Showing posts with label Great American Songbook. Show all posts
Showing posts with label Great American Songbook. Show all posts

Friday, April 20, 2018

Emmet Cahill--- Remember that Name


Emmet Cahill

The applause was thunderous, the audience in raptures, a young man singing his heart out, so much talent and personality wrapped up in a dimpled package.  Here is a young singer on a solo tour with hundreds of ardent fans making their way to see and hear Emmet Cahill.  He is an Irish tenor who has performed with the renowned Irish singing group, Celtic Thunder, all over the world.  On Thursday night, he made his second appearance in the West Palm Beach area, again accompanied on several numbers by the Robert Sharon Chorale, the 84-voice-strong local community chorale. 

Cahill is from Mullingar, County Westmeath, the same setting of John Patrick Shanley’s play Outside Mullingar. Irish theatre is one of my favorite theatre experiences so I was particularly intrigued by the opportunity to see the performer whose debut album, Emmet Cahill's Ireland, went to number one on the Billboard World Music chart.

 He made his Carnegie Hall debut in New York City recently and this fall he will sing in 75 cities across North America with Celtic Thunder on their 10th anniversary "X" tour.  But for now he is embarking on a multi city tour as a soloist which will take him to nearly a score of other US cities during the next two months.  So expect to see him somewhere!  He promises to return to the West Palm Beach area sometime in the future as well.

Cahill played to a packed house and it’s no wonder.  He is one of the most dynamic and personable, not to mention immensely talented, singers I've seen.  His program on Thursday naturally included several Irish classics such as “Danny Boy”, “When Irish Eyes Are Smiling”, “An Irish Lullaby” and “Wild Mountain Thyme.”  “I am very proud to be Irish,” explains Cahill. “I want people to feel a real connection to the songs, as well as the people and the stories that they represent.  There has always been a special relationship between the Irish and American people and I want to further enrich that friendship.”

As his performance was in a religious setting, the Holy Name of Jesus Catholic Church in West Palm Beach, and he has strong religious roots beginning his singing career at his own local church in Mullingar, he sang several moving hymns including a tearful, heartfelt performance of “Amazing Grace.”

His tenor voice is strong but clear.  He manages to bring forth so much emotion and clarity with his voice, an instrument onto itself, with never an inaudible word.  Cahill can deconstruct a song to certain simplicity so not one emotive moment is lost on the audience.  It doesn’t hurt that his accompanist, Seamus Brett, is an extraordinarily gifted pianist who knows how to showcase this rising 27 year old star.

Seamus Brett Accompanies Emmet Cahill

They even challenged the audience to suggest six or seven songs which they would perform as unrehearsed requests and then extemporaneously they strung together a medley of those songs.  One such request was “O Sole Mio."  Enrico Caruso and Mario Lanza would have been proud, maybe envious, of Cahill’s rendition which demonstrated his classical vocal training at the Royal Irish Academy of Music in Dublin.

But Irish folk songs and liturgical hymns are not Cahill’s only strengths.  He is equally comfortable with the Great American Songbook and Broadway.  In fact he said that Rodgers and Hammerstein’s work is among his favorites and to illustrate, he delivered a rendition of “Some Enchanted Evening,” wringing out all the emotion and depth from that song.  His rendition of “This is the Moment” from Jekyll and Hyde was thrilling.  The nostalgic favorite “Moon River” was as beautiful as those Irish folk songs.

He said that among the songs he first sang on stage as a professional was “Bring Him Home” from Les Miserables.  He is much too young to play Jean Valjean, but you wouldn’t know it from his masterly performance.  I’ve never been able to hear that song – or play it on the piano – without a tear in my eye, and his performance, with so much emotion, brought the house down with yet another standing ovation.  Clearly, so much of this young man’s future might be directed into the oeuvre of Broadway and the Great American Songbook.  He has the presence and that rare emotive gift for those songs, while never having to desert his unique Irish folk roots.

His YouTube performance of “Bring Him Home” from a 2015 USA tour when he was only 24 years old, clearly presages his brilliant future.  We look forward to seeing him again, soon.  Thank you Emmet!

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Thursday, March 8, 2018

I Didn’t Know About You



The longer I live the more I’m astounded by the beautiful music of the Great American Songbook.  You think you’ve heard all those classic songs, ones which will endure and transcend what passes as popular music today, and suddenly you hear a “new” one (at least to me), either at a jazz jam or even on the old fashioned radio. 

One would think radio is a thing of the past, all the FM stations mostly devoted to contemporary “music” until Legends Radio 100.3 FM was founded in the Palm Beaches by professional broadcaster Dick Robinson, who is also the founder of the Society for the Preservation of the Great American Songbook.  Even though local, it’s available world-wide at LegendsRadio.com.

I remember pulling out of our driveway one day, listening to 100.3 and hearing I Didn’t Know About You.  I said to Ann that song sounds like one by Duke Ellington.  His In a Sentimental Mood is one of my favorites. I made a mental note of the song and looked it up in one of my Jazz fake books when we returned home and sure enough, it’s by Duke Ellington, with beautiful lyrics written by Bob Russell. 

The version we heard on the radio was performed by one of a jazz favorites, Jane Monheit who we saw a couple of years ago at the Colony on Palm Beach.


I’ve incorporated I Didn’t Know About You in my own piano repertoire, and since I haven’t posted anything on YouTube in some time, I offer it here, so there is some documentation of my love of this music.  It is with profound gratitude to the great musical artists who created this body of music, loosely referred to as The Great American Songbook.  It enriches our lives. May it endure!

Monday, July 3, 2017

I Could Have Told You



One of the great joys of music is meeting different musicians and then hearing them play or sing pieces I’m not familiar with.  Wikipedia says The Great American Songbook, also known as 'American Standards', is the canon of the most important and influential American popular songs and jazz standards from the early 20th century.  That’s enormous territory and although I’ve been playing songs from that genre for more than fifty years, I still come across new ones (to me).  Most are fun to play and some are very moving.  Such is the case with the song “I Could Have Told You” The haunting melody was written by the great James Van Heusen, a friend of Sinatra’s, and the melancholic lyrics were penned by the prolific lyricist Carl Sigman. 

The  recording became a Frank Sinatra “signature song.” The Nelson Riddle arrangement was recorded as a single on December 9, 1953 just days after Sinatra reportedly attempted suicide over his broken marriage to Ava Gardner.  No wonder it is so mournful and heartfelt and supposedly he never performed it in his endless appearances on stage. Obviously, the song conjured painful memories. It later appeared on his 1959 compilation album Look to Your Heart and another one that same year, made up of mostly sorrowful songs, No One Cares.   

It was also recorded by Bob Dylan (surprisingly to me) so if one likes his voice and style you can also find it on YouTube.  It can’t compare to Sinatra’s smooth tonality and phrasing. 

Although I probably heard the song in my years of listening to Sinatra, I didn’t have the sheet music or take note of it.  I was “introduced” to it by a singer we came across in our many visits to the Double Roads Tavern in Jupiter.  The Jupiter Jazz Society headed up by Rich and Cherie Moore has a Jazz Jam there on Sunday nights.  Rich is a very talented pianist and can play almost any style. We’re supporters of the Society and try not to miss a performance.  We learned about the Society and Double Roads from our good friend (and my bass accompanist from time to time) David Einhorn who occasionally plays there.   So one connection leads to another in the small music world and there we saw a performance by an upcoming interpreter of the Great American Songbook, Lisa Remick.

A prediction: we’ll hear a lot more from her in the future.  She’s a perfectionist, the kind of singer we really appreciate, trying to go to the heart of a song, and singing it while conveying the emotional foundation of the lyrics and the melody.  Such is her interpretation of “I Could Have Told You” on her CD, Close Enough for Love.   

Thus, I was captivated by that song on her CD. I found a lead sheet for the piano and after playing it over and over again for myself, decided to record it and upload it to YouTube trying to allow the melody to speak for itself, with my usual disclaimer that it was recorded under less than ideal conditions in my living room and using a digital camera.  I played it just one time through and one can follow the lyrics which are below. It’s a gem of a song.

 
I could have told you
She'd hurt you
She'd love you a while
Then desert you
If only you'd asked
I could have told you so
I could have saved you
Some crying
Yes, I could have told you she's lying
But you were in love
And didn't want to know
I hear her now
As I toss and turn and try to sleep
I hear her now
Making promises she'll never keep
And soon, it's over and done with
She'll find someone new to have fun with
Through all of my tears
I could have told you so

Thursday, June 22, 2017

Too Late Now



We think of Lerner and Lowe as a team, but lyricist Alan Jay Lerner worked with other composers such as Burton Lane on the film Royal Wedding in 1951.  It includes this gem of a song, a memorable contribution to the Great American Songbook, touching lyrics by Lerner and a suitable Burton Lane melancholic melody.  Supposedly, they wrote it over the telephone. 

Although it’s been recorded by many, it’s Judy Garland’s sad rendition I think of as the song was written for her but she dropped out before Royal Wedding was filmed and was replaced by Jane Powell.  This YouTube recording was from her TV show, performed some dozen years later.  It takes on a genuine sadness given the back-story.

Too Late Now
Too late now to forget your smile
The way we cling when we danced awhile
Too late now to forget and go on with someone new

Too late now to forget your voice
The way one word makes my heart rejoice
Too late now to imagine myself away from you

All the things we've dreamed together
I relive when we're apart
All the tender words together
Live on in my heart

How could I ever close the door
And be the same as I was before?
Darling, no, no I can't anymore
It's too late now

My rendition in the “recording studio” of my living room has its technical drawbacks, but I tried to capture the pure simplicity of this wonderful melody.


Friday, June 16, 2017

I Love My Wife



Cy Coleman’s I Love My Wife is the title song from his 1977 musical about wife swapping – a very popular “sport” in those days, the same year NYC’s Plato's Retreat opened for swingers.  After the fantasying by the husbands in the show, they come to the conclusion that they have the best in their own wives.  Thus this song.  If it were not for Frank Sinatra perhaps the song would be as forgotten as the musical but, thankfully, Sinatra saw the genius of this beautiful ballad, the repeated musical phrases resulting in such a haunting melody.  He recorded it as a single using a Nelson Riddle chart. The lyrics, by Michael Stewart, latch onto those musical phrases (these of course are not the entire lyrics):

But just in case, you didn't know
I love my wife

and later in the song….

But just in case, you hadn't heard
I love my wife

and later again…

But just in case, you couldn't guess
I love my wife

and the concluding

But just in case, you couldn't guess
Or hadn't heard
Or didn't know
I love my wife
I love my wife
I love my wife

mmm….
I love my wife

My piano rendering of this wonderful melody is dedicated to my wife of nearly 50 years, Ann.