which the jurors’ (and our focus) are locked.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Kirk Bookman’s lighting design has a realistic cutting
edge lights on the Jurors, trapped in their deliberations while side lights and
lightening beyond the windows illuminate the rain storm which falls during most
of the 2<sup>nd</sup> half of the play. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Costume design is by the always artistic and inventive Brian
O’Keefe, and although there are no costume changes there are 12 distinctive attires,
mostly suit jackets and ties being removed as the play unfolds and the heat
continues to build, sleeves rolled up.<span style="mso-spacerun: yes;">
</span>Little details, like who should wear wedding rings and hair styles were
determined by each character. </p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Sound design is by Roger Arnold focused on hidden mikes
for the actors who sometimes have their backs to the audience when occasionally
sitting more formally around the table (although even then, Lewis has them sit
at slight angles for audience viewing).<span style="mso-spacerun: yes;"> </span>“Music”
is a monolithic drone tone at the beginning which reprises slightly
differently at the conclusion.<span style="mso-spacerun: yes;"> </span>During
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well as ominous thunder as the storm hits outside and windows are hastily
closed.</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">Towards the plays denouement, we are reminded about how
little things change.<span style="mso-spacerun: yes;"> </span>Near exhaustion
Rob Donohoe (#10) delivers what could pass as “today’s news” about “replacement
theory,” saying ”Don’t look at me like that! There’s a danger. For God’s sake,
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Wahl’s character (#8) to break the tension, compassionately saying “It’s very
hard to keep personal prejudice out of a thing like this. And no matter where
you run into it, prejudice obscures the truth. “</p>
<p class="MsoNoSpacing"> </p>
<p class="MsoNoSpacing">How prescient this play was and still is, brilliant in its
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<![endif]--><span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Cast with Director and son of playwright (front
center)</span></td></tr></tbody></table><br /><br /><br /> </p>
<p class="MsoNoSpacing"> </p>
<p></p>Bobhttp://www.blogger.com/profile/10495693030721170952noreply@blogger.com