Showing posts with label Jonathan. Show all posts
Showing posts with label Jonathan. Show all posts

Saturday, May 11, 2013

RIP Alan Abelson



An old "friend" died two days ago, Alan Abelson, someone who enlightened and amused me each Saturday for the last 40 years or so from the pages of Barron's, specifically his Up and Down Wall Street column.  In this age of 24 x 7 financial reporting (or what passes as financial reporting), one could depend on Mr. Abelson to present the contrarian view, with an acerbic wit.  He made sense of a lot of nonsense, and I read his columns as I would a fine novel, valuing every word.  He was to financial reporting as H.L. Menken was to American culture. Saturdays will not be the same without him (and haven't been while he had been ill and unable to write). 

My son, Jonathan, was equally upset to hear this news, making an interesting observation. He thought that, judging by his writing, Mr. Abelson was about his own age, but "writing beyond his years in wisdom and insight." Indeed, he was that kind of writer, writing with the vigor of a much younger person, but with the authority of experience.  Now he too is one for the ages. 


Wednesday, February 20, 2013

Hubris at Sea



"Hubris often indicates a loss of contact with reality and an overestimation of one's own competence or capabilities, especially when the person exhibiting it is in a position of power."...Wikipedia.   Hubris and boating are a deadly mix.

Sunk: The Incredible Truth About a Ship That Never Should Have Sailed  tells the nightmarish story of the replica ship HMS Bounty's last days at sea, and the events leading up to her Captain's decision (Robin Walbridge) to put out to sea as monster storm Sandy was making its way up the coast.  As the investigation is not yet completed, perhaps "hubris" is the wrong word, but this thorough, unbelievable account published by Outside Magazine seems to point that way.  Captain Walbridge charisma enlisted the support of his crew in his decision to depart New London, CT in advance of the storm, the ultimate objective to sail to St. Petersburg, FL, some 1,400 nautical miles away.

As the article recounts, the HMS Bounty was a ship with a long history of difficulties.  It was a money pit with unceasing hull leakage and engine systems that one crew member described as “definitely patched together.” (Thus it could never be certified by the Coast Guard as a seagoing passenger vessel.) On the other hand, Walbridge had challenged bad weather before, and always came through.  The crew was well aware of that and apparently were willing to follow him to hell.

The plan "was to sail due east, wait for Sandy to turn toward land, and then push the vessel into the storm’s southeast quadrant, where hurricane winds are usually weakest. Why he so quickly abandoned that idea once at sea remains a mystery."  As soon as the ship rounded Montauk Point, it made a heading of 165 degrees,  south by southeast, right into the fury of Sandy.

The harrowing account of the rescue of most of the crew by the Coast Guard is told here in detail.  Unfortunately, in addition to never recovering Captain Walbridge who went down with his beloved ship, one crew member died, the least experienced of all, Claudene Christian, who was reportedly the great-great-great-great-great granddaughter of Fletcher Christian, the acting Master who led the famous Mutiny on the Bounty in the 18th century.  Such is normally the stuff of fiction. 

The replica HMS Bounty was made for the 1962 movie with Marlon Brando.  "The ship was supposed to be burned for the film’s final scene. Hollywood legend has it that Brando threatened to walk off the set if the vessel was destroyed."  So began its long history as a moored attraction vessel with Robin Walbridge as the driving force in preserving it -- all the more inexplicable his decision which ultimately led to the Bounty's demise and his own untimely death.  As I said in my entry on the Costa Concordia disaster, "whether you are piloting a large ship or your own recreational vessel, most nautical disasters are the result of its Captain being overconfident." 

During its lifetime, it sailed to many destinations, sometimes to Europe but mostly the Northeast coast, Florida, and the Caribbean.  We've seen her before during our own trips, most recently in Puerto Rico last year.  In 2009 she visited Peanut Island at the Lake Worth inlet in West Palm Beach, and my son, Jonathan, and I went to see her.  Farewell, HMS Bounty.







Friday, December 28, 2012

Went to a Garden Party



Ann and I celebrated my 70th birthday on a cruise with our two sons, Chris and Jon, the first time we've been together for such an extended period since they were kids.  But families find a way of settling into a familiar groove, wondering what the years have really done to us all (as a family) other than just growing older.  In this regard I quote Robert Mazzocco's poignant poem about families.  In many ways it describes my relationship with my parents more than our sons' relationship with us, but the echoes of the poem reverberate through generations, indeed, "dynasties" in their own way...

Dynasty

 Family voices: you still can hear them,
 ever so dimly, there in your own voice:
 your father’s voice, even your mother’s voice.

 The older we get,
 the more you’ll hear them,
 though no one else does.

 Just as you still can see them, all over
 your body, though, of course, no one else must:
 family scars and family kisses.

Copyright © by Robert Mazzocco

This was brought home even more vividly by my reading during this time, particularly the two literary biographies, Hemingway's Boat, and Cheever, A Life.  More on them later.

The trip itself was a Caribbean cruise.  Ann and I have been on many before, but not with both our boys. This particular one was on Royal Caribbean's 'Vision of the Seas', an older ship, a little tired, but nicely laid out and with the bonus of a relatively quiet solarium, adults only, where I could alternatively read, and swim in their salt water pool, while Jon and Ann engaged in a battle of Scrabble and Chris worked on his laptop (new job, one he loves). The other bonus was having a balcony from which we could watch port arrivals and departures, and where I could while away more reading time, listening to the seas breaking against the hull.  Early mornings I would get up to the fitness center to compete for space on one of the treadmills and stationary bikes, endeavoring to offset some of the food intake.  The cuisine happened to be good, better than we expected for such a cruise.  The trick was to avoid the bread and minimize the desserts.

But the best feature of the cruise itself was the itinerary, two days at sea and then a new port every five days, St. Croix, St. Maarten, Dominica, Antigua, and St. Kitts.  We had been to all before, except Dominica.

So we set out for the Ft. Lauderdale Port Everglades Pier in high spirits co-mingled with a bit of apprehension about celebrating my 70th birthday this way, only to arrive on the ship with the shocking news of the Newtown, CT tragedy that morning.  Such heartbreak to begin our 10 day holiday.  And it hit so close to our previous home in Weston, a familiar territory as we lived only about a dozen miles from Newtown for 25 years, knew people there, particularly employees of my publishing company.  But no matter where this insane act might have taken place, it just underscored the abysmal record we have as a nation, a popular culture that is consumed by violence -- just look at the best-selling video games and some of the compost concocted by Hollywood -- and the Eleventh Commandment (in the form of the 2nd Amendment) -- promoted by the NRA and the like.  Hey, I want to carry a Bazooka, it's my right!  How many of these disasters do we have to live through before banning military style weaponry?  I have no pollyanna notion that this solves the problem, as no doubt the most violent criminal elements will find anything they want, but over time it will make it more difficult for the casual crazy to get his hands on such a weapon.  The absurdity of arming guards in schools to ward off those with arms might be a short term deterrent, but not a solution, although the gun makers might be delighted --  let's have a shoot out at the O.K. Corral Public School!

Colorado had reiterated the right to bear arms in public places.  That got them the movie theater shooting.

Thus, it was on such a down note that we sailed out of Ft. Lauderdale.  Twenty four hours later, on my actual birthday, we were now attempting to move into full cruise mode and try to temporarily leave the world's troubles behind for a few days. After dinner and a celebratory birthday cake, too sinful for words, we decided to attend that evening's entertainment.  What an ironic twist that on this night, my actual 70th birthday, the show in the ship's Masquerade Theater, was "Ricky Nelson Remembered"

performed by Ricky's twin sons, Gunnar and Matthew Nelson.

How appropriate, one of my boyhood idols, being honored by his two sons, on my birthday with my two sons, pictured here on the ship:

and here when Chris had his 16th birthday:

I asked them whether they had ever heard of the Ozzie and Harriet Show (of course not) and I tried to explain something about that early TV feel-good sitcom -- covering a real family -- and the rise of the youngest son, Ricky, to become the first TV-made rock star.  I was a teenager at the time, going through my "Elvis" stage, although the rockabilly songs of Carl Perkins and  Gene Vincent appealed to me more.  Ricky's songs were cut more from that mold and so he was put on my hit list for some precious 45's which I played in my attic bedroom to drown out my parents.  I entitled this blog entry "Garden Party" as it is a song that resonates more for me in retirement than when he sang it for the simple reason that "you see, ya can't please everyone, so ya got to please yourself," one of the main reasons I write this blog.

After two days at sea, we arrived at our first port, St. Croix, an island we vacationed on 36 years ago when Jonathan was only 3 months old.  This is not the kind of island one wants to visit on a cruise ship for one day, and I suppose the same could be said for the other islands on the itinerary other than Dominica, it's capital, Roseau, being right at the dock (which only accommodates one ship, thankfully, and is very walkable.

In Dominica our mission was to get away from the ubiquitous shops that populate the immediate area where the ships dock at every island (in fact, in some places, that's all you can walk to) and as soon as we emerged from that area it was a different world.  Although mostly impoverished as are so many of the islands and although we walked through some very rundown areas, the people were extremely friendly.   

It is an island I would like to spend some more time on, nicknamed the "Nature Isle of the Caribbean" for its pristine beauty   

Our immediate goal was to find the island's Botanical Gardens, which we did and enjoyed the tropical flora and fauna, particularly the Spiny Bamboo House which rises cathedral like.  The tenacity of how things grow in the tropics was underscored by an African baobab tree that was felled by Hurricane David in 1979 on top of a school bus and today,  crushed bus and tree branch are still there for all to marvel over, and have been left untouched with the tree still stubbornly alive and well.

Returning to the ship we walked many side roads with various local scenes.

The boys went on while Ann and I lingered on the grounds of the pretty public library finding, eureka!, free Wi-Fi there.  Armed with our iPhones we caught up on some email, me in a few minutes, Ann (with many more friends than I) more than a few minutes.  Meanwhile, I decided to explore the inside of the library.  After all, my publishing company focused on the library market, but mostly the university level, but it's always fun to visit a library in another land, in this case a remote Caribbean island with just a few rooms of books. 

Inside, every shelf was populated by well arranged books, but, more importantly, nearly every chair was occupied by a reader. This is a library that still focuses on the printed word, not electronic delivery.  I began to peruse the reference shelves curious whether they included any of the books I published.  To my delight one of the first titles my eyes fell on was our edition of Tom Inge's 2 Volume, Handbook of American Popular Culture and even more satisfying after examining the copies was to see they've been heavily used over the years. This was sort of the full circle for me as I remember proposing the reference book program that was aimed at public libraries in the mid 1970s and in fact, this Handbook had been on the list of specific titles to be developed and it was published in 1978.  There I was on the island of Dominica 34 years later holding in my hand the result of that idea and having the satisfaction that it had been used so many times by the good people of the island.

Ironically, in today's Internet world, such a Handbook would be unpublishable, except electronically, and maybe the search engines would even obviate that. 

Back on the ship, we continued over the next couple of days to the remaining ports, Antigua and St. Kitts, which Ann and I had visited before but, for our son, Jonathan, they represented the 100th and 101st country in his itinerant life, intent on seeing all countries in the world by the time he's my age.  I believe he'll do it.

As I've written many times before, the best part of cruising (for me) is the time I have to read (why is being home more time consuming than traveling?).  And what struck me from my reading as I was traveling with my family?  Each family has its unique story.  This cruise I devoured Hemingway's Boat by Paul Hendrickson, and I'm about 2/3 of the way through Cheever, A Life, by Blake Bailey who I think is emerging as the preeminent literary biographer.  He brought Yates to life, and now Cheever.

Amazing to read about Hemingway and Cheever, so different in their writing and how they approached life and, yet again, such dysfunctional family lives (not as bad as Yates who led a depressed life in addition to being a drunk like Cheever)  And for me amazing, the crisscrossing of aspects of their lives and mine, not that I'm a literary anything, but places and cultural commonalities galore.

The focus of Hendrikson's biography is indeed Hemingway's boat, a 1934 38 foot Wheeler, made in my old stomping grounds of Brooklyn, NY, named "Pilar' of Key West.  It had a 75 HP Chrysler reduction gear engine and a 40 HP Lycoming straight drive for trolling.  He could run the boat at 16 knots with both engines (although that was rare).  Ironically, the dimensions of his boat are about the same as mine.  The 'Swept Away' is also 38 feet, holds about the same amount of fuel (330 gallons vs. 'Pilar's 300 gallons) and the same amount of fresh water, 100 gallons.

But of course "Hem" fished the boat and fished it hard, off of Cuba and Bimini in the Bahamas.  The entire biography circles around the boat, the manufacturer, and the mates who ran the boat.  It is more about his life and times than his writing.

The Cheever biography is as much about his writing as the man itself.  His life was one of self doubt, always seeking approbation, unsure of his sexuality, and like Yates, one that gradually became consumed by alcoholism.  During WW II he was in the infantry and was a week from being shipped off to Europe when he landed an assignment with the Signal Corps writing documentary films, ironically the same branch of the service as my father and Cheever's "office" was in Astoria, Queens, the same place my father's business landed before it was forced to close its doors.  Most men from Cheever's unit were shipped off a week later and died on Utah beach, the same destiny that would have befallen him. Lucky for him and us or we would not have most of the short stories (and all of the novels) from one of most important writers.

Cheever is closely identified with the New Yorker school of writing as was his younger contemporary (and rival) John Updike, probably the most important American writer of the late 20th century along with Philip Roth.  Updike and Cheever while respecting one another, kept an eye out for the other as well, particularly Cheever who felt inferior in many ways to Updike, particularly because of his younger colleague's Harvard education (Cheever went to the school of hard knocks as did Richard Yates).  While the careers of Cheever and Updike were constantly crisscrossing, Yates was an outsider, never achieving the distinction of a New Yorker published short story. 

Between the two biographies, I read another novel by Louis Begley who is beginning to impress me as the next great American writer, but at the age of 79, he might not have enough time to establish an even greater reputation since switching his profession from the law to creative writing.  After the Schmidt trilogy, I wanted to know more about the man, and chose his very autobiographical Matters of Honor in which his persona is occupied by two characters, Henry White, a Polish-Jewish refugee who was hidden as a child during World War II, with his mother and father, and therefore survived, who becomes an international attorney, and Sam Standish, the narrator, who becomes an author.  Of course, Begley is both people and it is interesting how he orchestrates many characters in the novel in this coming of age story, from Henry and Sam being Harvard roommates in the 1950s and then their rise to the pinnacle of their careers later in life.  Begley's struggle with anti-Semitism and the meaning of friendship constantly surfaces.  This is the work of a mature novelist in every way.

So I shared my 70th birthday with my family and some of my favorite authors.  My Garden Party was swell.


Friday, August 3, 2012

Summer Reading (Continued)



While living on the boat, we are able to catch up on our reading.  As I haven’t made the transition to the Kindle yet, we ship up a box of books for the summer and they sit on our little bookshelf on the boat, awaiting their turn.  Part of the fun is looking through them, deciding upon the next read.  I selected a number of novels, some recommended by our son, Jonathan.


It took a younger generation, Jonathan to be precise, to introduce me to some fresh, intelligent and extremely moving literature, not only Eric Puchner's Model Home which I thought was a fabulous first novel, and now his second recommendation, another first novel, The Miracle Life of Edgar Mint by Brady Udall which was published in 2001 (Puchner’s novel is more recent, 2010). 

These are extraordinary first novels, major literary talent.  Udall has published his follow up, widely praised as well, The Lonely Polygamist which I have yet to read.  Interestingly, both the Puchner and Udall novels are set in the west and southwest (when I think of that area, I think of the photograph below I took somewhere in the southwest years ago), perhaps the new home of the American dream or the American nightmare.  However, the two novels differ greatly in their perspectives and voice, Puchner reminding me somewhat of Updike, Cheever, and Yates, while Udall’s The Miracle Life of Edgar Mint is a little Huck Finn, Oliver Twist, Rule of the Bone and The Book of Mormon  oh, and throw in the Paul Newman film, Hombre, about a half breed Apache.

Udall writes a genuine Bildungsroman, our lovable but struggling protagonist Edgar Mint living out an upside down life (“In many ways, it occurs to me now, I have lived my life in reverse.  In the first half of my life I had to make all the hard choices and ride out the consequences, while in the second half I have lived the sheltered and uncluttered life of a child.”)  He is an orphan but like Oliver Twist has to go through a horrific childhood before emerging into the sunshine of a loving caretaker.

Along the way we meet his friends and his Fagins, the story gathering force and momentum as it unfolds, beginning with his self-assessment: “If my life could be contained in a word it would be this one: accident.”  From there it is one finely written calamity to the next culminating in a complete circle, Edgar achieving peace and a kind of maturity that only hardship can teach.

He is a half breed, part white (a “cowboy” father from Connecticut of all places!) and an Apache mother who becomes an alcoholic and deserts Edgar, who ends up in an orphanage from hell, not unlike those in Dickens’ novels. (“For the seven years my mother and I were together, I was nothing but an inconvenience to her, a burden, a source of pain, and her pregnancy with me was no exception.”)

Like the last book I read, Richard Ford’s Canadaits first paragraph is spellbinding: “If I could tell you only one thing about my life it would be this:  when I was seven years old the mailman ran over my head.  As formative events go, nothing else comes close; my careening, zigzag existence, my wounded brain and faith in God, my collisions with joy and affliction, all of it has come, in one way or another, out of that moment on a summer morning when the left rear tire of a United States postal jeep ground my tiny head into the hot gravel of the San Carlos Apache Indian Reservation.”

He actually dies but a young doctor, Barry Pinkley (even the names give homage to Dickens) brings him back to life and Pinkley becomes obsessed with Edgar’s well being afterwards (“Everyone agreed that my survival was either an absolute miracle or a freak happenstance…but there was also general agreement that simple survival was as far as the miracle would go: there was no chance on earth I was going to be anything but a mental and physical equivalent of a turnip.”)  But Edgar befriends an older man in the hospital, Art, and when Edgar is diagnosed with “Dysgraphia,” the “inability to write,” Art insists that they get Edgar a typewriter.  Even though Edgar confesses: “I have to say it was not love at first sight,” when he was given a Hermes Jubilee 2000 typewriter. It becomes his salvation and he carries the albatross of his enormous output in a trunk wherever he moves: great comic fiction with lots of dark humor driving the story.

Out of the hospital he is sent to the William Tecumseh Sherman School (“My first day of school at Willie Sherman and I was about to realize that I was no longer Saint Edgar the miracle-boy, hospital sweetheart, beloved by all, but a walking target, a chicken among the foxes.  Not only was I the new kid…[and] not only was I a crossbreed.”)

But our hero survives and he is finally placed with a foster family in Utah, a Mormon family, the Madsens, as dysfunctional as any other American family, but at least a warm bed for Edgar, who thinks that this is the answer to his salvation, even receiving Baptismal and endeavoring to learn the Mormon religion.  That too is not the answer for him, but he thinks he has developed a calling in life and that is to find the mailman and to forgive him (Edgar knows that the mailman thinks he had killed him).

While Barry Pinkley and his foster mother Lara Madsen figure prominently near the novel’s conclusion, it is ultimately from this “calling” that the novel culminates into one of the finest written last chapters that I’ve read in years, gripping in its emotional power and a testimony to Udall’s writing gifts by constructing the perfect coda. 

As I am merely about ten years late in discovering this novel, there are plenty of other sources for more information, but both Udall and Puncher are on my radar screen for fine writing in the future.

Before posting this I also finished Motherless Brooklyn, by Jonathan Lethem, another recommendation made by my son.  I do not mean to diminish its importance by not covering this novel with its own entry, but mysteries are not my usual reading fare and I feel a little off base reviewing the book.  But while a mystery, this novel is a brilliant piece of writing, with the very clever conceit of the main character, Lionel Essrog, having Tourette's syndrome which gives Lethem a platform for demonstrating his writing skills.  I’m also partial to Motherless Brooklyn as it is set not far from where I lived for almost ten years and through Lethem I could almost feel the macadam of the setting, Court Street, Carroll Gardens and Cobble Hill. 

It shares some of the themes of Udall’s novel as well, a novel about an orphan, Dickensian characters, a coming of age story but in the form of a detective novel, our erstwhile hero endeavoring to find the murderer of his mentor, an underworld character, Frank Minna, who has rounded up Lionel and other orphans from the “St. Vincent Home for Boys” to serve his nefarious ends, not unlike, again, Oliver Twist’s upbringing.

The “language” of  Tourette's is like a coiled spring throughout Lethem’s tour de force: “I’m tightly wound. I’m a loose cannon.  Both – I’m tightly wound loose cannon a tight loose.  My whole life exists in the space between those words, tight, loose, and there isn’t any space there – they should be one word, tightloose.  I’m an air bag in a dashboard, packed up layer upon layer in readiness for that moment when I get to explode, expand all over you, fill every available space.  Unlike an airbag, though, I’m repacked the moment I’ve exploded, am tensed and ready again to explode – like some safety-film footage cut into a loop, all I do is compress and release, over and over, never saving or satisfying anyone, least myself.  Yet the tape plays on pointlessly, obsessive air bag exploding again and again while life itself goes on elsewhere, outside the range of these antic expenditures.”

 There is one surprise after another in these pages, a labyrinth that the reader is compelled to negotiate to a fitting ending.  Simply put: I loved reading Motherless Brooklyn. One is always rooting for Lionel, his eccentricities giving him a special place in literature and, no doubt, the mystery genre.