Sunday, March 4, 2018

Spring Training and the Boys of Summer



Spring. Renewal.  It seems that with every passing year, replenishment of the spirit becomes a higher priority: this year, perhaps even more so, given the chaotic destruction of government, and the deterioration of civility.

One remaining constant is baseball, spring training, and the boys of summer gathering once again: the crack of the bat and the pounding of gloves in the bullpen.

The game has changed from the days of my own boyhood.  Pitchers then generally went nine innings, maybe more.  There were no designated hitters, few bullpen stoppers, salary arbitration, automatic walks, game clocks, ML baseball drafts, protective helmets (inside pitches were integral to the game), anti-spitball rules, instant replay challenges, and preposterous salaries (and ticket prices).  “Hey, get your hot dog and cold beer, $10 each!”

Perhaps some of these adjustments are for the better.  But, essentially, the game changed to remain the same and with spring, the clock is wound once again.

Our friends Cathy and John are Boston Red Sox fans, the archenemy of us New York Yankee devotees. When they asked whether I wanted to join them to see the Sox play the St. Louis Cardinals at our nearby Roger Dean Jupiter stadium, I said, sure, why not, an opportunity to scout the opposition and engage in some good-natured ribbing.

And scouting it was, as the Sox were traveling from FL’s west coast and only brought a handful of regulars.  So, it was an opportunity to see some of their players of the future.  It’s the same reason we have regular tickets to Class A+ minor league ball after spring training – to see the future.

The day before Cathy and John saw the Red Sox lose to the Houston Astros 10-5 at the neighboring Ball Park of the Palm Beaches in West Palm Beach.  I jokingly predicted that the Red Sox might win against the Cards by the same score, and was almost right, winning 9-6.  Well, at least I guessed the total number of runs correctly.

It was a sell-out, standing room only crowd.  John and Cathy had obtained tickets several weeks before. When the Sox or the Yankees visit FL’s east coast from their west coast spring training facilities, which is rare, tickets are scarce.  We had seats with a good view between third base and left field in the second tier.  Best of all, these seats were in the shade. 

It was strange to watch the two teams go through their warm up and batting practice exercises as both teams had red jerseys on.  When play finally started it was hard to tell who was fielding behind a base or who was on base.  I had to keep looking at the scoreboard to tell which team was at bat.

Two pitchers from their normal rotation started, Bud Norris of the St. Louis Cards and Drew Pomeranz of the Red Sox.  Both left the games with injuries before they completed their allotted two or three innings, Norris because of a hamstring injury and Pomeranz because of a forearm tightness issue.

The righty Norris in action:












 



















The lefty Pomeranz in action:














 

















Norris got into trouble in the first inning giving up a well hit home run to one of the few Boston regulars who played, Andrew Benintendi.  I managed to get a shot of Benintendi’s follow through swing as he hit that ball: 


An inning later, Norris left the game after this conference on the mound:
 

So there were lots of hits, runs, errors in the game, making it interesting, even though it was only practice, but to see the boys of summer in the spring means some order and stability in the world.  Doesn’t it?

As it is that time of year, and having loved The Art of Fielding by Chad Harbach, Ann bought me another “baseball novel” to read, selecting Bucky F*cking Dent by the very well known screen actor, David Duchovny.  I first hesitated reading it, an actor writing a novel, perhaps just capitalizing on his fame.  But, no, Duchovny is a good writer as well and I’ll give him credit for what I would describe as a “late coming of age” novel, a son confronting his father after years of estrangement. 

Who knew, the dad and son are really very much alike.  Problem is the dad is dying and as he’s an ardent Bosox fan, the son (ironically subsisting as the ace Peanut thrower vendor at Yankee stadium) moves in with his father and conspires (with his father’s friends) to keep him away from the fact that the Sox are slipping in the standings as the 1978 season comes to an end.  They censor current newspapers and run VCR tapes of previous Red Sox wins over NY, Ted knowing his father, Marty, wouldn’t remember them. In the end there is the end, Bucky f*cking Dent winning the AL pennant for the NYY with his home run over the green wall in the final game of the season.  By then, father and son have become reconciled.

It’s light reading, poignant and funny at times and a page turner, not that there is a lot of baseball therein, but I was very curious about how the novel would resolve and Duchovny writes good dialogue, almost like a screenplay, which, I recall, this novel started out as such.  As a baseball novel and as a noteworthy piece of literature, it pales next to Harbach’s The Art of Fielding.  Duchovny’s work is baseball “lite.”

But still, it’s my era and I’ll never forget that moment in Paris -- Ann and I happened to be there when the Sox and the Yankees faced off each other at Fenway on Oct 2, 1978.  Back then, no Internet, and needless to say no coverage of American baseball anywhere and so we had to await the next day’s edition of the International Herald Tribune to learn the glorious news of the Dent’s unexpected heroism, and at Fenway no less.  I remember Ann and I dancing in the streets of Paris, a strange sight, but Parisians take those things in stride: “ces Américains fous.”



Monday, February 19, 2018

A Cultural Capitol in the Winter



This is “high season” in Palm Beach County for countless opportunities to enjoy theatre of all genres, dance, music and art exhibitions.  To try to take them all in would leave little time for anything else.  While I love the theatre in general, I share Stephen Sondheim’s general aversion to the opera, probably because, for me, it’s too much of a hybrid, theatre, music, sometimes dance and high drama all rolled into one, and while I appreciate a fine voice, my sensibilities draw me to the Great American Songbook. 

It’s not as if I’ve never been exposed to opera, although my parents never went to one or listened to them on their “Victrola.”  In college, when I minored in music, I was able to get a ticket once in a while to the nosebleed section of the Metropolitan Opera House where there were students’ desks, and I would endeavor to follow the score.  I was impressed by the pageantry, but the music left me rather indifferent.  So I grew away from opera which I’m sure is my loss.

Ann on the other hand loves the opera so we’ve gone our separate ways, she subscribing to the Palm Beach Opera season (after having enjoyed the Metropolitan Opera in NYC while we lived there or nearby) with a friend.  One of the features of the PB Opera is a “lunch-and-learn” a couple of weeks before each performance and recently one of her friends was unable to go and offered the ticket to me.  Normally I’d decline, but the program focused on Candide by Leonard Bernstein, one of my musical “heroes” who could write for all different musical genres. 

Remarkably, and luckily for us all, Nina Bernstein Simmons, the youngest daughter of the great Leonard Bernstein, was the main speaker, lovingly guiding the audience through the humor and genius of her father’s operetta.  Candide is to be performed at the Kravis Center in West Palm Beach February 23-25.  Parts of the program are brief performances, accompanied by piano, by the Benenson Young Artists, all opera students ready to graduate to the main stage.  

Derrek Stark, tenor played Candide,and Chelsea Bonagura, soprano, played Cunegonde, 

Francesca Aguado, mezzo-soprano, played the Old Lady, 

 and Joshua Conyers, baritone, played Dr. Pangloss. 

Their voices soared, and in particular, the best known piece, Glitter and Be Gay, sung by Chelsea Bonagura.  None other than the great Barbara Cook who one normally associates with the Great American Songbook can be heard singing this on You Tube.

David Stern, the conductor for the Palm Beach Opera and the son of Isaac Stern joined Nina Bernstein to reminiscence about his father’s friendship with Bernstein.  It was moving to see their two adult children sharing those memories.

Before that, again I was lucky enough to be the recipient of a subscription ticket from another one of Ann’s friends, this time to the Miami City Ballet.  Ah, the ballet.  From The Chorus Line’s song, At the Ballet: “Everything was beautiful at the ballet, / Raise your arms and someone's always there. /Yes, everything was beautiful at the ballet, /At the ballet, /At the ballet!!!”  With a few exceptions, that’s as close as I’ve been to a ballet as well. 

But a couple of weeks ago I did a grand jeté to the Miami City Ballet centennial celebration of Jerome Robbins.  Like Bernstein, Robbins is a cross over artist, probably best known for his work on West Side Story, which he directed and choreographed, with Leonard Bernstein the composer and Stephen Sondheim the lyricist.  Here are all the musical artists I most admire.

And, the second part of the program was dedicated to the West Side Story Suite, including, a “Prologue,” “Something’s Coming,” “Dance at the Gym,” “Cool, America,” “Rumble,” concluding with the “Somewhere Ballet.”

Ironically, it was a company premiere in the first part of the program which stole the show, The Cage. When it first premiered in NYC in 1986 the New York Times remarked: “Once seen, ''The Cage'' tends not to be forgotten. Jerome Robbins's depiction of life in a covey of female insects is gruesome. These are females who consider males of the species their prey, and two males are killed with brutal dispatch during the ballet, with Stravinsky's String Concerto in D somberly accompanying the murders. “  Indeed, not to be forgotten.  It was spectacularly fascinating.

From opera and ballet early this month on to our annual attendance at The Palm Beach Jewelry, Art & Antique Show.  Opening night is the “social event of the season” – complimentary hors d oeuvres and champagne while you stroll about and look at the most eclectic and expensive art and jewelry you’ve ever seen for sale.  A couple of years ago I remember seeing Wilber Ross there.  You need his kind of resources to buy the art exhibited.  So why do we go?  It’s a moving feast of people and art.  See and be seen.  Just plain fun and it appeals to my diverse interests, from rare books, to paintings, to sculpture, to pop art.  Ann likes to look over the jewelry as well, but we’re both astonished by the prices, having looked at some gold ear rings, my thinking, maybe $5k, turning out to be $15K.  Look but don’t touch!

Some of the paintings that caught our eyes, and this is just a mere sampling, was the most expensive one, (a half a million dollars):

Louis Marie De Schryver,” Marchand de fleurs, la Rue du Havre, Paris,” 1893

Then a more contemporary artist:

 Marc Chagall, “Le vase bleu aux duex corbeilles de fruits,” circa 1961 - 1964

And one of my favorites:

 Norman Rockwell, “Mars Candy Christmas Card,” 1960

Talk about strange, but captivating, an iconoclastic UV print on birch wood:

 Sarah Bahbah, “Sex and Takeout”

 Finally, one that for a mere $29,500 I would even consider buying, if I had that kind of $ for art.  This one appeals to me because of my love for the sea and the color.  The artist is considered a “hyperrealist:” 

 Marc Esteve, “Breaker”.

In the rare book department, see the signed first edition of The Theatre Guild Presents Porgy and Bess. New York: Gershwin Publishing Corporation, [1935].  Breathtaking, signed by Ira and George Gershwin as well as by Du Bose Heyward who wrote the libretto as well as some of the lyrics along with Ira Gershwin.  This is as close as I’ll get to such a piece of history.

But who needs art like that when, in our own home, we now possess three professionally prepared giclées, by one of our favorite artists, our neighbor and dear friend, Nina Motta.

Her gift to us of “Jessica at the Piano” now hangs above my piano and not a day goes by that I fail to see her and even sometimes greet her.  The full story is the subject of a separate blog entry.


Recently we acquired giclées of two of her other paintings that we have long admired.  These hang in our hallway so we see them many, many times a day as well.

The first is a prize winning painting, one of our favorites,

 "Making Plans"

Nina told us the story about this.  She was sitting at a café around the corner from the Vatican.  A young woman stepped through the doorway of a salon across the street from where Nina was sitting. “It was impossible to miss her, the dress, hair, posture, cell phone. I grabbed my camera and put on the telephoto lens because I knew immediately it was going to be my next painting, taking about 25 shots.”

The other is called "Portobelo, Panama" which she painted from a picture she took in the harbor of that town.

Nina’s art shares that hallway with unique pieces created by one of my dearest friends, who passed away nearly ten years ago now, Howard Goldstein.  My story about Howard and our friendship can be read here

Howard specialized in carving wildlife figures from balsa wood, and painting them to life-like perfection. I was touched when he gave us two of his works, the only ones he said he had ever parted with from his personal collection.

The first is a Koala bear

The other is a Manatee, just like the ones which occasionally go by our dock.

That same hallway has an original work of art which we acquired in Nantucket when we first visited the island by our own boat, an acrylic on board:

John Austin’s “ Forty Four Foot Boat”

Another painting acquired in Nantucket that same year is by a better known artist, Kerry Hallam.  He is a British impressionist who later specialized in nudes and sailboats and the French Rivera coast.  A prolific artist (some 12,000 paintings) but we love this one, unique in many respects as he didn’t do many of the Nantucket mainland.

“Unitarian Church, Nantucket” 1986

Finally, I’ll call this art.  We needed to replace our front door, which was a nice solid wood mahogany but as it opened in rather than out, was not hurricane code compliant.  Therefore, we needed to put up shutters across the front door every hurricane season which took its toll on me as well as the stucco around the door.

As we decided to shop for a replacement door, why not find one that is aesthetically beautiful as well as functional?  After spending hours at a store which specializes in such doors,  we found one made of hurricane impact glass which encapsulates all clear bevels and an antique polished black Caming design, perfect for the Mediterranean feeling of our home.  A Canadian artisan designed and manufactured the glass, a work of art in our opinion.

Now that it’s been installed, we wonder why we didn’t do that long ago.  It’s hard to do it justice in these photographs, particularly from the front.

So, it’s been an “artsy” few weeks for us.  All that is missing from this entry are my theatre write ups but they are easily found from the index. 

Thursday, February 15, 2018

Over and Over, Again and Again



The terrible shooting at a school in Parkland, FL makes one stop and wonder how our nation can standby and watch the 2nd amendment metastasize into a form of a rationalized killing field.  One feels so helpless with a bunch of politicians calling it “evil” and offering prayers to the victims and their families and then do absolutely nothing.  It should be THEIR children in those classrooms.  How would they feel then?    I’ve taken to twitter to express my knee-jerk response, but in this blog I’ve written nearly two dozen articles on the topicof gun control.  How in the world can we sanction military style weaponry as being a “right,” in spite of the 2nd amendment?  Even better than only banning them, we should require the registration of any weapon as we do automobiles.  Something has to be done now.

So here are my knee-jerk Tweets, good for blowing off steam, but useless to create change.  Below that is one of my most recent blog entries on the topic, written after the mass murdering at a rural Texas church late last year as it pretty much says it all.

 I just could not go about a “normal” day in my life without first expressing my outrage and disgust, at our politicians and our lack of moral leadership.




Tuesday, November 7, 2017


I’m sick of watching what has become of our country.  Mass slaughtering reduced to biblical rhetoric of good vs. evil, with responses of tougher immigration laws if the murderer is anyone of middle eastern descent and “thoughts and prayers” for the victims and their families if the assault is committed by a Caucasian nut job.

Good vs. evil.  “May God be with you,” offered to the Texas town of the church shootings.  In a church of worship!  Where was God at that moment?  How can these incidents be reduced to the simplistic good vs. evil?

It plays into our psyche of “good guys” coming to the rescue, the rationalization that MORE guns are needed by the “good guys” to offset those carried by the “bad guys.”  Where is the Lone Ranger when you need him?  Even better, Superman!  The Texas Attorney General suggested that churches should consider armed worshipers.  This is a solution?

Let’s get serious about gun control once and for all.  If we had more restrictive gun ownership legislation after the University of Texas tower shooting in 1966, where would we be today?  It has to start sometime, and the moment has arrived to ban assault weapons.  Go a step further and require registration of weapons as we do motor vehicles.  Provide a government cash bounty for anyone turning in an assault weapon for a period of time, no questions asked.  Anyone in possession of such a weapon after the bounty period is breaking the law.

This does not nullify the 2nd amendment, but it brings it more into alignment with today’s weapon technology which the founding fathers could have never imagined.  If the NRA doesn’t like it, let them own muskets, the weapon of choice when the amendment was enacted.

Our gun violence and lax gun laws are the worst of developed countries. Many other countries just ban gun ownership and their lack of gun violence verses ours reflect that and cultural values as well.

And, please, the false equivalency argument of they’ll use trucks instead, so why shouldn’t we ban trucks is specious (as those who make the argument know).  Any politician who can say that with a straight face ought to be run out of office. But as the Texas massacre takes place on the heels of the horrid truck terrorist attack in Manhattan, NRA apologists are quick to make that facetious case.

Trump responded to the Texas massacre saying “I think that mental health is your problem here. We have a lot of mental health problems in our country, as do other countries. But this isn’t a guns situation.”  Yes, mental health problems need to be simultaneously addressed, but it IS a guns “situation” as well.  And why did he genuflect to the NRA, rescinding a regulation that makes it harder for people with mental illness histories to purchase guns?

Our “leaders” must offer more than condolences and prayers to the thousands and thousands of families who have been impacted by gun violence and those who will be victims in the future.