Monday, May 13, 2019

There Will Never Be Anyone Like Her


Doris Day is dead.  Ann and I have been dreading this moment and no sense repeating all the accolades that will be posted and written, all deserved.

But to me, a piece of me has died. The only way I can put it is I loved her public persona.  I felt the same way when John Updike passed away, one who occupied my reading life and made sense of the changes in America, decade by decade. Can it be he has been gone ten years now? 

Doris Day occupied my idealized fantasies of the girl next door during the same period, fresh, wholesome, shorn of pretense.  This is something that cannot be faked.  She was radiant, buoyant, and whenever I needed a pick me up, all I needed was to watch, yet again, one of her films as her inherent goodness was infectious. 

Her talent was peerless.  I don’t think anyone in film could match her for her ability to act, sing, and dance, especially in the comic realm.  She was the whole package, and projected a special kind of lovable personality.

One theatre/film critic, who will remain nameless, has criticized her as being merely an average singer.  Perhaps her voice was not exceptional.  Nor was Sinatra’s.  But there was that something else that made their singing extraordinary.  Sinatra’s phrasing and ability to capture his audience as if he was singing to you might be the best way to describe his gift.  Doris’ was to project her golden personality in song.  Just listening to one of her recordings, I see her radiant smile in my mind.

We’ve usually heard her with big bands but she would have made it as a cabaret singer if movie land did not appropriate her for their own in some 40 films.  One of those was a biopic where she played cabaret singer, Ruth Etting, with Jimmy Cagney, demonstrating both her acting ability and cabaret style in “Love Me or Leave Me” (1955).  Or one can hear her with pianist André Previn on the 1962 album “Duet” and appreciate her gift for singing without the silver screen prop, that sparkling personality still shining through.

In a world sorely in need of rectitude and hope another “companion” of ours has passed, but at least we have her films and recordings to remind us of what can be.  RIP Doris Day.

Friday, May 10, 2019

Maybe There is Hope


Why?  Because baseball continues to reflect and give voice to the American Dream.  Work hard, have talent, succeed, in spite of ethnicity or humble beginnings.  It stands as a bulwark against the tide of dystopian xenophobia promoted by no less than the President of the United States.  It is rule based and while it has succumbed to instant replay challenges, pitch clocks, and exotic statistical metrics, it has essentially changed to remain the same.

There used to be a similar familiarity about the checks and balances of our three branches of government, comforting as a citizen, but we now have a disrupter in the White House, someone who has no sense of history, a disdain for culture, and who measures everything in clicks, sound bites, and winning and losing.  And now he is set to ignore an equal branch of government, Congress, and apparently Republicans there are willing to be accomplices, their sacred vow “to affirm support for the Constitution” relegated to mere hollow words.  If baseball was played this way, players might as well refuse to return to the dugout after strike three is called, saying the people want to see hitting, so let’s make it 4 or 5 strikes before one is called out.  Just tweet it and it shall be.

The recent political developments would normally envelop my blog with multiple entries, as well as more on gun control because of the recent tragic Colorado school shooting, However,with the publication of my book, Waiting for Someone to Explain It, I vowed it would serve as a cathartic statement on such topics, thus allowing my writing life to return to some kind of new normalcy as well.

“As American as apple pie” frequently gets conflated with baseball.  The baseball of my youth was mostly all white players with Jackie Robinson breaking the color line in the National League in 1947 and Larry Doby the American League a few months later.  As an adult I once sat next to Roy Campanella  (who came up to the Dodgers the year after Robinson) at a luncheon; it was sometime in the 1980s.  He was in a wheel chair because of the automobile accident that ended his playing years.  We briefly talked about the old days, not about race, but about baseball.  He was interested in my childhood dreams of pitching but of course I tried to turn the discussion to him, but he was reticent in that regard, I think there was an inherent sadness about missing his buddies, and his last years in baseball. After Jackie Robinson he was the second black player inducted into the Hall of Fame.  I remember his humanity and putting up with me and my questions.

I think of him from time to time especially as the landscape of American baseball changes to reflect our immigrant heritage.  It is truly an international sport and it is no more apparent than here in the United States.  One wonders, if baseball could change and still be the great sport of yesteryear, why not America?  Isn’t that what it means to “make America great?”

And it is nowhere more apparent than in the Miami Marlins’ farm system.  As the Marlins’ CEO (and one of my favorite Yankees of my adult life) Derek Jeter said: "We want Miami to be the destination for top international talent.  This organization should reflect the diversity of the South Florida community."  And indeed it does.

Although we’ve already seen a few Jupiter Hammerheads’ games this season, the Marlins’ Class A+ team in Jupiter, this was the first opportunity to write about one and although Wednesday night’s game involved dropping a 5-1 decision to the St. Lucie Mets, it was notable in other ways.

The first thing that caught my eye after the singing of the National Anthem was the image of the American flag in the background with the Hammerhead’s pitcher, Edward Cabrera, standing in the foreground waiting for the sign.  

He joins the ranks of players from the Dominican Republic, boasting probably more professional baseball players per capita than any place on earth.  We’ve truly, rightfully assimilated the best of the best on the field.  We just need to do so as a nation of citizens.

I was looking forward to seeing him pitch; a highly touted, skinny 6’4” ballplayer who can routinely throw in the high 90s.  His young, 21 year-old body still has time to fill out and will make him even more formidable.   During his last start he had struck out 13 and now has more than 20 scoreless innings to go along with his 1.50 ERA.  While he pitched well for 2 innings (scoreless, and 2 K’s), apparently he had a fingernail problem and had to leave the game.  But one sees how he gets his speed from his whip like delivery.  Edward Cabrera is a player to watch for MLB action, or at least moving up a notch in the minors this year.

He was replaced by Daniel Castano, a lefty who caught my fancy, my being a lefty with baseball dreams which never went beyond my teenage years.  When the Miami Marlins traded away Marcell Ozuna, they got three highly ranked minor leaguers and sort of as an afterthought the left-handed pitcher Castano was thrown in.  He’s labored in the minors but has good control.  His low base on ball to strike out ratio is an attribute of a more mature pitcher.

In five innings he allowed five hits and four runs, although two were unearned, and he struck out five. His ERA is still around 4.00, but his mechanics were powerful, mustering up speed and good breaking stuff.  He was at the low end of the draft (picked in the 19th round) and he is one of the “old guys” on the team at the age of 25.  He’s listed at 6’4” but seems smaller as at 230 lbs he is stocky.  Somehow I think this guy has some chance of making the majors.  Here he is in action:

But that is not the end of the multicultural story.  The shortstop Jose Devers, only 19 years old, is another Dominican.  Disappointingly, my New York Yankees traded him to the Marlins.  He is now one of the high ranking shortstops in the minors, hitting around .370.  If the name sounds familiar, he’s the cousin of Red Sox third baseman Rafael Devers.  How cool would that have been if the NYY held on to him for the Sox / NYY rivalry?  During Wednesday night’s game he went 2 for 4. 

Also on the team is the highly touted 22 year old Cuban Victor Victor Mesa who the Marlins signed for about $5 million, along with his 17-year-old brother, Victor Mesa, Jr. for $1 million. To my knowledge, the latter is yet to play minor league ball, but his older brother looks like he has the right stuff.  They’re sons of the famous Cuban baseball player – you guessed the name, Victor Mesa.  Here’s Victor Victor at bat:

Finally that game was the first rehab assignment for one of the Marlin’s regulars, Garrett Cooper, who unfortunately made a bush league error playing left field and seemed to have difficulty getting back into the grove, but the last I looked he was batting over .500 so I can only assume he’ll be joining the parent club soon.


It was one of those special Florida nights, a cool breeze and on the field the kind of multiculturalism which is to be embraced, not feared.

Friday, May 3, 2019

Palm Beach Dramaworks to Stage John Guare’s Surreal Comedy, ‘The House of Blue Leaves’


It is a testimony to the importance and endurance of John Guare as a major American playwright that this Obie Award-winning play, The House of Blue Leaves, was written in the late 1960s and that his most recent play, Nantucket Sleigh Ride, is currently running Off-Broadway at Lincoln Center’s Mitzi Newhouse Theater.  In between those years he’s written many award winning plays, a musical, and screenplays.  Guare received the PEN/Laura Pels Master Playwright Award and the Gold Medal in Drama from the American Academy of Arts and Letters.  In effect, Palm Beach Dramaworks concludes its 2018/2019 season with an emphatic exclamation point, The House of Blue Leaves opening on May 17 and continuing through June 2nd.

The action takes place in October 1965 during the first visit by a reigning Pope to the United States. Millions are lining up along his parade route from Queens to New York City to greet him.  Among the throngs will be zookeeper Artie Shaughnessy, a wannabe Hollywood songwriter with big dreams and no discernible talent, in the hope that a papal blessing will whisk him away from Queens, leaving his mentally ill wife, Bananas, behind and into a new life in Los Angeles with his girlfriend, Bunny Flingus.

With the Vietnam War constantly in the background, and the hilarity of virtually every character vying to view the Pope, or receiving a blessing from the Pope or maneuvering for a brief moment of fame, The House of Blue Leaves is a black comedy, with farce and reality in stark, sudden juxtaposition.  Guare, who also wrote the entertainingly bad songs “composed” by Artie, has said that The House of Blue Leaves is about “humiliation and the cruelties people inflict on each other.”  In spite of the underlying seriousness of the play, we should be prepared for dialed up laughter.

Director J. Barry Lewis opined that “my challenge is to bring the script to life by finding the comedy through the characters.  It is a narrative story and while a farce to an extent, it is not at the same break neck speed.  It is more of a comedy in a field of the absurd.  This type of theatre is complex so we generally sought out knowledgeable local actors, ones we’ve mostly worked with before, so we could quickly ramp up. Our audience is going to have fun seeing so many familiar actors in some unusual roles.”

He went on to add, “And don’t underestimate the importance of the New York City scene, and the Vietnam era of the play.  There is a constant state of anxiety and high expectations of the Pope’s visit. It captures the American Dream of hope.  The central theme of the hollowness of seeking celebrity status is omnipresent.”  

In that regard, its relevancy to today is uncanny, celebrity worship, anxiety about our political situation, and hope for its resolution.

Vanessa Morosco, Bruce Linser, Elena Maria Garcia
Photo by Tim Stepien
Bruce Linser, well known to the PBD audience as a director and the manager of PBD’s Dramaworkshop plays zookeeper / woefully-mediocre-songwriter-seeking-fame-and-fortune, Artie Shaughnessy.  I asked him what it feels like to be on the stage again and without hesitation he said “it’s good being back on the stage and it’s a forceful reminder as to how difficult it is to be a really good actor. I love playing Artie.  Guare was very mindful that comedy could undermine the character development. He’s a fascinating and heartbreaking character and I hope to bring those attributes forth so the audience will feel for him.”

Linser comes to the stage with an extensive musical performance background so he’s very comfortable playing this frustrated songwriter and performing his grade B songs.  As he added “Artie’s musical abilities and works are good enough to pass as songs but bad enough to be funny.”

The two female leads have names in the play which sound like they were made-up by sitcom writer, Artie’s girlfriend Bunny Flingus (played by Vanessa Morosco) and Artie’s wife Bananas Shaughnessy (played by Elena Maria Garcia, her PBD debut).

Bunny is the downstairs neighbor who is pushing Artie to move to California in pursuit of the celebrity status they both so desperately want.  Vanessa Morosco said “I love playing the role of Bunny as she’s excitingly unpredictable and is subject to fantasies. I also love this play, which has an incredible place in the canon of American plays, with Guare entreating the close attention of the audience as characters routinely break the fourth wall to argue their case or to express their private thoughts.”

Poor Bananas, for whom Artie is seeking an institution to take her off his hands, and release him into the dreams he has for himself and Bunny.  But Bananas has moments of lucidity and insight as well as drastic mood changes.  It is a challenging part, and has been Elena Maria Garcia’s “dream role.”  Why?  As she explained, “I feel a very close relationship to this play as I wrote my thesis on it when I studied drama.  And the character of Bananas particularly fascinated me as I was drawn by her innocence as well as being in the center of a hurricane of action around her.”

The play has hilarious subplots and therefore in addition to the three leads there is an extensive cast, featuring, in alphabetical order, Irene Adjan, Jim Ballard, Austin Carroll, Elizabeth Dimon, Margery Lowe, and Krystal Millie Valdes (PBD debut).  Rounding out the cast are Timothy Bowman (PBD debut) and Pierre Tannous.  Scenic design is by Victor Becker, costume design is by Brian O’Keefe, lighting design is by Kirk Bookman, and sound design is by Steve Shapiro.

It promises to be a fun filled and thought provoking production at The Don & Ann Brown Theatre on Clematis Street beginning May 17 through June 2.

Update: May 18 Review of the play at this link:  http://lacunaemusing.blogspot.com/2019/05/dramaworks-scores-comic-and.html