Equus: A Tense Drama of Inner Discovery to Open at Palm Beach Dramaworks

Peter Shaffer’s Tony Award-winning play, Equus, described as a “psychological thriller,” opens at Palm Beach Dramaworks (PBD) on May 18 and continues through June 3.  The idea was suggested to the playwright by a real life incident, although the details were never known to him.  But it inspired his imagination and Shaffer wrote what is considered one of the great English plays of the late 20^th century.  It stands on the level with his other, perhaps better known play, Amadeus.

It takes an exceptional theatre company to produce a play of this magnitude and intensity.  Not many regional theaters are prepared to showcase a cast of this size with all its emotional rawness.  So for those of us in South Florida it is an opportunity to see a Broadway quality play (in fact, it was last revived on Broadway in 2008 which included the Broadway debut of Daniel Radcliffe of Harry Potter fame). The PBD production is being directed by J. Barry Lewis.

Peter Simon Hilton, J. Barry Lewis, Mallory Newbrough

Seventeen year old Alan Strang is a “strange” boy.  Sexually repressed, the only son of a obsessively religious mother and an atheist father, fervently and delusionally conflates the suffering of the symbol of Christianity, Jesus, with those of horses, their having to endure bridles, reins, stirrups, riders dashing spurs against their flanks.  And yet, Alan is moved by “the way they give themselves to us.”  Alan replaces a portrait of Jesus in his room with a picture of a horse: “behold I give you Equus, my only begotten son.”

A series of events brings Alan into a job as a stable boy where he can be with the horses he worships and where he feels sexually aroused in their presence.  His erotic, passionate obsession with horses leads to the horrific and unfathomable act of blinding six of them.  

Steven Maier

Alan is played by Steven Maier.  One of Dramaworks’ strengths has been in discovering new talent and then casting them in the perfect role.  In Steven Maier, a young actor in his mid 20s they have found someone who can play this very intense part.  Maier revealed that through his background in music, as an accomplished guitarist and songwriter, he can develop “an emotional rawness that helps me approach the character of Alan in an organic way. Songwriting about my inner feelings makes me fearless.”

“It’s a unique role, a real challenge for me. But I have to approach it as any other role, with truthfulness and honesty, and this one is layered with incredible intensity which builds throughout the play. Every audience will have their own reaction to Alan. All I can do is to play it honestly and with passion.”  Also as a young actor he finds “a special pleasure to work with such a group of experienced actors and a director such as J. Barry. Every day is a learning experience.”

Alan’s case is brought to the attention of Martin Dysart (played by PBD veteran Peter Simon Hilton), the head psychiatrist at a local hospital who specializes in childhood trauma by his close friend and magistrate, Hesther Salomon (played by another PBD veteran Anne-Marie Cusson).  She believes that Dysart is the only one who can delve into the disturbed boy’s unconscious and can “cure” him.  Against his objections of taking on still another patient, Dysart is nonetheless intrigued by the details of Alan’s case.  And so the unraveling of the mystery begins.

Dysart has his own issues, a loveless marriage and a profession he sometimes questions.  The closer he comes to “breaking the case” the more he backs away, fearing that “curing” Alan will rob the boy of his passionate nature,  the magnitude of which he himself has never known.  In fact, this is Shaffer’s comment on modern mankind sliding into obedient citizens simply living out dull and ordinary lives.  One can remember Salieri’s obsession with “mediocrity” in Amadeus.  Dysart has a similar obsession fearing his profession is killing passion.

Peter Simon Hilton, from Arcadia fame last year at Dramaworks, plays the conflicted character Dysart.  “Equus is very visceral as opposed to Arcadia which is very intellectual.  The audience gets right into this play. In many ways it still shocks today.”  About his character Hilton said, “one essentially likes him as he doesn’t give up. And I relate to him as I’m English and I’m old enough to remember the times the play is set in. My memory of the cultural references brings advantages in my interpretation of the character. And as I studied classics, I was able to fast track into my understanding of Dysart’s obsession with Greek history and mythology. It’s one of the great acting roles in the theatre and it’s such an opportunity to play the part. And although the play is set in the 70’s, it is a timeless play.”

Interestingly, both Peter Simon Hilton and Steven Maier cited the same line from the play as their favorite.  It is spoken by Dysart but of Alan: “That's what his stare has been saying to me all this time. ‘At least I galloped! When did you?’”

The highly experienced J. Barry Lewis is the director of Equus.  He thinks of the script as “poetry at times – the words give clarity to issues in the play. The story is not what Alan did but why. And in looking for clues we find where anyone’s passion may lie. Have I done enough? Am I good enough? But we question – and that’s what makes this so relevant: the universal notion of self doubt. And in the case of Dysart he is struggling with a case of ‘professional menopause.’“

“Style is the biggest challenge for me, as a director, to bring this play to life. Staging is something Peter Shaffer gives over to the director to bring the playwright’s imagination alive to the audience. And style is the big surprise of the play: its minimalism, strip away everything and let the story be told. It is extraordinarily representational. And I love the ability to tell stories in a new framing device.”

The “Horses” of Equus

In addition to actors named above, Alan’s parents are played by two PBD veterans, John Leonard Thompson as Frank Strang and Julie Rowe as Dora Strang.  Alan’s unconsummated love interest in Jill Mason (played by PBD veteran Mallory Newbrough) has such a pivotal role leading to the horrific act.  Other actors, all making their PBD debuts, are Steve Carroll, Meredith Bartmon, Domenic Servidio, Nicholas Lovalvo, Robert Richards, Jr., Frank Vomero, and Austin Carroll.  Scenic design is by Anne Mundell, costume design is by Franne Lee, lighting design is by Kirk Bookman, and sound design is by Steve Shapiro.  Lee Soroko is the movement coordinator, and Ben Furey is the dialect coach.

Equus is a multilayered play dissecting the nature of sanity vs. passion, sex and religion.  Palm Beach Dramaworks’ ambitious undertaking can be seen beginning May 18 at The Don & Ann Brown Theatre in the heart of downtown West Palm Beach.  For ticket information contact the box office at (561) 514-4042, or visit www.palmbeachdramaworks.org.

Update: A Review of the play is now published at http://lacunaemusing.blogspot.com/2018/05/equus-soars-stuns-and-unsettles-at-palm.html

All photographs by Samantha Mighdoll at the Dramaworks Rehearsal Studio

Sense of Impotency in the Age of Trump

Gaslighting will do that to you.  The endless stream of invectives and distortions coming from our own President and his administration, ignored by many of our elected representatives, leaves one feeling a sense of helplessness, hopelessness, and even sickness.   The easy way out is to get dragged into the melee, and engage with extremists from both ends of the political spectrum, taking our tribal positions.  I’ve done it and still do, but there may be another way.  Join RDI, the Renew Democracy Initiative.  Here is a place for non extremists from both sides of the political divide to find solace and work together to preserve our Democracy, like-minded folk who believe in their Manifesto, particularly #13:  There is still a center in Western politics, and it needs to be revitalized— intellectually, culturally, and politically. The center right and center left are still joined by a broad set of common values, including respect for free speech and dissent, a belief in the benefits of international trade and immigration, respect for law and procedural legitimacy, a suspicion of cults of personality, and an understanding that free societies require protection from authoritarians promising easy fixes to complex problems.

Think about it.  We live in an age where a porn star is suing a sitting President for defamation of character.  Not that I don’t think she has a right, particularly as we elected a man who boasted about grabbing women by their “pussy.”  A reality TV star has turned politics into a reality TV show. We elected him.  The Office of the Presidency is demeaned every day and in so doing the moral compass of America’s leadership disintegrates in a haze of gaslighting, jeopardizing the democratic principles we have built for more than 200 years.  We’ve made such progress, and shame on us all to let it be undermined with catchy simplistic slogans like “Make America Great Again,” or the endless stream of consciousness impulse tweets, mass-market entertainment passing as Presidential proclamations.  

From RDI’s site: The world is in the midst of a modern political crisis fueled by fear, distrust, and confusion. Disturbing global trends, such as populism and authoritarianism, are imperiling the basic tenets of liberal democracy.  The Renew Democracy Initiative (“RDI”) came into existence as an effort to reinvigorate democracy and combat the extremism that deforms public debate.  Our goal is to remind, to educate, to advocate for liberty.